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Allegory Quotes

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Allegory Quotes

“What Roop says is correct. That thermometer hasn’t worked in years.” Sanger paused, looking around for Hansom before continuing. Not seeing the goatfish, he proceeded confidently, “Actually, I daresay my own studies have found the instrument to be so imprecise that it is my professional opinion that the temperature is just as likely to be going down as to be going up!”

“Against those who are indebted to the allegorical utopian model and its offshoots, the Memory Palace proves that alternatives to the tribal consensus exists. Furthermore, this alternative is a leap away, is deeply discontinuous with the allegorists' endless internal struggles for refinement. It promises not quite freedom but the fact that a careful look at history as achievement rather than ruination offers solid evidence that the allegorical utopian has about it no necessity at all.”

“She reached down and picked a crab out of a bucket. As it came up it turned out that three more were hanging on to it. "A crab necklace?" giggled Juliet. "Oh, that's crabs for you," said Verity, disentangling the ones who had hitched a ride. "thick as planks, the lot of them. That's why you can keep them in a bucket wihtout a lid. Any that tries to get out gets pulled back. yes, as thick as planks.”

“Everywhere I look, I see discontent and restlessness. Ere Surentûr came, the people seemed at least somewhat content with what was allotted them in life; however, since the day he first arrived here, bringing prosperity and affluence, they now wish for more. Through this, they have become filled with a lust and greed for pleasures and worthless trinkets, making it so that they are no longer content with what they already have.”

“Men are weak. Their most regrettable feature is their quick satiety with good. Throughout history, a continuous pattern has developed: whenever evil's day hand and the world is at peace, they become discontented and restless, eventually finding some way to stir the old evil back to life. Their hearts are easily corrupted and can be led to treachery on a mere whim. It is like unto a tree, which can never be completely felled. For all our efforts, it continues to sprout forth dark fruit which falls like seeds into the hearts of men. It seems that no matter how many times we may fell the tree or hew off its branches, it grows swiftly anew and again spawns much evil with its darksome yield.”

“He was no god, just an artist; and when an artist is a man, he needs a woman to create like a god.”

“I hate symbolic art in which the presentation loses all spontaneous movement in order to become a machine, an allegory -- a vain and misconceived effort because the very fact of giving an allegorical sense to a presentation clearly shows that we have to do with a fable which by itself has no truth either fantastic or direct; it was made for the demonstration of some moral truth.”

“Are we all not, when we sit in the cinema, in the position of humans in The Matrix, tied to chairs, immersed in the spectacle run by a machine? However, a more appropriate allegory is that of the viewer himself: beneath the illusion that we "just look" at the perceived objects from a safe distance, freely sliding along them, there is the reality of the innumerable ties that bind us to what we perceive.”

“The fumes of the most disordered imaginations were recorded in their religious code, as special communications of the Deity; and as it could not but happen that, in the course of ages, events would now and then turn up to which some of these vague rhapsodies might be accommodated by the aid of allegories, figures, types, and other tricks upon words, they have not only preserved their credit with the Jews of all subsequent times, but are the foundation of much of the religions of those who have schismatised from them.”

“Because, as we know, almost anything can be read into any book if you are determined enough. This will be especially impressed on anyone who has written fantastic fiction. He will find reviewers, both favourable and hostile, reading into his stories all manner of allegorical meanings which he never intended. (Some of the allegories thus imposed on my own books have been so ingenious and interesting that I often wish I had thought of them myself.)”

“The moment in the account of Adam and Eve in the book of Genesis is when they realize they're naked and try and cover themselves with fig leaves. That seemed to me a perfect allegory of what happened in the 20th century with regard to literary modernism. Literary modernism grew out of a sense that, “Oh my god! I'm telling a story! Oh, that can't be the case, because I'm a clever person. I'm a literary person! What am I going to do to distinguish myself?...a lot of modernism does seem to come out of a fear of being thought an ordinary storyteller.”

“A symbol is indeed the only possible expression of some invisible essence, a transparent lamp about a spiritual flame; while allegory is one of many possible representations of an embodied thing, or familiar principle, and belongs to fancy and not to imagination: the one is a revelation, the other an amusement.”

“We are used to discounting the river-gods and dryads of the Greeks as poetical fancies, and even the chief figures in the classical Pantheon-Venus, Minerva, Mars, and the rest-as allegories. But, forgetting that they once carried as much sanctity as our saints and divinities, we refrain from applying the same reasoning to our own objects of worship.”

“There is a great difference, whether the poet seeks the particular for the sake of the general or sees the general in the particular. From the former procedure there ensues allegory, in which the particular serves only as illustration, as example of the general. The latter procedure, however, is genuinely the nature of poetry; it expresses something particular, without thinking of the general or pointing to it.”