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Angle Quotes

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Angle Quotes

“When a woman extends her hand for you to shake it, then you shake her hand. You do not turn it up and kiss it. And it is just so creepy. Because, you know, I handed it at this angle. I handed it at the handshake angle and so I'm not giving it to you to do whatever you want with it. I'm not loaning it to you. It's like if somebody borrowed your lawnmower and you're assuming they're going to use it to mow their lawn. You don't want to find out later they put it in the ocean!”

“I carry my thoughts about with me for a long time... before writing them down... once I have grasped a theme. I shall not forget it even years later. I change many things, discard others, and try again and again until I am satisfied; then, in my head... [the work] rises, it grows, I hear and see the image n front of me from every angle... and only the labor of writing it down remains... I turn my ideas into tones that resound, roar, and rage until at last they stand before me in the form of notes.”

“The differing opinions regarding the gospel are often categorized as different variations of the same truth, or coming at the same truth from different angles, or even emphasizing different aspects of the same truth. This fails to recognize that the different 'variations' are often altogether different gospels. The Reformed gospel is completely different from the Roman Catholic gospel; a faith-based gospel is in direct contradiction to a works-based gospel; a truly evangelical gospel stands in contrast to an ultracharismatic gospel.”

“What the newer landscape artists see in a circle of a hundred degrees in Nature they press together unmercifully into an angle of vision of only forty-five degrees. And furthermore, what is in Nature separated by large spaces, is compressed into a cramped space and overfills and oversatiates the eye, creating an unfavorable and disquieting effect on the viewer.”

“The most refined skills of color printing, the intricate techniques of wide-angle photography, provide us pictures of trivia bigger and more real than life. We forget that we see trivia and notice only that the reproduction is so good. Man fulfils his dream and by photographic magic produces a precise image of the Grand Canyon. The result is not that he adores nature or beauty the more. Instead he adores his camera - and himself.”

“In theory we understand people, but in practice we can't put up with them, I thought, deal with them for the most part reluctantly and always treat them from our point of view. We should observe and treat people not from our point of view but from all angles, I thought, associate with them in such a way that we can say we associate with them so to speak in a completely unbiased way, which however isn't possible, since we actually are always biased against everybody.”

“All cities are geological; you cannot take three steps without encountering ghosts bearing all the prestige of their legends. We move within a closed landscape whose landmarks constantly draw us toward the past. Certain shifting angles, certain receding perspectives, allow us to glimpse original conceptions of space, but this vision remains fragmentary. It must be sought in the magical locales of fairy tales and surrealist writings: castles, endless walls, little forgotten bars, mammoth caverns, casino mirrors.”

“I have worked to free shape from its ground, and then to work the shape so that it has a definite relationship to the space around it; so that it has a clarity and a measure within itself of its parts (angles, curves, edges and mass); and so that, with color and tonality, the shape finds its own space and always demands its freedom and separateness.”

“Everything is grounded in mystery. Everything is swimming, and the stable does not exist. Life is a series of guesses, and there is mystery in a match. The commonplace is the habitual, and the habitual is a mystery that has grown stale from sense-insistence. Life undulates; there is no such thing as a level; a straight line is a myth, and all directions are indirections.”

“The question is, when so many others cut corners, shave the truth, self-deal, believe in the fast buck, and follow the crowd along the low road of least resistance, can we even afford to travel the high road of ethical behavior? Frankly, we can't afford anything else. Any other competitive angle is a pure crapshoot in today's business world. Companies with shaky ethics and shabby standards will be crippled as they try to compete in our changing world.”

“Our Father awaits us with great zeal and desire, and with love He will see us returning from afar, and He will look upon us with compassionate eyes, and we shall be dear to Him, and He will fall on our neck running and embrace us and kiss us with His Holy Love. He will not reproach us, and He will no longer remember our sins and iniquities, and all the holy angles and all His elect will begin to rejoice over us.”

“The difficult tasks to be performed are not the ones that mean physical and mental labor, but the ones that you dislike, are the ones that you do not love. There are unpleasant angles to nearly every important job to be done in this world, but there must be an over all love for doing each, else precious time and effort are uselessly wasted. I shall never forget noting a sign above a construction job that read: "Builder of Difficult Foundations." That man must have loved that calling, else he would not have made a point of advertising the fact!”

“What is life but the angle of vision? A man is measured by the angle at which he looks at objects. What is life but what a man is thinking of all day? This is his fate and his employer. Knowing is the measure of the man. By how much we know, so we are.”

“Blaise Pascal used to mark with charcoal the walls of his playroom, seeking a means of making a circle perfectly round and a triangle whose sides and angle were all equal. He discovered these things for himself and then began to seek the relationship which existed between them. He did not know any mathematical terms and so he made up his own. Using these names he made axioms and finally developed perfect demonstrations, until he had come to the thirty-second proposition of Euclid.”

“If Murakami's novels are grand enigmas, his stories are bite-sized conundrums. (...) The great pleasure of the new story collection, Blind Willow, Sleeping Woman, is watching Murakami come at his obsessions from so many different angles. There's a panoply of strangeness between these covers (.....) This collection shows Murakami at his dynamic, organic best. As a chronicler of contemporary alienation, a writer for the Radiohead age, he shows how taut and thin our routines have become, how ill-equipped we are to contend with the forces that threaten to disrupt us.”

“Nobody gives way to anybody. Everyone just angles, points, dives directly toward his destination, pretending it is an all-or-nothing gamble. People glare at one another and fight for maneuvering space. All parties are equally determined to get the right-of-way--insist on it. They swerve away at the last possible moment, giving scant inches to spare. The victor goes forwards, no time for a victory grin, already engaging in another contest of will. Saigon traffic is Vietnamese life, a continuous charade of posturing, bluffing, fast moves, tenacity and surrenders.”

“I’ve always liked edges, places where one thing becomes another…… transition zones, boundaries and borderlands. I like the mixing that happens, the juxtapositions, the collisions and connections. I like the way they help me see the world from a fresh angle.”