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Appreciate Quotes

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Appreciate Quotes

“As we let go of the machine model of work, we begin to step back and see ourselves in new ways, to appreciate wholeness, and to design organizations that honor and make use of the totality of who we are.”

“I came to the conclusion months ago, and I said it to members of Congress, that the only way people are going to fully appreciate what this reform is if we pass it and implement it and it becomes not a caricature but a reality, and I still believe that. So I think it will be easier to sell it moving forward than it was to this point.”

“He is a legend and he's going to be remembered for a long time. Just to play alongside him and learn from him has been an absolute pleasure. I think he is a footballer's footballer; he has been at this level for so long. As long as he is part of us we always feel we have a chance. We appreciate the way he goes about his business. I have never met a character like Scholesy, certainly not someone who is that good.”

“One of the most obvious aspects of the music to people who know jazz is: How does it feel in the swing? These are things that are very subtle and that jazz musician appreciate in a particular way. I appreciate the way Tommy Flanagan swings, the way that Barry Harris swings, the great pulse that Hank Jones and Bill Evans have - end every one of them is different.”

“For a while I felt like I spoke a different language than my immediate family. It wasn't until my teens that I met and got to know better members of my extended family (my cousin Alma in particular) that self- identified as artists. Something in us clicked together; in the way we thought, in the language we chose to use, in what we enjoyed. She helped me see and appreciate a lot both about myself and my loved ones.”

“If we don't understand how metaphor works we will misunderstand most of what we read in the Bible. No matter how carefully we parse our Hebrew and Greek sentences, no matter how precisely we use our dictionaries and trace our etymologies, no matter how exactly we define the words on the page, if we do not appreciate the way a metaphor works we will never comprehend the meaning of the text.”

“It's different now but I enjoy it more than I did then. I think I appreciate it more now and I love playing acoustically. This is the way I started. Herb and I met each other forty years ago when we were both eighteen years old, playing bluegrass, and that's what drew me into music, and I enjoyed every particular part of my career. But now I enjoy it because it's the twilight of my career, where I can play what I want and I can play when I want and where I want. And that's the greatest part it all. So it's sort of a right that I've earned. I can record records the way I want to.”

“It was a matter of not seeing the woods for the trees. Glorious songs have been in Ireland forever, but a lot of these were so popular they were sung only by drunken men at weddings. They didn't have any regard for the song at all. So, I picked out 14 songs that I had grown up with, songs with great melodies. After 35 years as a songwriter, I appreciate the value of a good melody because I know how hard it is to write one. So I presented them in a new way, with piano, keyboards, strings, and a contemporary rhythm section. I just treated the melody with a bit of dignity and a bit of style.”

“My dad, he's definitely one of greatest writers of his generation. There is no question about it. When you are that good, when work is that good, you have to appreciate every aspect of it. It's the architecture of it, it's like looking at a Frank Lloyd Wright building or a Lautner building, it's master craftsmanship. Every aspect of it intertwines in a perfectly harmonious way. That's what architecture is at its best and the architecture of my father's music is on that level.”

“I'm not a nostalgic person for the glory days of 8-track sales at the local K-Mart. But there's a little bit of flattery and a little bit of horror. It's a mixture. It's like sublime shock and awe, but also terror. That's always the way I feel about how music flows through those types of networks. I'm mostly cool with it, but I definitely appreciate when people support the work.”

“It's disingenous for me to say that I wasn't trying to write a moral novel. By its very nature as a novel about the Iraq War, Fobbit steps into the political conversation. There's no way to avoid that. I can appreciate that readers are probably going to line up on one side of the novel or the other. I hope they go to those polar extremes, actually.”

“But knowing that the world had come full circle to our Depression story didn't change the way we worked on it, or encourage us to change our thrust. I want people to be able to pick up this book in the future no matter what's going on in the world, and appreciate it on its own merits, not for any perceived winks at the headlines.”

“Art is consumed in so many different ways. You could say people don't stop to appreciate art. On the other hand, people can consume art more quickly. Twitter, videos posted online - how do you utilize that? How do you identify yourself as an individual when you're sitting at this massive dinner table of the world with everyone on, from Kansas to Dubai?”

“For my family and Howard's partner, who is like family, for 10 years we were in a state of shock. It takes time to appreciate fully what was going on then. That's connected because post-9/11 New York is so completely different from the way it was and the counterculture movement going on before then was so remarkable; I think people are appreciating it a lot more now.”

“I use biography, I use literary connections (as with Platen - this seems to me extremely helpful for appreciating the nuances of Mann's and Aschenbach's sexuality), I use philosophical sources (but not in the way many Mann critics do, where the philosophical theses and concepts seem to be counters to be pushed around rather than ideas to be probed), and I use juxtapositions with other literary works (including Mann's other fiction) and with works of music.”

“For me, style is something that I've always loved. It's more than just, "Oh I make this type of music, so I should dress this type of way." But it's very important. On the other hand, if I was on stage in a hoodie and some baggy jeans, it wouldn't give off the same feeling. People appreciate the music, but people want to see the whole visual thing.”

“I want to be efficient and effective in everything I do. I start every day with a protein shake, with my vanilla Almond Breeze, and my kids start their day the same way as well. [Nutrition] is a huge piece of the puzzle. It's not just about working hard and being physical. It's about being smart and mindful of what's going in and out of our bodies. And also taking the time to enjoy things, and to appreciate the process.”

“Every life lesson that trickled its way into my being came from a mutually respectful relationship between the environment and my family. We were raised to appreciate the teachings of animals and the untouched magnificence of raw natural beauty. This understanding of our precious and complex ecosystem has carried me throughout every chapter of my life and is a significant column of my identity.”

“You're investing in a different part of your life that is really important. It's not as important when you're a kid and you don't require sleep, and you don't get hung over, and you can fire on all cylinders. At 32 I don't consider myself old by any means, but you just find yourself in a place where you can't do everything the way you once did, and you have to take time to reflect and I think that's really important, because you get to appreciate what you have, and to enjoy it.”