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“There are areas using what's called the "checkerboard strategy." They are different cities where you can move around the "checkerboard," doing things you can't do in every square, that you can do in some of them, building a mosaic of these kinds of practices. There are about 400 cable television networks, for example, that are publicly owned. That's a big fight for big private companies. In some areas, this is a political struggle, in some it's conventional common sense.”

“Some tropes are universal. Boy meets girl. Betrayal and revenge. The search to discover a hidden truth.... A mother's love isn't cliché, it's universal. These things are archetypes. They're the building blocks of myth and legend. They are a big part about what it means to be human.”

“Think that you are part of a big construction called science and you are not just a chemist but you are scientist. Be modest but proud. Modest because you know you will not be able to solve other problems because your life is too short. But be proud because you are contributing to it. Some people will bring a small stone to the building and some people will bring a big one but nevertheless no one can take that stone away from you.”

“Graffiti is a lot easier than the canvas actually, because it's such a large format, so when you're going to such a thin detail, it's not that thin in the realm of things because it's such a big wall. This would take a small paint brush of detail, but on a huge wall, if that's the size of a building, the thinnest detail is still that big, it's a quick spray. Spray paint is easiest for me. I love spray paint.”

“Face the facts, all these environmental organizations are thirty, forty, fifty years old. They have big buildings, big obligations, big staffs. They may trade on their youthful dreams, but the truth is, they're now part of the establishment. And the establishment works to preserve the status quo. It just does.”

“As taxpayers, we have quietly accepted the fact that our taxes will be spent to pay big bucks for all sorts of ugly, twisted metal to be displayed in front of or inside government buildings, in the name of 'art' that was obviously never meant to give the public any enjoyment and often represented a thumbing of the artist's nose at the public.”

“When I first arrived (in New York), it seemed to me the most terrifying city in the world... all those big buildings. I remember walking on Broadway, looking up at this huge, mountainous place-and being so lonely. But things started to clear up when I met a few people on the street whom I'd met before-all of a sudden there got to be a certain familiarity about the place, and the terror kind of evaporated. There was a lot of playing going on, and the New Yorkers, of course, were a completely different crowd from what I'd known.”

“I think a bigger difference with social media is going to be things like the impact Instagram will have for historians. For the longest time, we had no images of the past. And then when we had the advent of the camera, we had a record of the things people chose to photograph, which, for a while, were portraits of your family, a new building we built, or a really big horse. Well now we have images of everything. That will be the biggest difference I think - that we will have a visual record of this reality in a way that will be completely covered.”

“It's not that big a mystery about types. It's not even that big a mystery why so many people are picking up on things now. It's like we were talking about the primitive thing before and all that. Nothing has really changed much. The things that have changed are like we're on the noon now. There are more buildings now. But we're still basically two monkeys sitting here.”

“The traditional model for a company like Coca-Cola is to hire one big advertising agency and essentially outsource all of its creativity in that area. But Coca-Cola does not do it that way. It knows how to manage creative people and creative teams and it has been quite adept at building a network that includes the Creative Artists Agency in Hollywood, which is a talent agency.”

“I've got no advice. You guys know where you are and what will work. Just know that there are people all over the place working on this and that there's a great deal of solidarity around the world and we should try to build this big, sprawling movement that looks like the kind of energy system that we want - building lots of solar panels on lots of rooftops that are all interconnected.”

“My father announced early on that he didn't want his sons to be "country club bums." And for a number of reasons, I bore the brunt of that - I have an older brother and two younger brothers. So he had me work in all my spare time. I started out picking dandelions, shoveling stalls, milking cows, building a fence - whatever dirty job was out there. That's a big deal, because you learn things working that you don't learn in school.”

“I think one big improvement would be if we somehow made it cheaper and easier for developing countries to learn from the sad experience of some of the developed countries, and also from some of the positive experiences we have of building good transportation systems, like high-speed rail.”