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Drama Quotes

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Drama Quotes

“I don't know what of our culture is going to survive, or if we survive. If you look at the Greek plays, they're really good. And there's just a handful of them. Well, how good would they be if there were 2,500 of them? But that's the future looking back at us. Anything you can think of, there's going to be millions of them. Just the sheer number of things will devalue them. I don't care whether it's art, literature, poetry or drama, whatever. The sheer volume of it will wash it out. I mean, if you had thousands of Greek plays to read, would they be that good? I don't think so.”

“Even when I was on Curb Your Enthusiasm I wasn't this "over-the-top" crazy character. It was still kind of play it straight but it was funny because the situation was funny. That's kind of how I portrayed things and I like dramas; I like to be able to - because in dramas you can laugh and joke and still be serious, be real. I like the realism of them.”

“Happiness, sadness, being mean and being nice. They're all very close to one another. My goal in my career is to do movies that are both... I hate when people say is it a comedy or a drama? My favorite movies are kind of both. Just like life, one day you're not crying all day, one day you're not laughing all day. I like to play characters that have that kind of balance, too.”

“I don't like weak women and I don't find it interesting to play them. I'm inspired by them, when I see them in dramas, like with Natalie Portman, in almost every movie she's in. It's awesome that chicks can really go there, and it's beautiful to watch, but I don't think I'm interested, in any way, shape or form, in embodying those creatures.”

“I've had a long association with the theater over the years but I had never produced a play and it was something that I'd always wanted to do.The movies moved away from dramas, and I think that I'm very excited by the opportunity to take smart writing that takes risks and see it on stage. It's exciting to see that engagement between the audience and the playwright.”

“My dad was an actor, and my older sister is an actress, and so I very much remember thinking, "Well, of course I'll do that as well." But I never imagined myself as an actor who would be in films. I always only thought of myself being in a play or a musical and maybe the odd episode of [U.K. '80s TV drama] Casualty. My backup plan was to do something with children, to start a nursery school or work with underprivileged kids. And I still dream of maybe doing that in some way. I've always got children in my house, always.”

“The great thing about having a serialized drama (like 'Sons of Anarchy') is that I'm allowed to bring up events and circumstances that have happened in the past in other episodes to show that this kind of violence doesn't happen in a vacuum. It has ramifications. It has repercussions. Whether it's a week from now or five years from now, you know it will play out. Nothing is ever tied up into a perfect knot.”

“But, for the role of Sarah Linden, we saw everybody. Everybody wanted this role. Every female actor in town really wanted to play a real woman and be in this drama. It was incredible that all these women were coming in. And then, Mireille [Enos] walked in the door and she was reading the lines that I had written, and I saw her in that field. I was like, "Wow, she's the one."”

“I'm taking drama classes, they say I'm a natural actress. I think it's just because I talk a lot. I'm also learning how to play guitar and piano. Piano is really hard though. My dad is teaching me and I just get so confused because the chords are so different, but by learning I hope to be able to be a songwriter as well.”

“I think that's actually what draws me to family stories: the various roles we each play with each member of our families, and how different they can be from who we are with our friends and partners and lovers. I'm endlessly fascinated by how we navigate these family dynamics; they are the dramas each of us live out day after day, often in ways we don't even realize.”

“As a writer I'm committed to exploring what I call "The invisible things" - the things that people aren't talking about. I think that's where the juiciest conversations and the juiciest drama lives. My goal with the series is to get people talking about and reflecting on how issues of race play out in their own lives. Since I've spent a fair amount of time watching time travel shows and movies where the leads are White (and can blend in really easily no matter the time period) I thought I would turn that on its head and see what might happen.”

“Everybody used to say going to restaurants... is like theater, there's stage sets, there's drama, there's play acting and you watch the show. And now, boy, everything's just become so serious. And you sit at the counter and the chef comes out and tells you what he did to the Brussels sprouts leaves and no, there's not a lot of dancing.”

“Americans must outgrow the unbecoming arrogance that leads us to assert that America somehow owns a monopoly on goodness and truth - a belief that leads some to view the world as but a stage on which to play out the great historical drama: the United States of America versus the Powers of Evil.”

“All is well that ends well”

“To come to know that nothing is good, nothing is bad, is a turning point; it is a conversion. You start looking in; the outside reality loses meaning. The social reality is a fiction, a beautiful drama; you can participate in it, but then you don’t take it seriously. It is just a role to be played; play it as beautifully, as efficiently, as possible. But don’t take it seriously, it has nothing of the ultimate in it.”

“In other words Luke's story is historically impossible and internally inconsistent. He lied to fudge the fulfillment of Micah's prophesy and to provide a villain to play off Jesus in his fictitious drama. Matter flows from place to place and momentarily comes together to be you. Some people find that thought disturbing. I find the reality thrilling.”