Quotessence
Home / Topics / Drawing Quotes

Drawing Quotes

Browse 1746 quotes about Drawing.

Related topics

IfsArtThinkingPaintingPeopleWayWritingLinesKnowsFirstsArtistKindTryingRoomsWellsIdeasWantLittlesStillsMindBookYearsFeelsHandsWorldI CanLooksMenMadeMeanRealShouldDifferentFormCharacterDoneEyeSchoolStoriesChildrenDoePaperColorKidsTwoUseGivingStudyWantedSaidSometimesComicImportantUsedMayHumansLongSketchingHas BeensModelsPencilsSeemsStuffWholeDesignNeedsRememberCertainEndsFilmTogetherFiguresPersonsShowsMomentsPaintDrawing And PaintingReasonFunHeartPainterPiecesPlayWould BeComputerFeelingsHardRealityStyleWallBuildingCartoonFeltMatterObjectsProcessAnimationAttentionBelieveBodymore

Drawing Quotes

“In the middle of my second year at school, in 1943, I got drafted into the army, was gone for three years, and when I came back, I tried to get into the painting classes which I wanted, but because of all the returned GIs [the GI Bill], everyone was in school and the classes were all full. So I looked at the catalogue and found that there was a ceramic class offered and that there was space in that. I registered for a ceramic class and some drawing classes.”

YearsWantedSchoolThreeFoundSpaceClassGoneMiddlePaintingArmyBillsDrawingThree YearsCataloguesGisCeramics
Author:Warren MacKenzie
Create image

“[Bernard Leach] was an incredible draftsman, and at the end of breakfast time, for instance, he would push his plate back, and he'd pull an old scrap of paper out of his pocket and a little stub of a pencil, and he'd begin to make small drawings, about an inch and a half, two inches tall, of pots that he wanted to make. And they were beautiful drawings. I really wish I'd stolen some of those scraps of paper, because those drawings were exquisite explorations of his ideas of form and volume in a ceramic piece.”

LittlesTwoIdeasEndsWantedBeautifulFormWishHalfPiecesPaperIncrediblesDrawingInstancePocketsExplorationTallBreakfastPotInchesPlatesVolumePencilsStolenExquisiteScrapCeramicsDraftsman
Author:Warren MacKenzie
Create image

“If [Bernard Leach] didn't like the drawing, he'd X it out and do another one and change the form a little bit. And when he was all done, he would stuff these pieces of paper in his pocket and go off to the pottery, and when he wanted to make pots, he would then take these out and he'd begin to produce the pot that he had designed on paper in front of us.”

IfsLittlesDoneWantedFormStuffBitsPiecesFrontsProducePaperLittle BitDrawingPocketsPotPottery
Author:Warren MacKenzie
Create image

“[Shoji] Hamada's [drawings] were little one-line notations of something he wanted to remember about a pot or a piece of furniture or a landscape or something like that, and they were just done very quickly and they had, he thought, no artistic quality. They're not great drawings, but they served to remind him of something he had in his mind, so that when he then went to the studio, that would stick in his mind and he could explore the making of the pot with the clay on the wheel.”

MindLittlesDoneWantedRememberLinesQualityPiecesSticksStudiosDrawingArtisticLandscapeWheelsPotFurnitureClayOne Line
Author:Warren MacKenzie
Create image

“Expression is never considered a given, and it is in fact maybe not what's most interesting about making art. Making art, since 1960 or something, is many things: it's a way of doing philosophy, it's a way of opening a dialogue, it's a way of putting a fact or a question out into the world, or a way of drawing people into new relationships, or a way of interrogating history. It's all these other sorts of strategies or techniques or processes that are really interesting and really valuable.”

PeopleWorldWayArtPhilosophyFactsGivenProcessInterestingExpressionStrategyValuableTechniqueDrawingDialogueOpening1960sMost InterestingReally InterestingNew RelationshipArt Making
Author:Kurt Ralske
Create image

“I've always made things either paintings, drawing, photographs, or writing. It's all kind of the same thing. It all involves saying more, I guess. It involves separating life, breaking off this chunk that's devoted to making something. There's a lot of pleasure in that, but there can also be a lot of struggle. There's always this fantasy that you could just live life and not have to think about it.”

ThinkingWritingKindMadePleasureFantasyStrugglePaintingPhotographDrawingAll KindsLive LifeDevotedChunksJust LiveSeparatingJust Living Life
Author:Moyra Davey
Create image

“Picasso and Matisse were the guys I wanted to get away from, and cubism is all still lifes. Their paintings are all closed drawings. And still life is a perfect form for that. By the mid-'50s, I sort of dropped the still life. The large picture was a way of getting around them, too. The abstract expressionists were also into the large form because it was a way of getting around Matisse and Picasso. Picasso can't paint big paintings. Matisse didn't bother after a certain point.”

WayStillsBigsWantedFormLife IsGuyCertainPerfectPaintingPaintDrawingBotherAbstractGet AwayStill LifeCubismMatisse
Author:Alex Katz
Create image

“The basis of national identity is to say, "This is authentic to me or my forebears," and is there even such a thing? How authentic is it to your life? Just because your grandfather did it, what does that have to do with you? If I say I'm working in the style of Rembrandt, so what? You can say it, but are you really? No, because when you try to literally copy a cultural artifact, you change it. It dissolves, and then who's looking at it? People who appreciate that kind of drawing, or people it means nothing to?”

PeopleIfsTryingKindMeanDoeStyleIdentityAppreciateBasesDrawingCopiesGrandfatherArtifactsNational Identity
Author:Ben Katchor
Create image

“A comic book is the opposite of a cartoon. In a cartoon, you want to simplify the idea, so when they look at it at a glance, they get it. Boom. Simple. Direct to the point. But when you're drawing Groo, now it's a narrative, a story. You want the viewer to get involved in the story. You want him to feel like he's in the town to follow your main character. So I love to add lots and lots of things in it. Things that people will enjoy going back to and say, "Oh yeah, that's how a market must have looked in this fantasy world, with people selling meat here and dishes here."”

PeopleWorldWantFeelsLooksBookIdeasCharacterStoriesEnjoySimpleFantasyInvolvedDirectOppositesTownsYeahAddDrawingSellingComicNarrativeMeatDishesComic BookCartoonViewersGlancesGet InvolvedSimplifyWant HimMain CharactersFantasy Worlds
Author:Sergio Aragones
Create image

“In 1951 I took my first art course. And one day I looked over my shoulder and there was this tall gentleman standing, very well-dressed and groomed, and he asked, "What is your name? I don't know you. What is your major?" I said history. And he looked at my drawing and looked at me and said, "You don't belong over there; you belong here." He was James A. Porter.”

KnowsFirstsWellsArtSaidCoursesNamesOne DayMajorsStandingDrawingShouldersGentlemanTallWell Dressed
Author:David C. Driskell
Create image