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Drawing Quotes

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Drawing Quotes

“In 1978 I decided not to work with Man Ray as an act of self-discipline. I didn't want to rely on him. Man Ray hated not working, though. He would come into my studio, see me drawing or working on photographs, and just slump down at my feet with a big sigh. Fortunately for both of us the year ended. Polaroid had invented a new camera, the twenty-by-twenty-four, and I was invited to Cambridge, Mass., to experiment with it. Naturally, I took Man Ray and we were working again.”

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Author:William Wegman
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“The Sketchnote Handbook is neither about sketching nor is it about note taking. It's about receiving and processing the world in a more complete and insightful way. It's a software upgrade for your brain. For those who've been shamed into thinking that drawing is either beyond them or beneath them, this book offers a whole new way of mastering the daily onslaught of information and turning it into raw material for discovery. (For those of us who've done this all our lives, the book provides a beautifully conceived and lovingly illustrated treat, and a great gift for our left-brained friends.)”

ThinkingWorldWayBookDoneWholeLeftBrainOur LivesInformationMaterialsOffersDiscoveryTreatsNotesDrawingInsightfulSoftwareReceivingNew WaysRaw MaterialsProcessingGreat GiftsSketchingNote Taking
Author:Stefan G. Bucher
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“Mathematical reasoning may be regarded rather schematically as the exercise of a combination of two facilities, which we may call intuition and ingenuity. The activity of the intuition consists in making spontaneous judgements which are not the result of conscious trains of reasoning. The exercise of ingenuity in mathematics consists in aiding the intuition through suitable arrangements of propositions, and perhaps geometrical figures or drawings.”

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Author:Alan Turing
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“Travel opens different eyes to different things, shows things we've never seen before, shows the world from entirely different angles. That's the power of drawing and the power of travel. They both make the familiar unfamiliar and vice versa. They show what we all have in common and what we may have missed thanks to preconceptions that may have marred our vision.”

WorldMayDifferentShowsEyeCommonVisionVicesDrawingFamiliarThanksDifferent ThingsAngleVice VersaUnfamiliarPreconceptionsDifferent Angles
Author:Danny Gregory
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“I could not but smile to think in what out-of-the-way corners genius produces her bantlings! And the Muses, those capricious dames, who, forsooth, so often refuse to visit palaces, and deny a single smile to votaries in splendid studies, and gilded drawing-rooms--what holes and burrows will they frequent to lavish their favors on some ragged disciple!”

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Book:The Complete Tales of Washington Irving
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“Darkroom: A Memoir in Black and White is remarkable for its truth-telling about two important issues concerning Alabama's past and present: the civil rights movement and immigration. These stories, rendered through the words and eyes of a young Latina girl who came from Argentina to Marion, Alabama, are made vivid and immediate through Weaver's highly accessible drawings and dialogue. This is a book-about maturation, family, education, and social change-every schoolchild, parent, and citizen should experience.”

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Author:Sena Jeter Naslund
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“When I use a direct manipulation system whether for text editing, drawing pictures, or creating and playing games I do think of myself not as using a computer but as doing the particular task. The computer is, in effect, invisible. The point cannot be overstressed: make the computer system invisible.”

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Author:Donald A. Norman
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“Very little comes easily to our poor, benighted species (the first creature, after all, to experiment with the novel evolutionary inventions of self-conscious philosophy and art). Even the most "obvious," "accurate," and "natural" style of thinking or drawing must be regulated by history and won by struggle. Solutions must therefore arise within a social context and record the complex interactions of mind and environment that define the possibility of human improvement.”

ThinkingMindFirstsHumansLittlesArtSelfPhilosophySocialNaturalPoorNovelStruggleRecordsEnvironmentStylePossibilityCreaturesSolutionsConsciousSpeciesComplexesObviousDrawingImprovementExperimentsInventionAriseInteractionAccurateSelf Conscious
Book:Leonardo's Mountain of Clams and the Diet of Worms
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“To think out a problem is not unlike drawing a caricature. You have to exaggerate the salient point and leave out that which is not typical. "To illustrate a principle ," says Bagehot , "you must exaggerate much and you must omit much." As to the quantity of absolute truth in a thought : it seems to me the more comprehensive and unobjectionable a thought becomes, the more clumsy and unexciting it gets. I like half-truths of a certain kind they are interesting and they stimulate.”

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Author:Eric Hoffer
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“Scilurus on his death-bed, being about to leave four-score sons surviving, offered a bundle of darts to each of them, and bade them break them. When all refused, drawing out one by one, he easily broke them, thus teaching them that if they held together, they would continue strong; but if they fell out and were divided, they would become weak.”

IfsTogetherStrongBreakFourTeachingSonBedWeakDrawingBrokeScoreDividedSurvivingBundlesDartsDeath Bed
Book:Plutarch's Morals
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“It is one of history's most mocking ironies that the German customs union, which set out to dominate Europe and conquer Britain in the form of Bismarckian or Hitlerian military force, has at last vanquished the victor by drawing Britain into a Zollverein which comprises Western Europe and aspires to comprise the Mediterranean as well. If the ghosts of the Hohenzollerns come back to haunt this planet, they must find a lot to laugh at.”

IfsWellsLastsFormForceLaughingMilitaryPlanetsEuropeUnionsWesternDrawingGhostConquerIronyBritainCustomsAspireMilitary ForceWestern Europe
Author:Enoch Powell
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“This absence of similarity among military questions naturally brings out the inability of memory to solve them; also the sterility of invariable forms, such as figures, geometrical drawings ( épures ), plans ( schémas ), etc. One only right solution imposes itself:;: namely, the application, varying according to circumstances, of fixed principles.”

FormMemoriesPrinciplesPlansMilitaryFiguresCircumstancesSolutionsSolveAbsenceDrawingFixedEtcApplicationInabilitySimilarity
Book:The Principles of War
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“Personally I would like to have pupils, a studio, pass on my love to them, work with them, without teaching them anything.. ..A convent, a monastery, a phalanstery of painting where one could train together.. ..but no programme, no instruction in painting.. ..drawing is still alright, it doesn't count, but painting - the way to learn is to look at the masters, above all at nature, and to watch other people painting.”

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Author:Paul Cezanne
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“In every art we are always obliged to return to the accepted means of expression, the conventional language of the art. What is a black-and-white drawing but a convention to which the beholder has become so accustomed that with his mind's eye he sees a complete equivalent in the translation from nature?”

MindMeanArtEyeLanguageBlackWhiteExpressionReturnDrawingAcceptedConventionsBlack And WhiteConventionalAccustomedTranslationsObligedBeholder
Author:Eugene Delacroix
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“I have always directed my attempts at the figurative representation of objects by way of summary and not very descriptive brushstrokes, diverging greatly from the real objective measurements of things, and this has led many people to talk about childish drawing.. ..this position of seeing them (the objects) without looking at them too much, without focussing more attention on them than any ordinary man would in normal everyday life..”

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Author:Jean Dubuffet
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“With respect to the use of this sparkling coloured material (butterfly wings around 1955, fh) - the constituent parts of which remain indistinguishable - with the aim of producing a very vivid effect of scintillation, I realised that, for me, this responds to needs of the same order as those that formerly led me, in many drawings and paintings, to organize my lines and patches of colour so that the objects represented would meld into everything around them, so that the result would be a sort of continuous, universal soup with an intensive flavour of life.”

NeedsUseWould BeOrderLinesResultsEffectsObjectsPaintingMaterialsUniversalAimWingsDrawingColourButterflyOrganizeSoupVividPatchesRealisedConstituentsSparklingFlavourDrawing And PaintingButterfly Wings
Author:Jean Dubuffet
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“I am sure that hon. members will realize that I am not drawing on my imagination when I state that last fall there were children going to school in Saskatchewan with only sacking wrapped around their feet. We have gone into homes and found mothers and children lying on piles of bedding in the corner; they did not have the proper bedding equipment or the proper clothing to meet the rigours of a very cold winter.”

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Author:Tommy Douglas
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“If we take seriously the word-flesh Christology of Chalcedon (i.e., the doctrine that Christ is fully human and fully divine) and view Christ as the telos toward which God is drawing the whole of creation, then any view of the sciences that leaves Christ out of the picture must be seen as fundamentally deficient.”

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Book:Intelligent Design: The Bridge Between Science & Theology
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“With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use - I don't use the accident - 'cause I deny the accident... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.”

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Author:Jackson Pollock
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“Sculpture is, in the twentieth century, a wide field of experience, with many facets of symbol and material and individual calligraphy. But in all these varied and exciting extensions of our experience we always come back tot the fact that we are human beings of such and such a size, biologically the same as primitive man, and that it is through drawing and observing, or observing and drawing, that we equate our bodies with our landscape.”

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Author:Barbara Hepworth
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