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Four Quotes

“I have to say, as someone who is not a Christian, it’s hard for me to believe Christians are a persecuted people in America. God willing, maybe one of you one day will even rise up and get to be president of this country — or maybe forty-four in a row. But that’s my point, is they’ve taken this idea of no establishment as persecution, because they feel entitled, not to equal status, but to greater status.”

“I managed the Dodgers for 20 years. It's hard to believe that there are only four guys in the history of baseball who managed the same team for 20 years or more. One was owner of the team, Connie Mack. Another was part owner of the team, John McGraw. Then there was my predecessor, Walter Alston, and me. It's amazing. In the 20 years I managed the Dodgers, 210 managers were fired.”

“The whole Renaissance tradition is antipethic to me. The hard-and-fast rules of perspective which it succeeded in imposing on art were a ghastly mistake which it has taken four centuries to redress; Cezanne and after him Picasso and myself can take a lot of credit for this. Scientific perspective forces the objects in a picture to disappear away from the beholder instead of bringing them within his reach as painting should.”

“If you take away the last few years, from my last year in Washington, and you think about my career, there was nothing but hard work. I was in the gym three or four times a day, working on my skills. If we lost a game, and I thought I played bad, I'm staying in the gym to keep shooting. That's what I did. That's what I was known for: I was a gym rat.”

“In England everything is liberalised. Within certain boundaries and rules everybody can do what he likes. Maybe London's society has a different tempo, a different dynamic. London is fast, productive, creative but it is not England. If you want to transfer that to football, you could say: in the four big English clubs and maybe in the one or two behind them there is a top level. Everything that comes after that rather mirrors English society. It's honest, fair and hard, sometimes also fast, but not always so perfect.”

“In 1948, I began coaching basketball at UCLA. Each hour of practice we worked very hard. Each day we worked very hard. Each week we worked very hard. Each season we worked very hard. Four fourteen years we worked very hard and didn't win a national championship. However, a national championship was won in the fifteenth year. Another in the sixteenth. And eight more in the following ten years.”

“great artists can be uncertain. Of course they are while strugggling to find solutions. Tolstoi's scripts are almost indecipherable. Emily Dickinson provided four or more alternates for every word; Beethoven wrestled with endings to the point of exhaustion; in our day Jerome Robbins and his lack of decision are a byword in the dance profession. But all of these knew very well what they did not want, and what they did not want was the current coin, the well-worn usage. What they wanted was something newly experienced, and therefore unknown and hard to attain.”

“Since I am a man, my heart is three or four times less sensitive, because I have three or four times as much power of reason and experience of the world -- a thing which you women call hard-heartedness. As a man, I can take refuge in having mistresses. The more of them I have, and the greater the scandal, the more I acquire reputation and brilliance in society.”

“Humorists are not humorous twenty-four hours a day. In fact, when you get to know them well, they are often not humorous at all. They tend to be hypersensitive, taut, neurotic creatures driven by God know what obscure compulsion to earn their living the hard way.”

“No one color can describe the various and varied complexions in our group. They range from the deep black to the fairest white with all the colors of the rainbow thrown in for good measure. When twenty or thirty of us meet, it is as hard to find three or four with the same complexion as it would be catch greased lightning in a bottle.”

“Pain is like a new room in your house that you never knew you had. If you had known, you would have bolted and locked the room past any entering. But truly, it is a room like any other, four glaring white walls and a dark hard floor, and if you don't try to get out, it is possible to remain in it. Once you tried to get out, you ... couldn't ... stand ... it. Don't think of getting out.”

“There comes a day of public ceremonial, and a chance to make a speech.... A million voters with IQs below 60 have their ears glued to the radio. It takes four days' hard work to concoct a speech without a sensible word in it. Next a dam must be opened somewhere. Four dry Senators get drunk and make a painful scene. The Presidential automobile runs over a dog. It rains.”

“I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.”

“This product that was on TV was available for four easy payments of $19.95. I would like a product that was available for three easy payments and one complicated payment. We can't tell you which payment it is, but one of these payments is going to be hard. The mailman will get shot, the envelope will not seal, the stamp will be in the wrong denomination. The final payment must be made in wampum.”

“In America, where you'd have thought the country's so huge it couldn't happen quite so cosily, everyone's giving his imprimatur to everyone else. You line up three or four well-known poets and a couple of eminent academics on the dustjacket, and the rest of academe follow like sheep. That's death really, if you take pleasure in it. Mind you, the occasional puff's hard to resist, but you shouldn't inhale.”

“When I do plays in New York and do eight shows a week, you have the same feeling. Three of them are terrible, four of them are okay and one is really good. It's hard to say what accounts for the really good one or for the terrible ones, but you end up trying to remanufacture whatever worked for the good one, like eating a tomato. I ate a tomato and the show was good, but that of course is not how it works.”

“We're fighting a war on terror because the enemy attacked us first, and hit us hard. ... Al Qaeda's leadership has said they have the right to kill four million Americans,... For nearly six years now, the United States has been able to defeat their attempts to attack us here at home. Nobody can guarantee that we won't be hit again.”

“Eventually, as my books became best-sellers, the nickels pile up and one day I was offered a substantial four-book deal that was lucrative as any airliner hijacking in history. Though writing those four books was hard work, at least I didn't have to wear Kevlar body armor, carry heavy bandoliers of spare ammunition, or work with associates named Mad Dog.”

“We made four feature films with Sherwood Baptist. The wonderful thing was the church (members) volunteered. It was an awesome atmosphere of attitudes. The hard part was (that) all four of the first feature films we made take place in modern-day Albany, Georgia. We know that not all of our films going to be (set in) modern-day Albany, Georgia.”

“I learned the hard way. When I started hitting home runs, I thought, I can hit these pitches. Then I started thinking, if I can do this, I can hit the pitch four inches outside or four inches up. I expanded the zone and got myself out. Pitchers are smart. If they find out they don't have to throw strikes, they won't.”

“It's easy to leave people wanting more after the first episode, but it's hard to leave people wanting more after the 24th episode. And it's my job, more than anybody else's, to keep that in mind. One season, in TV terms, is nothing. You need to hit it for three or four seasons, and then you're doing well, in TV terms. Then, you've done your job.”

“Even when I went to America I didn't work for four years. It wasn't like I came to New York and it was the land of milk and honey. It was just as much of a hard graft. But there's a lot more opportunity nowadays across the board for actors, no matter what color you are, with the Internet and small productions.”