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“I wanted to be involved in music and I felt I needed to get in quick. I didn't want to spend four years in college and then hope for the best. I gave myself a year, which is why I kept pushing people for a chance. I literally felt my whole life was in the balance. Music was my life, and I was scared of having time pass by and missing my chance.”

“I had no idea that marriage was only supposed to be between two people who wanted to get between the sheets and make more people. What ever happened to marrying for love— or to get on your partner’s health insurance policy, or for presents? No one was going to buy two people in their thirties a four-slice toaster if we just continued to live in sin.”

“What did Doctor Doom really want? He wanted to rule the world. Now, think about this. You could walk across the street against a traffic light and get a summons for jaywalking, but you could walk up to a police officer and say "I want to rule the world," and there's nothing he can do about it, that is not a crime. Anybody can want to rule the world. So, even though he was the Fantastic Four's greatest menace, in my mind, he was never a criminal!”

“great artists can be uncertain. Of course they are while strugggling to find solutions. Tolstoi's scripts are almost indecipherable. Emily Dickinson provided four or more alternates for every word; Beethoven wrestled with endings to the point of exhaustion; in our day Jerome Robbins and his lack of decision are a byword in the dance profession. But all of these knew very well what they did not want, and what they did not want was the current coin, the well-worn usage. What they wanted was something newly experienced, and therefore unknown and hard to attain.”

“I always thought my days spent in darkness [as a child she had cataracts and was unable to see for nearly four years] gave me a very special sensitivity. Much later, when I really wanted to hear, really 'see' a song, I'd close my eyes, and when I wanted to bring it out of the very depths of myself, out of my guts, out of my belly, when the song had to come from far away, I'd close my eyes.”

“I was never the kind of girl who said, "One day, I am going to be a beautiful bride, and I am going to have a family." I wanted to work and support myself and make my parents proud. All I did was work. I did three or four films a year, and felt like I was on a treadmill. Finally I said, "Nothing is exciting to me anymore." So I took six months off, which turned into a year, and said, "God, I don't miss it." That's when all kinds of interesting things crossed my path.”

“It took me three, four years, to get from my first film to my second film, banging on doors, trying to get people to give me a chance. Writing, struggling, with no money in the bank, working as an editor on the side. Working as a cameraman on the side. Getting little jobs, eking out a living. Trying to stay alive, and pushing a script that nobody wanted.”

“To be totally candid, it was really born out of a panic attack the summer between my sophomore and junior years, when I realized I wasn't going to graduate in four years unless I somehow managed to glue together all the courses I'd taken. That said, I'm really glad I did it, 'cause it was really fun, and I was able to just take whatever the hell I wanted.”

“I got a drum set at the age of four. I wasn't playing that well, just kind of banging around. I just wanted to play drums and my dad got me a set. I played for several years, but I wasn't meant to be a drummer, I guess. I can play drums on my own things - obviously on some of my own records I play drums. But I didn't start playing guitar until I was 11.”

“What helped me get the part was that I turned it down. When I read the script, Venus was just a black guy who came in wearing a big coat and a hat and making jive talk. I'd been up for so many of those! I'd had enough of caricatures, what white writers conceive blacks to be. I told the producer I wasn't interested in doing anything like that for three or four years. He said that it was just a pilot, that Venus would be given a human dimension and would be quiet off-the-air. I wanted that input. I thought that side was as important as the comic side. For 'WKRP,' too much of either would be bad.”

“I'm the king of the world, I am the greatest, I'm Muhammed Ali, I shook up the world, I am the greatest, I'm king of the world, I'm pretty, I'm pretty, I'm a baaaad man, you heard me I'm a baaad man, Archie Moore fell in four, Liston wanted me more, so since he's so great, I'm a make him fall in eight, I'm a baaad man, I'm king of the world! I'm 22 years old and ain't gotta mark on my face, I'm pretty, I easily survived six rounds with that ugly bear, because I am the greatest.”

“I never wanted to churn it out. Comedians tend to work all the time. They never put it down like musicians who might make an album then take three or four years off to recharge their batteries. Comedians tend to work straight through and they get stale because of that. Even when I didn't have a lot of money I never ever did it unless I had something new to say.”

“My dad also survived five divorces, and the women he married cleaned his ass out every time. I used to think my dad got divorced because he wanted new furniture. At one point in my life, all we had left was a wooden box, a 12 black-and-white TV, and a four-man rubber raft for a couch. And yet, I was the coolest kid in third grade. Mom, can we have a sleepover in Christopher Titus' house? They have a raft in the living room! We can row to breakfast in the morning. I can actually be Captain Crunch!”

“I remember on Thanksgiving all the kids wanted the drumstick. There were four of us then. Well, today you can go into the supermarket and get 12 drumsticks. Years ago you couldn't do that. So I was sucking on the neck for two years. My mother told me it was the leg, and I believed it. I went to my father and said, Why is my leg always cockeyed? He said, The bird has arthritis.”

“When I was nine years old, living on the south side of Chicago, my father was a minister and my mother used to scrub floors. I had seven brothers and four sisters. I told my mama, 'One of these days I'm going to be big and strong and buy you a beautiful house.' That's all I've ever wanted to do with my life, is to take care of my mother.”

“I never experimented with the hoddu like I wanted to do. Like on the song "Allah Addu," the hoddu and the voice is something that belongs to West African culture. When you go to the north of Mali, in the past it was just the singer and one instrument player. We never really did have that on our CDs. On some other songs, like "Laare Yoo," we have a whole section of hoddu, something like four of them playing together.”

“When I was four, I think I just wanted to make noise. When I was about 10 years old I was given five CDs for my birthday: Pink Floyd's 'Dark side of the Moon,' the Sex Pistols, Prodigy, Jimi Hendrix, and I can't remember the fifth one, but really different kinds of music. That's when I started to grasp it and enjoy it, listening to it. Then I started being in bands at school.”

“So I always liked to sing, and apparently when I was about four or five I also started to be attracted to pianos and musical instruments. Whenever we went to a friend's house, I vaguely recall climbing up on the piano, plunking on it, and trying to figure it out. So my parents figured I was interested and asked me if I wanted to take piano lessons. I said sure.”

“In an attempt to help me move on from my failed marriage, my mom set me up with Jesus Freak. In fact, the stoner hadn't even finished moving out when she told me not to worry, because she already had someone better lined up for me. I was just lonely and desperate enough to endure a four-month celibate long distance relationship with a guy who read 15 chapters of the Bible and prayed for two hours every day and expected me to follow suit. He wanted to give our hypothetical children Bible names and for us to move to Korea to become missionaries.”