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“I'm sitting in the bleachers, watching longingly as all the boys and umbumped girls in my Personal Health and Fitness class play Muggle Quidditch. I don't even like the game very much, I think it's silly, but I so miss physical activity that I'd be thrilled if I could run around the gymnasium with a broom between my legs, chasing after the human snitch wearing a gold pinny.”

“When I got the script to this movie, The Good Girl, I read it in an hour. The writer, Mike White, has an ability to create characters that are so creepy and dysfunctional and human, with this duality that makes people feel empathy for them at the same time. My first thought was 'Was this sent to the right person?' I called my agent. 'Are they sure? Let's say yes before they realize they've sent it to the wrong person!'”

“Look at Andrew Roe's The Miracle Girl from one angle and you'll see an incisive and insightful critique of America at the millennium and today, investigating where we put our faith and why. The greatest of Roe's achievements in this captivating debut is a memorable feat of intense empathy. Roe inhabits characters who are desperate to believe and reveals to us their needs and wounds and hopes, and he does so with kindness, generosity, and wisdom. This is a novel about what it means to be human, to seek connection and hope and maybe even transcendence in the world around us.”

“As Elders, we are fully committed to the principle that all human beings are of equal worth. You will see that we highlight equality for girls and women - not just women's rights. That is important as girls, especially adolescent girls, have been almost invisible in debates on equal rights. Yet it is in adolescence that events can have a huge effect on a girl's life.”

“Women are exciting for this one reason - it is the secret of women's allure - women enjoy submission, being bound. This I bring out in the Paradise Island sequences where the girls beg for chains and enjoy wearing them. Because all of this is a universal truth, a fundamental subconscious feeling of normal humans, the children love it. That is why they like Wonder Woman on Paradise Island better than anywhere else.”

“For girls and women, storytelling has a double and triple importance. Because the stories of our lives have been marginalized and ignored by history, and often dismissed and treated as 'gossip' within our own cultures and families, female human beings are more likely to be discouraged from telling our stories and from listening to each other with seriousness.”

“I mean, is 'fat' really the worst thing a human being can be? Is 'fat' worse than 'vindictive', 'jealous', 'shallow', 'vain', 'boring' or 'cruel'? Not to me I'd rather [my daughters] were independent, interesting, idealistic, kind, opinionated, original, funny - a thousand things, before 'thin'. Let my girls be Hermiones, rather than Pansy Parkinsons.”

“It is one of those problems of human nature, which may be noted down, but not solved; - although Ralph felt no remorse at that moment for his conduct towards the innocent, true-hearted girl; although his libertine clients had done precisely what he had expected, precisely what he most wished, and precisely what would tend most to his advantage, still he hated them for doing it, from the very bottom of his soul.”

“The girl must early be impressed with the idea that she is to be "a hand, not a mouth"; a worker, and not a drone, in the great hive of human activity. Like the boy, she must be taught to look forward to a life of self-dependence, and early prepare herself for some trade or profession.”

“Some tropes are universal. Boy meets girl. Betrayal and revenge. The search to discover a hidden truth.... A mother's love isn't cliché, it's universal. These things are archetypes. They're the building blocks of myth and legend. They are a big part about what it means to be human.”