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“Self-deport? What the heck does that mean? I have no doubt Hispanics have been alienated during this campaign. But now there's an opportunity for Gov. Romney to have a sincere conversation about what we can do and why. I absolutely advocate for comprehensive immigration reform. Republicans want to be tough and say, 'Illegals, you're gone.' But the answer is a lot more complex than that.”

“The difference between the best worker on computer hardware and the average may be 2 to 1, if you're lucky. With automobiles, maybe 2 to 1. But in software, it's at least 25 to 1. The difference between the average programmer and a great one is at least that. The secret of my success is that we have gone to exceptional lengths to hire the best people in the world. And when you're in a field where the dynamic range is 25 to 1, boy, does it pay off.”

“They have passed the big inheritance tax, and that gets you when you are gone. You used to could die and be able to beat taxes, but not now. The undertaker don't go over your body as carefully as the assessor does your accumilated assets, and he gets his before the undertaker. They have it on these big fortunes now where they pay as high as 60 to 70 percent of what they leave. That's mighty expensive dying when it runs into money like that, and you won't see 'em dropping off as casually as they have been.”

“That's what torture does: it creates a miasma of unknowing, about as dangerous a situation in wartime as one can imagine. This hideous fate was made possible by an inexperienced president with a fundamentalist psyche and a paranoid and power-hungry vice-president who decided to embrace "the dark side" almost as soon as the second tower fell, and who is still trying to avenge Nixon. Until they are both gone from office, we are in grave danger the kind of danger that only torturers and fantasists and a security strategy based on coerced evidence can conjure up.”

“Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.”

“The rich plankton of pop heroes and pop villains on which we Americans are accustomed to feed, the daily media soup of sports figures, ax murderers, politicians, and rock singers, the ever-running river of celebs, heavies, and oddballs that we use to spice up our own relatively humdrum lives has of late become a very watery gruel. Where have all the good guys and bad guys gone? Why does everyone out there look so gray?”

“It's when most of the guests have gone that the party really gets interesting - peering under the table and into the bath to see who's stayed and what shape they're in. It is then that those who are still conscious divulge things you had not known before: sometimes about themselves, sometimes about other people and sometimes about you. It does not necessarily make pleasant hearing but it is always fascinating. In the relaxed atmosphere, in the wake of the hubbub, they unwind and grow confidential - nay, indiscreet. If they are not already, they end up as your closest friends.”

“I can't judge how another person does their [music] work. Everyone has a choice and the music industry is much more open that it was when I was younger. Certain things are gone, others have developed, but everyone makes their choices. Pop music has always been about the mainstream and what appeals to the public. I don't feel it's my place to judge. I just look at things as a fan, I like or or I don't like it.”

“When Mats came in the evenings, they would drink tea in the kitchen while reading their books and talking about them. If Katri came in, they were quiet and waited for her to leave. The back door would close, and Katri would have gone. “Does your sister read our books?” Anna wanted to know. “No. She reads literature.”

“For women who do not love us, as for the "disappeared", knowing that we no longer have any hope does not prevent us form continuing to wait. We live on our guard, on watch; women whose son has gone asea on a dangerous exploration imagine at any minute, although it has long been certain that he has perished, that he will enter, miraculously saved, and healthy.”

“I have never had illusions about the value of my individual contribution! I realized early that what a man or a woman does is built on what those who have gone before have done, that its real value depends on making the matter in hand a little clearer, a little sounder for those who come after. Nobody begins or ends anything. Each person is a link, weak or strong, in an endless chain. One of our gravest mistakes is persuading ourselves that nobody has passed this way before.”

“Yet this perhaps is what love does, or the memory of it; it sucks the life from the living, glorying body and leaves it, when love has gone, a shred, a simulacrum - dross, to be swept up from the factory floor, pitiful and dusty, useless... Do all men and women feel love before they die? This force, this source of light, that lies before the sun; glances off mountains and lakes, blinding and dazzling, on a Sunday afternoon; so brilliant you have to guard your soul, fold your arms to shield your heart from the very memory of it.”

“I think new life is the most exciting thing and I absolutely have so much respect for my friends and family that have gone and done it because it seems like the hardest job in the world. So, who knows - maybe one day I might try it myself. But I completely salute anyone who does.”

“To get the best picture of a captured prisoner, you have to get him just as he is captured. The expression he wears then is lost forever... The human mechanism is remarkably recuperative. A half hour later, the expressions are gone, the faces have changed. The mother with the dead baby in her arms does not look griefstruck anymore, no matter what she feels.”

“I don't know what people want, really. Does somebody have to die? What is meant by resolution? These are questions that I don't quite know what to do with. That being said, I did want the characters to be changed by the end of the book. But will what they've gone through alter their lives from this point forward, i.e. will they make different (better) choices? Probably not.”