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“It's a job. Get up and do it every day. Show up. Don't say no. Taylor Swift was the third write of my day every week. If I had gone home or said “Ah, man. I'm tired today. I'm not going to write at 4 o'clock in the afternoon with a teenager.' If I had done that, just think. Keep an open mind. Everybody has something to come into the room with and when you're starting out, try everything. You might find your magical writing partner.”

“After my engagement with Muslim friends, I pray more than I used to pray. My prayer life has been enriched by my encounter with some Muslims, encouraged by their devotion and also enriched by the ways in which they pray. Have I compromised in this way at all? No, to the contrary, I've gone deeper in my faith and I think my love for God has been deepened and made more intelligent in a sense, more rich by that very encounter.”

“When some people look at a shrimp they think, "Hmm. Delicious." When I look at a shrimp I think, "You're a miracle, absolutely incredible. Your ancestors have gone back hundreds of millions of years." And to develop a thing as simple as a shrimp cocktail, you have to calculate the hundreds of millions of years that have preceded that moment where you're sitting there with your sauce and fork poised.”

“The spiritual man habitually makes eternity-judgments instead of time-judgments. By faith he rises above the tug of earth and the flow of time and learns to think and feel as one who has already left the world and gone to join the innumerable company of angels and the general assembly and Church of the First-born which are written in heaven. Such a man would rather be useful than famous and would rather serve than be served. And all this must be by the operation of the Holy Spirit within him. No man can become spiritual by himself. Only the free Spirit can make a man spiritual.”

“The thing that strikes me now when I think about the Wilderness of Childhood is the incredible degree of freedom my parents gave me to adventure there. A very grave, very significant shift in our idea of childhood has occurred since then. The Wilderness of Childhood is gone; the days of adventure are past. The land ruled by children, to which a kid might exile himself for at least some portion of every day from the neighboring kingdom of adulthood, has in large part been taken over, co-opted, colonized, and finally absorbed by the neighbors.”

“Let’s begin with capitalism, a word that has gone largely out of fashion. The approved reference now is to the market system. This shift minimizes - indeed, deletes - the role of wealth in the economic and social system. And it sheds the adverse connotation going back to Marx. Instead of the owners of capital or their attendants in control, we have the admirably impersonal role of market forces. It would be hard to think of a change in terminology more in the interest of those to whom money accords power. They have now a functional anonymity.”

“the New Englander landed on a stony, barren tract, and a large share of his strength during two centuries has gone to force a living out of it. Hence he has come to regard economy - a necessary unpleasant quality at best - as the chief of virtues. He has cultivated habits which verge on closeness in dealing with food, and with the expression of feeling, and even - his enemies think - with feeling itself.”

“I think the actor has a tribal role as the archetypal story teller. I think there was a time when the storyteller, the priest, the healer, were all one person in one body. That person used to weave stories at night around a small fire to keep the tribe from being terrified that sun had gone down.”

“I do not rush into actual work. When I get a new idea, I start at once building it up in my imagination, and make improvements and operate the device in my mind. When I have gone so far as to embody everything in my invention, every possible improvement I can think of, and when I see no fault anywhere, I put into concrete form the final product of my brain.”

“I've gone into auditions and I think they have an assumption about me when they see my photo and then I open my mouth and they say, 'Where exactly are you from? And you were born in Ethiopia? But you're Irish, but you also kind of sound English. That's really strange.' They want to put you in a box in LA, that's how they tend to do it there, so if you don't fit in that box, it makes it more difficult.”

“Im happy to say that at 62, I think Ive reached that point where stuff doesnt bother me as much, and my gratitude level has gone way up, especially having gone through the loss that Ive had, and losing so many of the great artists that I was close to. They taught me how to see it with a grain of salt and a lot of humor and perspective.”

“Stand-up life is really hard. At one point, I got so paralyzed I could write five screenplays before I could write three jokes for stand-up. Later, I've finally allowed myself to relax quite a bit, to think I can do it because I've done it in the past. The pressure to come up with the material is the same but the anxiety about whether I can do it is gone.”

“Any woman who wishes to be an intellectual, to write non-fiction, to deal with theory, faces a lot of discrimination coming her way and perhaps even self-doubt because there aren't that many who've gone before you. And I think that the most powerful tool we can have is to be clear about our intent. To know what it is we want to do rather than going into institutions thinking that the institution is going to frame for us.”

“It’s irrelevant to me what young Singaporeans think of me. What they think of me after I’m dead and gone in one generation will be determined by researchers who do PhDs on me, right? So there will be a lot of revisionism. As people revised Stalin, Brezhnev and one day now Yeltsin, and later on Putin. I’ve lived long enough to know that you may be idealised in life and reviled after you’re dead.”

“I mean the whole economy just comes to a grinding halt. Competence in markets and in institutions, it's a lot like oxygen. When you have it, you don't even think about it. Indispensable. You can go years without thinking about it. When it's gone for five minutes, it's the only thing you think about. And the oxygen has been sucked out of the credit markets.”

“A good film to me is like lightning in a bottle. I used to think that meant hit and run. But then I've changed my definition about what lightning in a bottle means. I think it means that you wait for that surprising moment that you really didn't expect would happen, as good as it may have gone in rehearsal.”

“While I do not think it was so intended I have always been of the opinion that this turned out to be much the best for me. I had no national experience. What I have ever been able to do has been the result of first learning how to do it. I am not gifted with intuition. I need not only hard work but experience to be ready to solve problems. The Presidents who have gone to Washington without first having held some national office have been at great disadvantage.”