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“I can think of so many tough guys that by definition it's their job to be tough and they're all in chapel. That's such a misconception and it's kind of gone out the window. Guys feel more comfortable going to chapel. I remember when I first started, guys were nervous about it and it was kind of a secret. There was still that stigma that came with it, but it's definitely been removed and (the faith movement) is definitely growing.”

“I don't recall a show I've ever been on that had the same director do two episodes in a row, but in England, they do it all the time. In England, they'll just have one director for eight episodes. That was the British system that Jane Tranter and Julie Gardner wanted to bring to the States. I think there was a nice merger of the two systems. They might have gone with one director, but John had obligations on The Village, and he had to leave and come back, so it seemed like a natural place to break it up.”

“I guess because theater's so ephemeral and it's gone. You make this nightly contract with the audience and you redraw that contract for the next night, whereas film and television, it's forever. I suppose it's always about adopting personas, never about being yourself. I think they call it a "shy man's revenge."”

“I think new life is the most exciting thing and I absolutely have so much respect for my friends and family that have gone and done it because it seems like the hardest job in the world. So, who knows - maybe one day I might try it myself. But I completely salute anyone who does.”

“I feel like I've gone through stages with the industry; when I first started showing it was during the time of the recession, the economical situation meant fashion was suffering. But now the fashion business is back and booming, and I think it just encourages me to constantly set myself bigger and bigger challenges and reach new goals.”

“I am not ashamed to admit that in the games against Barcelona I spent a lot of the time just hoping he would take up positions as far away from me as possible. Elusive is the word that immediately springs to mind when I think about Messi's style of play. You think you have an eye on him and then - blink - he has gone, only to reappear somewhere else in space, with the ball.”

“With all the conceptual truths in the universe at His disposal [Jesus] did not give them something to think about together when He was gone. Instead, He gave them concrete things to do - specific ways of being together in their bodies - that would go on teaching them what they needed to know when He was no longer around to teach them Himself ... "Do this" He said - not believe this but do this - "in remembrance of me.”

“When I was eighteen, River Phoenix was far and away my hero. Think of all those early great performances - My Own Private Idaho. Stand by Me. I always wanted to meet him. One night, I was at this Halloween party, and he passed me. He was beyond pale - he looked white. Before I got a chance to say hello, he was gone, driving off to the Viper Room, where he fell over and died. That's a lesson.”

“In my view, madness is a place. You go. You come back. And I think we all take turns being the mental patient. Without a touch of crazy, literature can be a desolate place. In the current climate of careful speech, even fearful speech, smoke-free film scripts, thought-free songs, and child-proof locks on American minds, the oft-repeated lament of the arts is "Where have all those wonderful madmen gone?"”

“Today's banalities apparently gain in profundity if one states that the wisdom of the past, for all its virtues, belongs to the past. The arrogance of those who come later preens itself with the notion that the past is dead and gone. The modern mind can no longer think thought, only can locate it in time and space. The activity of thinking decays to the passivity of classifying.”

“People who wear their religion on their sleeves talk a lot about going to Sunday school, reading the Bible, and doing good works. And I suppose there's no harm in that. But if I'd gone to the trouble to pull all this together ... and people never paid any attention to it, never bothered to try to find out how the world worked, then I think I'd get annoyed.”

“It's a weird partnership. For me and Patrick, if you've met him, we're not very much alike. But we bring such different tools to the table. He doesn't think like me. I don't think like him. He thinks like an editor. He thinks like a director. He thinks completely outside of the box when it comes to writing and so because of that he leads me down roads that I would've never gone down. And he sucks at grammar. So together we're perfect.”

“In polite society, there is such a thing as sensitivity to some issues, as time has gone on. There was a time when we weren't politically correct, at all, and we all wince at moments when we look to the past and see that. I don't really know what the answer is, as far as that is concerned. However, me, as an artist, I don't really think about it, at all. It actually is not my job to think about that, especially in terms of me, as a writer, but also as a filmmaker. I'm not worried about the filmmaking part because, if I'm writing it, that's what I'm going to do.”

“Once physical beauty is gone there must be something more to take its place . . . 'To thine ownself be true' is a rule to live by in Hollywood, especially. There's a strong undercurrent of conformity in the movie colony that one must fight all the time. I think this especially true when it comes to fashion, beauty and grooming.”