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“I was always interested in music, I felt it was time to do it, coming out of the punk scene [1979]. I thought it was ideal that anyone could just put together a group and make it work. Then, of course, it became a little more detailed after starting it and realizing that it was something serious, not just a one-off situation. I had to put a lot more into it. Also I did it to get a lot of things out of my system, things that had been put there while I was growing up in my family. A sort of exorcizing of demons.”

“I don't really think of these as projects. I think of them as bands. I have tried to not just convene a group of musicians and make one record or make one gig and just drop it. Each of them develop over time. I have been really fortunate to keep a band like the Sextet together over three very different albums. Each time, the goal got more deep for me in terms of how I wanted to write for those people. So it is really about trying to develop ideas and trying to have a consistent focus on a way to come up with new ideas in music that I want to do.”

“Well, you know, the first step I took was to drop the alto and baritone and concentrate on tenor exclusively, a decision I've never really looked back on with any regret. Another thing was that I was 17 when I moved up there, and my listening had really focused on freer music in the previous couple of years- Coltrane was playing with his expanded group, and everyone was listening closely to that, and we were into Shepp and Ayler as well.”

“I was in bands as a singer-guitarist-songwriter until 1980-81. So, there's a bunch of stuff. A lot of the stuff is hard to come by-stuff by the Special Interest Group and the Zobo Funn Band. The Zobo Funn Band was a big Northeast cult band. We had about a billion skirmishes with the big rock industry.”

“Well you can see that I'm still in motion. It happens that you share the music with the audience. That is the best happiness an artist can have. I'm not alone on stage but with a group of musicians. So the more the music is successful, the more the audience feel happy about the music. It's the responsiblity of an artist to make his fans happy. That is proposition. I'm always talking about proposition.”

“It's really an orchestral piece featuring a group and it was quite revolutionary at the time and it in fact, it kicked Deep Purple off as a name in Great Britain because it made all the newspapers. Everyone was writing about us. And there was some confusion as to what kind of band we were after that, which is why Deep Purple in Rock is such a hard unbending album of really furious hard heavy rock. Heavy metal hadn't been invented at that point.”

“We have signed with Artemis Records. Originally they were our distributor for 'Group Therapy'. My former manager (Chip Quigley) started a record label (Recon Records) and had Artemis Records as their distributor. Unfortunately, the way the label was run meant that it didn't turn out the way that we thought it was going to be. We simply got into something that was different to what we initially thought”

“The irony is that I don't think we took a step backwards to make 'Group Therapy'. I think we took a step forward because it's a lot more complicated to make that kind of album. I think that album was far more produced than 'American Apathy', and it had a lot more harmony vocals and lots of intricate parts musically speaking.”

“The main reason for the break was a combination of travel and going back to university, which drew me into theatre more than music. I did stuff on acoustic guitar when I was traveling, filed it away and made notes, without it being musical notation. Just taped the odd thing, did a sketch, stuck it on a cassette. I thought at some point, I'll go back to it. Some of it I did use in '84-'85 when I started working in the Free Theatre in Christchurch. So it might seem like I had given up after the Pin Group, but I just went into a different avenue.”

“It's hard to say. Whenever you play with a group of people for a long time it influences the way that you play with others. They were all very defining in their own way and all affected the band in one way or another. I don't think they are so obvious in the music. The fact is that The Lawrence Arms is the culmination of a long search of trying to find people who play well as a unit.”

“It is a great pleasure to be performing with a big band. Those people took part in a group that played the music from the Kino Kultura album i.e. the soundtrack music I've been doing. It is difficult to organise them all and to have those people for a certain date since they all have their own obligations and arrangements. It is a great privilege to gather all those musicians at one place, especially these that I work with, since they perform regularly abroad, at weddings or are working somewhere else.”

“I think there are quite a few new Instro/Surf groups that are really great. The Mermen are good and there doing something different. The Space Cossacks, Penetrators, The Fathoms, I really like The Falcons from Canada, Mike Beddoes is a really fine guitar player. I like Nokie Edwards of The Ventures, who gave me a guitar lesson once when we were playing opposite them in 1962 at The Rose Garden Ballroom in Pismo Beach. That's were The Impacts started and got signed to Del Fi in 1962.”

“When my band MU landed on Maui in 1973 we were greeted by a wonderful group of peace loving brothers & sisters who we immediately formed a bond with. We had two instant roadies, Spider & Richard, who helped with every move of our musical equipment. We settled into our house on the edge of the rainforest that eventually became a portable studio. We started rehearsing and booked the Lahaina Civic Auditorium for a full moon concert starring MU and a local band The Space Patrol.”

“I was on a panel with light skinned Blacks and a famous gay science fiction writer, who were complaining about how Blacks are against gays and light skinned Blacks and how intolerant Blacks are of different groups. My position was that Blacks were among the most humanistic, tolerant groups in the country and that across the street from my house in Oakland was one inhabited by White gays.”

“In some ways Jews and the various largely Catholic and often poor European immigrant groups were "white," as the historian Tom Guglielmo has recently put it, "on arrival." Where naturalization law was concerned, for example, ample precedents recognized their ability to become citizens, a right explicitly resting on their "whiteness." But they also remained, as Working toward Whiteness puts it, "on trial" for a harrowingly long time.”

“We understand that ISIS is a group that's growing in its governance of territory. It's not just Iraq and Syria. They are now a predominant group in Libya. They are beginning to pop up in Afghanistan. They are increasingly involved now in attacks in Yemen. They have Jordan in their sights. This group needs to be confronted with serious proposals.”

“So there are two separate tracks. One track is for the Syrian government and the opposition that is interested in a peaceful future of Syria to come together for national unity, for the political process. At the same time, it is a requirement for everybody to stop supporting the extremist groups, to stop allowing them safe passage, to stop allowing them to receive weapons, to stop allowing them to receive financial assistance, and to come together in actually fighting them.”

“People have been fed misinformation. The fact is that the fighting that is going on on the ground in Syria is with Al Qaeda, with Jabhat al Nusra, with Daesh. The pockets, small pockets, of other groups are usually surrounded by these various extremist groups. . . . Once they stop fighting, there is nothing for the Syrian government to hit other than the terrorist organizations.”

“The United States wanted to send its trained rebel groups to Syria to fight ISIS. Out of twenty-five hundred rebels they had trained, only seventy accepted to go to Syria to fight ISIS. Everybody else wanted to go to Syria to fight the government. So you've got to wake up and smell the coffee. . . . The rebel groups have not fired a shot against ISIS.”

“ISIS is a radical jihadist group that is increasingly sophisticated in its ability, for example, to radicalize American citizens, in its inability to exploit loopholes in our legal immigration system, in its ability to capture and hold territory in the Middle East, as I outlined earlier, in multiple countries.”

“Let me begin by saying that we have to understand who ISIS is. ISIS is a radical Sunni group. They cannot just be defeated through air strikes. Air strikes are a key component of defeating them, but they must be defeated on the ground by a ground force. And that ground force must be primarily made up of Sunni Arabs themselves, Sunni Arabs that reject them ideologically and confront them militarily.”

“Oil is dead, on its way to extinction. As a group of citizens we must speak up and act towards ending fracking. Let your government know you will not tolerate a technology that not only poisons your family but our creature family at large; let them know you want sustainable power and all the jobs that will come with that new growth.”

“It is very easy to make wild generalizations about Islam. All you have to do is read almost any issue of The New Republic and you'll see there the radical evil that's associated with Islam, the Arabs as having a depraved culture, and so forth. These are impossible generalizations to make in the United States about any other religious or ethnic group.”

“It was a very easy way to have a group of friends on a very large campus - a sense of identity. It was a great place to learn how to navigate a variety of personalities, which you kind of have to do in life. You've got the shy woman and you've got the obnoxious woman and you've got the brainiac and you've got the social climber and you've got the introvert and the extrovert, and you're all living together. I think it gave me valuable experience in learning how to live with people that are different than you are. And that's an important lesson. You can bet it comes in very handy in the Senate.”

“A lot of life is about how you feel relating to dealing with this person or that person. If this person makes you feel good, then they're a person to be around; if they don't, they're not. Being in a band is different. The group is the more important part, and you have to kind of shift the way you look at life when you're in a group of people that you work with.”

“A lot of people are not comfortable being apart from the group, from the whole herd, and listening to the inner voice. They just follow what the crowd does and wear what the crowd wears and think what the crowd thinks. They get very caught up in doing what the world says is the cool thing to do and living the way the rest of the world lives. Once we make a decision to break away from that and not be part of the herd anymore - by going inside and finding our own voice - then life just becomes magical.”

“I think that the best approach would be if the American people ever insist that we cut down on the massive amounts of money that moves into the campaigns from special interest groups, and if we resist publicly by saying "No more negative advertisements that destroy the reputations of one's opponents." In the meantime, just don't pay any attention to negative ads, if you can avoid them, and try to focus on the issues.”

“There is no way that I could pinpoint just one person. When I first started, I was listening to Randy Rogers quite a bit, and I was also pretty big into Josh Grider back then. I remember going to a lot of Kevin Fowler shows early, and Eli Young Band was another one of the groups I listened to a lot of when I was learning to write and play guitar.”