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“People look at me in many ways. They've said, 'The guy has no regard for money.' That is not true. I have had regard for money. It depends on who's saying that. Some people worship money as something you've got to have piled up in a big pile somewhere. I've only thought about money in one way, and that is to do something with it. I don't think there's a thing I own that I will ever get the benefit of except through doing things with it. I don't even want the dividends from the stock in the studio, because the government's going to take it away. I'd rather have that in (the company) working.”

“I don't want to lose ever. I don't want to lose at anything. I want to make weight faster than the guy that I'm fighting if we both go into the sauna at the same time. When we're doing interviews I want to have quicker wit so that I can make him feel stupid. I want to drink my water faster. And then when we get in the cage I want to beat him up. I don't think people really truly understand the extent that I go to try not to use.”

“On the one hand, you have these huge budget films that cost millions of dollars. They are effects driven, they don't have well known actors in them, and they are making money. Well, some of them are. One the other hand, you have Stallone and Statham, and guys like DeNiro and Pacino, and Costner, who are all trying to make movies about real people. They are interested in character driven projects.”

“John Steinbeck's 'The Grapes of Wrath' also speaks urgently to today's concerns: the cratered trail of dreams for Mexican immigrants seeking a promised land in the Western [United States]; the perfidy of banks in foreclosing on poor people's homes; and the insurgent urge of the book's protagonist, Tom Joad, to speak truth to police power. 'Wherever there's a cop beatin' up a guy,' Tom promises, 'I'll be there.' In Salinas, Calif., Ferguson, Mo., or Staten Island, N.Y., Tom's truth goes marching on.”

“If we went by the world's definition of who I'm supposed to be because I look weird 'Well, surely, this guy can't have a productive life, surely, he doesn't have a sense of humor. Surely, he can't love life.' We stereotype people in this world. And so if the world thinks you're not good enough, it's a lie, you know. Get a second opinion.”

“What we were trying to do was take the notion of Greek tragedy, of fated and doomed people, and instead of these Olympian gods, indifferent, venal, selfish, hurling lightning bolts and hitting people in the ass for no reason — instead of those guys whipping it on Oedipus or Achilles, it’s the postmodern institutions . . . those are the indifferent gods.”

“How many of you guys, in your own experience with women, have learned that "no" means "yes" if you know how to spot it? Let me tell you something. In this modern world, that is simply not tolerated. People aren't even gonna try to understand that one. I mean, it used to be said it was a cliche. It used to be part of the advice young boys were given.”

“I think the people already know what they're doing wrong, and I certainly believe in Hell. But to me, when I see thousands of people before me, it just doesn't come out of me to say, 'You guys are terrible, and you're going to Hell.' I'd rather say that God is a God of mercy. You've got to live an obedient life, but for every mistake you've made, there's mercy there, and I believe we can do better.”

“Man Ray... loved games and absolutely knew about the camera. It is interesting to note that, although I used him in only about 10 percent of the photographs and videotapes, most people think of him as omnipresent in my work. It irked me sometimes to be known only as the guy with the dog, but on the other hand it was a thrill to have a famous dog.”

“Listen to John Coltrane enough and after two bars, just two bars at any place, and you know that's him. We all have signature things that happen to be similar that you can predict and you try to stay away from that except the rhythms: those pauses, they're part of my signature, the part where I know when I say nothing, I already painted enough, led enough and I don't even have to say anything. But those pauses don't belong to me. Jack Benny was one of the first guys in comedy to make the anticipation so great that during the pause people start to laugh before the execution.”