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Happenings Quotes

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Happenings Quotes

“It's the difference between hunting a lion and hunting a deer. If someone hunts a lion, it's like: "Wow, they're brave!" But if they're hunting a deer it's like: "That poor deer!" I know that. I know that guys getting killed is horrible but people have seen it before. You've seen The Evil Dead. With girls, it's like: "I don't want to see that happening..." I know that.”

“You really hope that people who want to be politically active aren't so disillusioned at this point. I do feel positive about what's happening. I think that with all of these movements, and this growing collective voice that's emerging, people are starting to come out of the kind of dazed state that they were in for so many years. But it's tough to know the best way to effect change now. Campaigning alone no longer seems to be the answer.”

“I meet people who can't get healthcare for their families, people who are just distressed over what is happening in our country. So when somebody asks me, "How do you get up?" it really triggered in me the feeling that that's what I want us all to think about each other. How do we get up? How do we pull on our shoes, go out and deal with the problems America faces. That's what I intend to do as president.”

“We know there are states, like Alaska, where there are not a lot of providers. How do we work on issues like that? How do we work on making sure that the small-business part of this works better?... And if people have [alternate] plans, let's compare them and see. Access, affordability, and quality - that's what this is about. [But] "repeal" is a symbol of something that I don't think is connected to the substance of what's happening. Do you want to take away care from people who have preexisting conditions? [Repeal] takes you backward.”

“You can have all the muskets you want! You can even have assault muskets!...Their (the NRA's) paranoid fear of a possible dystopic future prevents us from addressing our actual dystopic present. We can't even begin to address 30,000 gun deaths that are actually, in reality, happening in this country every year because a few of us must remain vigilant against the rise of an imaginary Hitler.”

“One of the tricks is to have the exposition conveyed in a scene of conflict, so that a character is forced to say things you want the audience to know - as, for example, if he is defending himself against somebody's attack, his words of defense seem Justified even though his words are actually expository words. Something appears to be happening, so the audience believes it is witnessing a scene (which it is), not listening to expository speeches. Humor is another way of getting exposition across.”

“A mind can be overthrown by words; that's the point. What is happening to the brain of a person who uses the passive, who writes, 'Delay should not be allowed to take place' instead of 'Hurry'? The user of the passive verb doesn't want a universe in which responsible agents do their acts. You see? Bad language ultimately is IMMORAL.”

“You want to find the right balance, but you have to have the Minions because people responded so much to them. We wanted to find a story that would make the Minions more a part of the story than they were in the first movie. In this one, as you know, they're disappearing. What's happening to the Minions? We made them a much bigger part of the movie in those terms.”

“... the thing that's happening today vis-á-vis computer imaging, vis-á-vis alteration, is that it no longer needs to be based on the real at all. I don't want to get into jargon - let's just say that photography to me no longer pertains to the rhetoric of realism; it pertains more perhaps to the rhetoric of the unreal rather than the real or of course the hyperreal.”

“I think people have a tendency to think of a writer as someone who wants to go take a walk, maybe case a library... I think that's great sometimes but we really treat it like Monday through Friday come in early. You're not late for inspiration. You're working through it no matter what is happening even if you're writing a terrible version.”

“We want the children to conform; we want to control their minds, to shape their conduct, their way of living, so that they will fit into the pattern of society, That is what every parent wants, is it not? And that is exactly what is happening, whether it be in America or in Europe, in Russia or in India. The pattern may vary slightly, but they all want the child to conform.”

“If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.”

“I'm not going to look back. 'Don't look back, something might be gaining on you.' I don't have anything specific in mind. I want to do what comes my way. No plans, no idea, I believe in things happening organically. Right now the plan is to wrap things up - we've got one more Abbie Hoffman Fest to put together - whatever happens after that is unknown. I'm not going to push anything beyond passive behavior.”

“I had promised myself when I first got started that if I got to the point my life where I started feeling 'Gee, I'd rather be at home than at work', and that started happening more often than not, that it would be time to leave. I'd wake up some days and go "Oh, I don't even know if I want to go face this anymore". I would, I would go do it, I'm a dutiful kind of person and not afraid of work.”

“The plus-size revolution that has been happening lately is incredible but it's also creating this "other" beauty standard in which you have to be an hourglass, you have to be super sexy and fierce about showing off your curves. That's quite frightening to me, and I don't fit in it, I don't want to fit it.”

“If my goal is to change Colombia, which it is because I really think Columbia has to change in many, many ways - I think it has to be a very profound, nearly spiritual maturing process in the Colombian society because I think you have to first be aware of what's happening and it's not easy because many people don't want to see what's happening.”

“But there were other, vaguer, harder-to-pin-down feelings, like: a pit in the stomach that means something is either really good or really bad or both. A feeling of being old and young at once. A sense of beginnings and endings happening at the same time. A certainty that your life is changing, but an uncertainty about how it's changing and whether you want it to.”