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Hours Quotes

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“I'm interested in feedback and learning what people want. It's a tricky thing for me when I do a set list. You get bored doing the same songs. Let's say we do one ballad in two hours, and it's "Wild Horses." If you say, I'm tired of that, let's try something less well known, and then you're out there stumbling through this song you just relearned at sound check, and you realize people probably want "Wild Horses" instead of this. You do need to do some songs that aren't so well known. The question is how many? I'm open to people posting their requests.”

“Only two things change when you get older: the energy in your voice and the time of night you feel it's appropriate to call someone. In your 20s, people call at 2 a.m. and yell, 'Are you up?' into the answering machine. Now, someone calls after 8 p.m., and my boyfriend is like, 'Who is that? Who could be calling at this hour?'”

“If I owned any of these Hot New Issues that have doubled, tripled, quintupled or umptupled within days and in some cases hours after they were issued, I most certainly would grab my fabulous windfall, thank my lucky stars and invest the money. It's utter nonsense to think any newly issued stock is really worth two, ten or 20 times the [offering] price.... A management so stupid as to sell shares [cheap], and an underwriter so obtuse as not to discern the real value, together would provide reason enough for a sensible man to get rid of his shares.”

“In comparing these two writers, he [Samuel Johnson] used this expression: "that there was as great a difference between them as between a man who knew how a watch was made, and a man who could tell the hour by looking on the dial-plate." This was a short and a figurative statement of his distinction between drawing characters of nature and characters only of manners, but I cannot help being of opinion, that the neat watches of Fielding are as well constructed as the large clocks of Richardson, and that his dial plates are brighter.”

“Parents teach in the toughest school in the word: The School for Making People. You are the board of education, the principal, theclassroom teacher, and the janitor, all rolled into two. . . . There are few schools to train you for your job, and there is no general agreement on the curriculum. . . . You are on duty, or at least on call, 24 hours a day, 365 days a year, for at least 18 years for each child you have. Besides that, you have to contend with an administration that has two leaders or bosses, whichever the case may be.”

“... up to this date, I have never been shut up in a separate room, or hedged off with any observances. My study, all the study I have attained to, is the little 2nd drawing room where all the (feminine) life of the house goes on; and I don't think I have ever had two hours undisturbed (except at night, when everybody is in bed) during my whole literary life.”

“Today's baseball players are walking conglomerates. They have fantastic salaries, multiple investments, but we had one thing they don't have today, the train ride. We didn't always like it, but those rides kept us close as a team and as friends. Something you can't get on a two hour plane ride that used to take you fifteen hours on a train.”

“Never invite to dinner: those who won't decide until the last minute; those who come more than half an hour late; those who want to bring along two or three friends; drunks; monologists; those who stay until three o'clock in the morning; those who think that conversation means having an argument; those who take a high moral tone; those who are stupid, ugly, or dull. Enforcement of these rules will enable one to eat alone every night in comfort.”

“Mothers are likely to have more bad days on the job than most other professionals, considering the hours: round-the-clock, seven days a week, fifty-two weeks a year. . . . You go to work when you're sick, maybe even clinically depressed, because motherhood is perhaps the only unpaid position where failure to show up can result in arrest.”

“Here's a pointer culled from the careers of men who have attained notable success: Don't sit in your office during the hours prospects can be seen. Do your office work before or after the hours during which possible customers can be reached. This may mean adding an hour or two quite often to your day's work; but in times like this particularly, the securing of a satisfactory amount of business through the expenditure of an extra hour or two a day is not an unreasonable price to pay.”

“... fain would I turn back the clock and devote to French or some other language the hours I spent upon algebra, geometry, and trigonometry, of which not one principle remains with me. Stay! There is one theorem painfully drummed into my head which seems to have inhabited some corner of my brain since that early time: "The square on the hypotenuse of a right-angled triangle is equal to the sum of the squares on the other two sides!" There it sticks, but what of it, ye gods, what of it?”

“And this exclusion of "women's work" continues, despite United Nations data gathered since 1975 (the beginning of the UN Decade for Women) indicating that women globally contribute two-thirds of the world's work hours, for which - given the imbalanced, unjust, and truly peculiar nature of the accounting characteristic of dominator economics - they globally earn only one-tenth of what men do and own a mere one-hundredth of the world's property.”

“I don't know if there's a proper way to define toughness in a runner, but I do know that there comes a sudden moment when the mindset shifts. The impossible becomes doable, or at least attemptable. The long run goes from two miles to four to ten to fifteen, until it becomes routine at some point deep in an intense training cycle to knock off a couple hours without giving it a thought.”

“Why do people go to the cinema? What takes them into a darkened room where, for two hours, they watch the play of shadows on a sheet? The search for entertainment? The need for a kind of drug? ..I think that what a person normally goes to the cinema for is time: for time lost or spent or not yet had. He goes there for living experience; for cinema, like no other art, widens, enhances and concentrates a person’s experience-and not only enhances it but makes it longer, significantly longer. That is the power of cinema: ‘stars’, story-lines and entertainment have nothing to do with it.”

“You are not exposed to one chemical at a time, but a complex mixture of chemicals that changes day by day, hour by hour, depending on where you are and the environment you are in... In the United States alone it is estimated that over 72,000 different chemicals are used regularly. Two thousand five hundred new chemicals are introduced annually-and of these, only 15 are partially tested for their safety. Not one of the chemicals in use today has been adequately tested for these intergenerational effects that are initiated in the womb.”

“Its always important to fall back on your instincts and core beliefs and that was pretty hard for me to do but trusting in my self the way I trusted that if I were to sit at a piano for two hours and I was going learn something, that trust I'd put in myself really helped me get through it. For five to six months I just wrote songs and believed they would turn out to be things I could be proud of and be happy.”

“I think in the modern world we really need to have movie theaters or places we can go in and rejuvenate ourselves. I think we'll have less problems with our souls and our health. I do that in my life, and I feel healthy and happy. I need those hours in the darkness where I used to spend time as a kid, sitting in a little closet in the darkness, listening to AM radio, having glowing paint that I illuminated, just sitting there, dreaming about anything, not being disturbed for an hour or two, just alone in the dark. I'm still that little boy in my brain.”

“Theatre is organic, film is not. Theatre you come every day and you work with a group of people and you're are all up for it and you all get to do the whole thing every night, be it two hours or three hours. In film you work in two or three minute bits and it's never in chronological order and then someone takes that away and makes it look like it all happened, or that you gave that performance.”

“I did mega-training with ex-military men. I'd be in the gym for two hours after a 12-hour day on Spooks, and it was so hardcore I'd throw up. I stuffed myself with food and drank protein shakes to bulk up. I used to be a dancer, but I had to strap my weak ankles every day and strengthen my wrists so I could hold a machine gun. My body just wasn't up to it.”

“There's no greater feeling than people coming up to me and going, "Man, my father was dying, and we went to see Rush Hour, and it was the greatest night we had in years together. We sat in that theater and we laughed for two hours without stopping. That was just a great memory that I had before my father died."”