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Journey Quotes

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Journey Quotes

“People on a spiritual path - personal growth, spiritual practice, recovery, yoga and so forth - are the last people who should be sitting out the social and political issues of our day. And there’s an important reason for this: People on such journeys are adepts at change. They know that the mechanics of the heart and mind are the fundamental drivers of transformation.”

“The journey to sacred places is the most common way that people travel in India. They are always going on pilgrimages to sacred places. They are always undertaking spiritual journeys to visit the great shrines in the Himalayan tier of pilgrimage places; these places are called tirthas, a word that means "crossing place," a place where you can cross the river to the far shore but also cross over into another dimension of life. Cross over to heaven, in one sense it's used.”

“We did monologues and scenes, and New York I did a scene from Amadeus and a monologue from Pounding Nails in the Floor With My Forehead by Eric Bogosian, and then in L.A. I switched the scene to This is Our Youth and did the same monologue. I was spiky-haired, super skinny. A lot of people were like, "You should come here and do a sitcom." That was the feedback that I got. Obviously it was quite a different journey than the one I've actually had, but I just listened to people.”

“I realized that Owen [Suskind] is completely brilliant, because he embraced and memorized all these classic Disney films - these fables that chronicle the hero's journey, and have existed for thousands of years. Owen, in a sense, grew up on a diet of myth and fable, and has become an expert on their themes, which contain a moral guide that connects people.”

“I think what was special about 'Music by Prudence' was the classic story of the title subject's life path - from being an outcast in her society because she was disabled, to someone who picked herself from that despair and elevated herself within that community, and now that society accepting her as much as they formerly rejected her. People identified with that journey, overcoming an obstacle, but still triumphing.”

“I remember reading in a comedy book very long ago when I first started, a person said there's a difference between a sense of humor and a sense of funny. A sense of humor is knowing what makes you laugh and a sense of funny is knowing what makes other people laugh. The journey of comedy, in a sense, is negotiating those two worlds.”

“That was an extremely unhelpful thing for Bill Shorten to say because those of us - and as the Attorney-General I've been closely involved in this along with my colleague Nigel Scullion, the Minister for Indigenous Affairs - what we have been trying to do for some years now, throughout the life of the Coalition Government in fact, is to bring the Australian people on a journey with us - conservative Australians as well as more progressive Australians, to persuade them that it is a seemly and fitting and decent and appropriate thing to recognise the first Australians in the Constitution.”

“[Fairy tales] are like a journey to the woods and the many ways you can get lost. Some people say it's not a good idea to read fairy tales to anyone under the age of eight because they are brutal and raw. When I was a kid I often felt that kids's books were speaking down to me, but I never felt that way about fairy tales. They are bloody and scary, but so is life.”

“Most people who read the autobiography perceive the narrative as a story that now millions of people know, and it was - it's a story of human transformation, the powerful epiphany, Malcolm's X journey to Mecca, his renunciation of the Nation of Islam's racial separatism, his embrace of universal humanity, of humanism that was articulated through Sunni Islam. Well, that's the story everybody knows.”

“I was like, wow, this guy's [Donald Trump ] going to do well. And I remember people laughed at me. People were like, oh, you silly ignorant person who's just come to this world. You clearly shouldn't be at "The Daily Show" 'cause you don't know what you're talking about. And I was like, but I don't know. He seems like he connects with people. I can relate to him as a performer. I can see what tools he's using. He's good at riffing. He's good at taking the crowd on a journey. I can see what he's doing.”

“I like when people don't feel the need to have everything add up perfectly. I don't think we need that, what I think we need is to let ourselves have room to move and understand that life is a journey. And with that comes freedom. I think the more you try to compartmentalize and snap it all into place you may rob yourself of an experience that's really important for you.”

“People want their reason for living to be a singular thing, like a career or a relationship, because this makes an individual feel secure in the physical world. We don't fare well in the realm of the invisible - so telling someone that their purpose is multilayered and includes the arduous journey of discovering who they really are is not always the answer they want to hear. But consider the complexity of the question: "What is my reason for living?" How can that question not include a journey into the depths of your own life?”

“All people share the same desire to be treated equally. We all go through similar emotional journeys from love to hate, rejection to acceptance. I think the most important thing for dance right now is to allow for more empathy and understanding between people of different races and socioeconomic statuses. In our society we need to build bridges.”

“I take things very seriously, and I give myself time to come down and to ramp up, and it's an inside spiritual journey for me. I feel like acting is a way of feeling your personality, and it's really special. Special to have this kind of effect on people. You can only have that effect if you're really outside of yourself. You can't look at yourself and do what I do at the same time. I have done it that way in the past, but it doesn't really work. I can only soar within the parameters of time, and I use music analogies.”

“Divorce is the hardest obstacle I've had to overcome in my life. I would like to believe that most people don't get married anticipating divorce. When I reached that crossroad, I felt like such a failure. After years of therapy together, I realized that staying together was emotionally destructive. My husband didn't want the divorce, but I did. So there was a lot of bitterness initially. Although we are still divorced, we still call each other "family." It was a journey to get there, but it's a beautiful place to be.”

“When I saw how much the message of the song resonated with people I began to realize we're all on the same journey of discovering who we are. Why else would the bookstores be filled with self-help books? That's why I wanted to write Hello My Name Is; as a powerful reminder that when it comes to getting to the core of who we are, we simply can't help ourselves. Left to our own devices, we'll wander down a wide road filled with people slapping false identities on us at every turn. I've walked that road, and I don't want to anymore.”

“In my path, three things are really important. One is associating with people who inspire us with their positive influence. The company we keep is very important. Number two is our spiritual practice. Putting aside sacred time every day to make that journey within, to tune into the frequency of our true nature and the love and the grace that is within us. Number three is to try living with ethical, moral and spiritual values, which culminates in unselfish service.”

“Anytime I get an acting role, I find a way to learn about something new, or heal a part of my life that I didn't know was hurting. I think anybody could benefit from taking acting classes. You don't necessarily have to want to be an actor or pursue the acting business. But just taking an acting class, you're going to learn so much about life and what it's like to walk in somebody else's shoes. It helps you stop judging people. It does something to you where you become empathetic to people's plights and journeys, and it makes you a little more understanding and caring.”

“It's not like activist work is a nice add-on to what's really important, the spiritual work. The two are inseparable and it goes both ways. Many people are hardcore activists for decades, and they encounter burnout, futility, or a feeling of imbalance. Sometimes they need to go so far as to drop their activism and go on a spiritual journey. They're realizing that all the stuff they're trying to change in the world isn't just out there in the world. It's in them, too. And as long as they're blind to what's in them, they're going to continually re-create it in all that they do.”

“One time I didn't leave my hotel room for four days, I was so stuck in my head. But now, with maturity and age, I've realized that winning isn't everything. It's very much about the journey, particularly in my sport. There are so many people on my team, and I've got to be conscious of them. So while winning is definitely the ultimate goal, the lessons learned when I don't win only strengthen me.”

“For me, architects and film directors operate similarly. They are practical. As an architect, you know what you want in the conception of a space - but you still need a lot of people to help you out. You need an engineer, interior architects. But a film is the same - you have all these elements. But in terms of concept, it's always about time. When you approach a building, you need time to go from point A to B. Buildings are designed as a journey and films are the same, you have an opening that you come through, an angle you follow, maybe a disruption in space.”

“I think on the first album, my aim was to write a good song and have a good melody, and I wanted lyrics that would connect with as many people as possible. On the second album, I took a lot more of a personal approach. I wasn't trying to make conventional, structured songs; I was really trying to get a lot of emotion and my own personal journey throughout it. I just focused more on being honest than getting the normal song structure down.”

“I have my writing therapy. For me, writing and friends therapy is an internal journey where you go in deep, you reflect, you try to heal your inner child. But as an activist, there's the outward, going wide therapy, where you get to realize at a certain point that talking about yourself gets boring. And it's also unhealthy to be so much into yourself. At some point, you have got to be able to look at the issue and say, "It's not about you. It's about a culture, a people, a nation, a family."”

“Throughout my career, I have benefitted from the experience and counsel of a wide range of people who took a very personal interest in me. As a result, I am always happy to share lessons learned from my journey with others. I am particularly passionate about mentoring young black girls. While we are a very diverse group, there is a special bond that connects us to each other. When I work with them, I see them in me and I believe they see me in them. By coming together, we are able to show the world the power and the promise of black girls.”

“I think some people have blind faith in American institutions without knowing a whole lot about them and think they will stand up to Donald Trump and are indestructible. I actually think democracy is not a definable and achievable state. Any country is either becoming more democratic or less democratic. I think the United States hasn't tended to its journey toward democracy in a long time. It's been becoming less democratic, and right now it's in danger of becoming drastically less democratic.”

“Bible Gateway has created a way to make the Word of God accessible and reflective of the technological world we live in. Bible Gateway has proven that embracing innovation can bring people closer to God. I've used unconventional ways to bridge the gap between the secular and the spiritual worlds in my own career, so I admire Bible Gateway's bold, brilliant, and effective way of contributing to the spiritual journeys of many people around the world.”

“Acting is such a high art, and coming from theater, I know how hard it is and respect the craft. I want to look back when it ends, and say I challenged myself. I wanted to be an actor you always remember, and those who are the great ones. That's just a personal journey. If you're too comfortable you're taking it too easy. The director can direct you for two months but before that it's just you and your internal drive. I want people to go to my movies and know it'll be good, and with great actors. You never know what you'll learn from just staying in the same space with them.”

“When I look back on the past two decades of my journey today, I guess many people would interpret my artistic practice as a kind of cross-media attempt. I have indeed tried many different kinds of media over the past 20 years and collaborated in many different ways with people from many different fields. However, I like to understand this process as a kind of compensation for having once lost my "right of choice," an exercise of free choice and taking responsibility for any consequences that might result from it. To be honest, it's a bit of a paranoid act.”