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Language Quotes

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Language Quotes

“Music is important. It says things you heart can't say any other way, and in a language everyone speaks. Music crosses borders, turns smiles into frowns, and vice versa. These observations are shared with a hope: that, when schools cut back on music classes, they really think about what they're doing - and don't take music for granted.”

“Reality is very, very contradictory, and so I try to write just perfecting what I see, what I read, what I feel, in a feel-thinking way. Not only giving ideas, or receiving ideas, or trying to explain something, but mainly feel-thinking, a feel-thinking language able to tie the heart and the mind, which have been divorced.”

“It is that holy poetry and singing we are after. ... It is the wild singing we are after, our chance to use the wild language we are learning by heart under the sea. When a woman speaks her truth, fires up her intention and feeling, staying tight with the instinctive nature, she is singing, she is living in the wild breath-stream of the soul. To live this way is a cycle in itself, one meant to go on, go on, go on.”

“Who shall say that those poor peasants were not acting in the spirit we most venerate, most adore; that theirs was not the true heart language which we cannot choose but love? And what has been their reward? They have sent down their name to be the by-word of all after ages; the worst reproach of the worst men a name convertible with atheism and devil-worship.”

“America could carry on a two years' war by the confiscation of the property of disaffected persons, and be made happy by their expulsion. Say not that this is revenge, call it rather the soft resentment of a suffering people, who, having no object in view but the good of all, have staked their own all upon a seemingly doubtful event. Yet it is folly to argue against determined hardness; eloquence may strike the ear, and the language of sorrow draw forth the tear of compassion, but nothing can reach the heart that is steeled with prejudice.”

“The "sayings" of a community, its proverbs, are its characteristic comment upon life; they imply its history, suggest its attitude toward the world and its way of accepting life. Such an idiom makes the finest language any writer can have; and he can never get it with a notebook. He himself must be able to think and feel in that speech - it is a gift from heart to heart.”

“Woe to that nation whose literature is disturbed by the intervention of power. Because that is not just a violation against "freedom of print," it is the closing down of the heart of the nation, a slashing to pieces of its memory. The nation ceases to be mindful of itself, it is deprived of its spiritual unity, and despite a supposedly common language, compatriots suddenly cease to understand one another.”

“You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.”

“Art is universal. It unites mankind in common brotherhood. As a missionary of civilization, its message is both to heart and mind. Distinctions of tongue or boundary lines disappear before the power of truths, which, like the rainbow, charm by the beauty of variegated hues, or, combined with light, illuminate the universe. Moreover, art is the connecting link in the chain of great minds. Through its language, thought appeals to thought, and sympathy echoes feeling.”

“The language of the heart--the language which "comes from the heart" and "goes to the heart"--is always simple, always graceful, and always full of power, but no art of rhetoric can teach it. It is at once the easiest and most difficult language--difficult, since it needs a heart to speak it; easy, because its periods though rounded and full of harmony, are still unstudied.”

“One of the most gracious dispensations of God concerning His saints is their lovely unawareness of sanctity. The nearer they move to Him, the more conscious are they of sin. If it were impossible at times not to note their own growth in grace, it were impossible also to forget that it was all by His power. If they could be persuaded to admit their progress and talk of it at all, the language of their heart would be this: 'If God could do this in me, He could do it in anyone”

“The source of each accordant strain Lies deeper than the Poet's brain. First from the people's heart must spring The passions which he learns to sing; They are the wind, the harp is he, To voice their fitful melody,-- The language of their varying fate, Their pride, grief, love, ambition, hate,-- The talisman which holds inwrought The touchstone of the listener's thought; That penetrates each vain disguise, And brings his secret to his eyes.”

“Poetry is a second translation of the soul's feeling; it must be rendered into thought, and thought must change its nebulous robe of semi-wording into definite language, before it reaches another heart. Music is a first translation of feeling, needing no second, but entering the heart direct.”

“A poem, being an instance of language, hence essentially dialogue, may be a letter in a bottle thrown out to the sea with the-surely not always strong-hope that it may somehow wash up somewhere, perhaps on the shoreline of the heart. In this way, too, poems are en route: they are headed towards. Toward what? Toward something open, inhabitable, an approachable you, perhaps, an approachable reality. Such realities are, I think, at stake in a poem.”

“Crude men who feel themselves insulted tend to assess the degree of insult as high as possible, and talk about the offense in greatly exaggerated language, only so they can revel to their heart's content in the aroused feelings of hatred and revenge.”

“[H]ow do I pity those who (assuming the name of friends) surround themselves with maxims importing the wisdom of doubt and suspicion, 'til they impose on themselves that very hard task of laboring through life without ever knowing a human creature to whom they can make the proper use of language and freely speak the dictates of their hearts!”

“Like the destroyer, the submarine has created its own type of officer and man with language and traditions apart from the rest of the service, and yet at the heart unchangingly of the Service”