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Language Quotes

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Language Quotes

“But once an original book has been written - and no more than one or two appear in a century - men of letters imitate it, in other words, they copy it so that hundreds of thousands of books are published on exactly the same theme, with slightly different titles and modified phraseology. This should be able to be achieved by apes, who are essentially imitators, provided, of course, that they are able to make use of language.”

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Book:Planet of the Apes
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“Several factors besides skill are more significant in professional writers than in most amateurs. One is love of the surface level of language: the sound of it; the taste of it on the tongue; what it can be made to do in virtuosic passages that exist only for their own sake, like cadenzas in baroque concerti. Writers in love with their tools are not unlike surgeons obsessed with their scalpels, or Arctic sled racers who sleep among their dogs even when they don't have to.”

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Book:The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
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“I am committed to writing appropriate books for the middle grades. This means no bad language, no gratuitous or explicit violence, and no sexual content beyond what you might find in a PG-rated movie – expressions of who likes whom, holding hands, and perhaps the occasional kiss. The idea that we should treat sexual orientation itself as an adults-only topic, however, is absurd. Non-heterosexual children exist. To pretend they do not, to fail to recognize that they have needs for support and validation like any child, would be bad teaching, bad writing, and bad citizenship.”

NeedsShouldWritingMeanChildrenBookIdeasHandsMightWould BeLanguageSupportViolenceFailingTeachingMiddleExpressionKissingAdultsTreatsCommittedLikesAbsurdGradesAppropriateCitizenshipTopicsOccasionalOrientationValidationExplicitHolding HandsBad WritingBad Language
Author:Rick Riordan
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“Every sentence has its drumbeat. rhythm is one of the most powerful dimensions of language: it separates tribes, united families, soothes children, and shocks us into new awarenesses. Every good writer, marching to his or her own drumbeat, marks out a vibrational field as home territory. The cadences of our sentences carry echos of ancestry and influence as surely as the double helix that orchstrates the life of the body.”

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Author:Marilyn Chandler McEntyre
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“The writing has been on the wall for some years now, but we are a nation illiterate in the language of the wall. The writing just gets bigger. Something will eventually bring down the charming, infuriating naïveté of Americans that allows us our blithe consumption and cheerful ignorance of the secret ugliness that bring us whatever we want.”

WantWritingYearsHas BeensLanguageNationsSecretIgnoranceWallBiggerConsumptionConsumerismCharmingCheerfulUglinessOverconsumptionIlliterateVetsInfuriatingBlithe
Book:Small Wonder
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“I have this feeling of wending my way or plundering through a mysterious jungle of possibilities when I am writing. This jungle has not been explored by previous writers. It never will be explored. It's endlessly varying as we progress through the experience of time. These words that occur to me come out of my relation to the language which is developing even as I am using it.”

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Author:William Stafford
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“All education is despotism. It is perhaps impossible for the young to be conducted without introducing in many cases the tyranny implicit in obedience. Go there; do that; read; write; rise; lie down - will perhaps forever be the language addressed to youth by age.”

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Book:The enquirer. Reflections on education, manners, and literature. In a series of essays
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“Reality is very, very contradictory, and so I try to write just perfecting what I see, what I read, what I feel, in a feel-thinking way. Not only giving ideas, or receiving ideas, or trying to explain something, but mainly feel-thinking, a feel-thinking language able to tie the heart and the mind, which have been divorced.”

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Author:Eduardo Galeano
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“The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.”

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Author:Anais Nin
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“The discourse on the Text should itself be nothing other than text, research, textual activity, since the Text is that social space which leaves no language safe, outside, nor any subject of the enunciation in position as judge, master, analyst, confessor, decoder. The theory of the Text can coincide only with a practice of writing.”

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Author:Roland Barthes
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“Language gradually varies, and with it fade away the writings of authors who have flourished their allotted time; otherwise, the creative powers of genius would overstock the world, and the mind would be completely bewildered in the endless mazes of literature.”

WorldWritingMindWould BeLiteratureLanguageCreativeGeniusEndlessFadesVaryFade AwayMazesBewilderedCreative Power
Book:The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated): The Entire Opus of the Prolific American Writer, Biographer and Historian, Including The Legend of Sleepy Hollow, Rip Van Winkle, The Sketch Book of Geoffrey Crayon, Bracebridge Hall and many more
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“This book reminds me of James Gleick's Chaos. The ideas and stories in Loving and Hating Mathematics are timely, interesting, and sometimes even profound. The authors, writing for nonspecialists, take pains to explain technical ideas in nontechnical language, and the book should interest general readers as well as a large mathematical audience.”

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Author:Steven G. Krantz
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“Television is a new, hard test of our wisdom. If we succeed in mastering the new medium it will enrich us. But it can also put our mind to sleep. We must not forget that in the past the inability to transport immediate experience and to convey it to others made the use of language necessary and thus compelled the human mind to develop concepts. For in order to describe things one must draw the general from the specific; one must select, compare, think. When communication can be achieved by pointing with the finger, however, the mouth grows silent, the writing hand stops, and the mind shrinks.”

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Book:Film as Art
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“I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.”

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Author:Louis Auchincloss
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“You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.”

ThinkingWorldWayWantShouldWritingMindHeartBookSometimesHandsReadingLanguageTermForgetAttentionObjectsReaderSentencesDisappearIntenseRhythmProseSensationsHeart And MindManipulateTempoDynamicsSeducing
Author:Carlos Ruiz Zafon
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“Brian Turner writes as only a soldier can, of terror and compassion, hurt and horror, sympathy and desire. He takes us into the truth and trauma of the Iraq war in language that is precise, delicate and beautiful, even as it tells of a suicide bomber, a skull shattered by a bullet, a blade in a bloodgroove.”

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Author:Andrew Himes
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“In our time, political speech and writing are largely the defense of the indefensible. Things like the continuance of British rule in India, the Russian purges and deportations, the dropping of the atom bombs on Japan, can indeed be defended, but only by arguments which are too brutal for most people to face, and which do not square with the professed aims of the political parties. Thus political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness.”

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Book:Orwell and Politics
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