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Like You Quotes

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Like You Quotes

“I think that people want to go to the movies and watch shows on TV or in theaters that make them feel good and music really does that. Not only can you watch something and connect to dialogue, but when you listen to a song, it gives a whole other element of connection and you get that feeling like you want to stand up and dance and sing.”

“You never want to be the worst bowler of the group-because then everyone treats you like you have cancer. "You can do it! We're praying for you." The advice starts. "Use a heavier ball." "Keep your arm straight." "You should get a vasectomy." If you're really bad at bowling like me, they'll ask if want the bumpers up. Not that bowling is that complex anyway. "You want the bumpers? We can get rid of the pins. Why don't you take this coloring book and sit in the corner?"”

“There's no such thing as good ideas and bad ideas. There are only your own ideas and other people's. If you want someone to like your idea, tell him he said it first last week and you just remembered it.”

“When you see a movie, it's like you're attending a show of magic in which the magician pulls a rabbit out of a hat. You don't know how he did it, but a part of you is fascinated, or hypnotized, by what happened, another part of your brain says, "Oh, I want to do the same thing! I want to be that wielder of that magic. I want to be that magician on stage, and do the same thing to other people."”

“Women still, when they have breast cancer, go to work; they still lead their lives. They have to. I just did what I was supposed to do. I didn't want to exploit it or be too "actory" about it, if that makes any sense. That's also why I didn't shave my head; I feel like you have to earn that. I applaud other actors who do that and I am not ripping on them, but to me, that's a badge of honor if you're fighting this disease.”

“When you're really bummed out, the last thing you want to hear is up-tempo and positive. And it lets you know that you're not alone, that somebody has hurt before. It works the same way with chick songs as it does with political songs. When you hear somebody singing about these things, you know that you're not alone, that somebody else is suspicious of what's going on around us in the world. So you don't feel like you're crazy, and you feel like you might be able to make a difference.”

“You wanna hurt me? Go right ahead if it makes you feel any better. I'm an easy target. Yeah, you're right. I talk too much. I also listen too much. I could be a cold-hearted cynic like you, but I don't like to hurt people's feelings. Well, you think what you want about me. I'm not changing. I like me. My wife likes me. My customers like me. 'Cause I'm the real article. What you see is what you get.”

“That argument doesn’t make any sense to me. So we want to advance as a society and as a culture, but, say, if something happens to an African-American, we immediately come to his defense? Yet you want to talk about how far we’ve progressed as a society? Well, if we’ve progressed as a society, then you don’t jump to somebody’s defense just because they’re African-American. You sit and you listen to the facts just like you would in any other situation, right? So I won’t assert myself.”

“People will like you who never met you, they think you're absolutely wonderful; and then people also will hate you, for reasons that have nothing to do with any real experience with you. People don't want to lose their enemies. We have favorite enemies, people we love to hate and we hate to love. If they do something good, we don't like it. I found myself doing that with Ronald Reagan. He is anathema to me. If he does something that's reasonable, I find my mind trying to find some way to interpret it so that it's not reasonable, so that somewhere it's jingoist extremism.”

“My standards are so high because of who I serve but it doesn't put any water on my fire for winning. I'm still an intense person. You can be intense and saved. You can compete and still be saved. You can challenge a guy and still be saved. There was nothing soft about me as a player and there isn't anything soft about me as a coach. You want to be a man of integrity and you want the players to know that you care about them. Whether or not they still like you or not is a whole other deal.”

“Whether it's your own material or somebody else's material, it's essential that you identify with it thoroughly. It's like you want to archive it; you want to freeze it in time in terms of your perspective on it, then move on, because folk music is that volatile and comments not only on overall human concerns but also on the specifics.”

“When I'm on stage, and when I'm comfortable or uncomfortable, I have sort of a knee-jerk reaction to try to make people laugh. It's my version of a handshake to show that I want to make a connection and to show what I'm truly like. It's kind of my statement like, "This is what I'm really like. I'd like you to love me."”

“I got called and was told, "We'd like you to do The Hobbit", which was my favorite of all of them when I was a kid - "And we want you to play a character that's not in the books", I gulped and hesitated, but then I went, "These guys know this world, and they represent this world so well, that I actually think they've earned the right to have a little play."”

“Making art, being creative, is risky, especially for actors, but everybody on the set is being creative. You're putting yourself out there with ideas, and to have your brain be free of stress so that it can actually do its best work, it feels like you want to have a real sense of intimacy and connection and trust with everybody.”

“My music already has this oldish kind of quality to it, like you don't necessarily know what era it was recorded in, so it all kind of felt surreal and weird. Night after night when I played live, I was really trying to figure it out in real time, and I still don't know what effect I'm going for or what effect I actually achieve. Looking back, I feel like it would be arrogant of me not to appreciate the fact that I've been able to do whatever I want and still have an audience come see me.”

“What makes you attractive is being yourself, being natural, being unaware. Even though makeup is important, you should do it all, and then forget about it. You don't want to look like anyone else, any more than you want to be anyone else. You want to look like you. Imitation may be the sincerest form of flattery - but it's flattering to someone else. Not to you.”

“Cole Haan is like high fashion Nike, so you feel like you're wearing Nike shoes, but you're wearing heels. Every time I'm on a red carpet, I always either wear Cole Haan or Stuart Weitzman. You end up having to walk around all night in these heels and you want to be comfortable and not look like you're in pain. It definitely shows in pictures.”

“Cremation has become the most popular form of burial in the United States... People used to want a big, thick granite stone, their names carved into with a chisel. I was here dammit! Cremation is like you're trying to cover up a crime. Burn the body. Scatter the ashes around. As far as anyone's concerned this whole thing never happened.”

“I enjoy fame except when I'm with my daughter. Kids stop me all the time and I don't want her to be jealous of the attention. Also, sometimes I just want to be left alone and I refuse to make rubber faces. That's when they start asking, What's the matter, man, don't you like your job? I say, Yeah, I like my job. But I also like having sex, and I'm not going to do that in front of you either.”

“You know what I'd like to be able to do more than anything else? I'd love to be able to shoot spaghetti out of my fingertips. Pppptthhh! Cause no one wants to be covered in spaghetti. No. If I'm on a date with a girl and she's very rude, I'd be like, You know what? Pppptthhh! Enjoy your spaghetti, you're very rude. Enjoy your spaghetti, cause you're rude. Pppptthhh!”