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Listeners Quotes

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Listeners Quotes

“The dictionary describes a selfish person as one who is 'concerned excessively or exclusively with oneself: seeking pleasure or well-being without regard for others.' May we add, a selfish person is often one who refers to 'I,' 'me,' and 'mine' rather than to 'we,' 'ours,' 'yours,' or 'theirs.' This person is anxious to be in the limelight, to be on center stage in life's little dramas. He or she may be a poor listener, or a conversation monopolizer. Selfishness is the great unknown sin. No selfish person ever thought himself to be selfish.”

“Preaching is compelling to young secular adults ... - not if preachers use video clips from their favorite movies and dress informally and sound sophisticated, - but if the preachers understand their hearts and culture so well that listeners feel the force of the sermon's reasoning, even if in the end they don't agree with it.”

“An aria in an opera - Handel's 'Ombra mai fu,' for example - gets along with an incredibly small number of words and ideas and a large amount of variation and repetition. That's the beauty of it. It's not taxing to the listener's intelligence because if you haven't heard it the first time round, it'll come around again.”

“We are living in a period in which many people have changed their mind about what the use of music is or could be for them. Something that doesn't speak or talk like a human being, that doesn't know its definition in the dictionary or its theory in the schools, that expresses itself simply by the fact of its vibrations. People paying attention to vibratory activity, not in reaction to a fixed ideal performance, but each time attentively to how it happens to be this time, not necessarily two times the same. A music that transports the listener to the moment where he is.”

“The musical emotion springs precisely from the fact that at each moment the composer withholds or adds more or less than the listener anticipates on the basis of a pattern that he thinks he can guess, but that he is incapable of wholly divining. If the composer withholds more than we anticipate, we experience a delicious falling sensation; we feel we have been torn from a stable point on the musical ladder and thrust into the void. When the composer withholds less, the opposite occurs: he forces us to perform gymnastic exercises more skillful than our own.”