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Metaphor Quotes

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Metaphor Quotes

“Traumatic events, by definition, overwhelm our ability to cope. When the mind becomes flooded with emotion, a circuit breaker is thrown that allows us to survive the experience fairly intact, that is, without becoming psychotic or frying out one of the brain centers. The cost of this blown circuit is emotion frozen within the body. In other words, we often unconsciously stop feeling our trauma partway into it, like a movie that is still going after the sound has been turned off. We cannot heal until we move fully through that trauma, including all the feelings of the event.”

FeelingsHealingBrainPsychologySurvivalEmotionsMetaphorTraumaHealUnconsciousElectricPtsdFrozenOverwhelmedCopyingPsychosisTraumatic ExperiencesFloodingTraumatizedPosttraumatic Stress DisorderTraumaticPosttraumatic StressPtssAnaolgyCircuit Breaker
Book:The Trauma Tool Kit: Healing PTSD from the Inside Out
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“Why do writers use symbolism?” Okay, so let’s say you have a headache and you wanna tell someone about it and you say, “I have a headache!” and other people are like, “Yeah, whatever. Everybody gets headaches.” But your headache is not a regular headache, it’s a serious headache, so you say, “My brain is on fire!” to try to help these people understand that this is a headache that needs attention! That’s a metaphor, right? And you use it so that you can be understood. Now let’s say you want to take those same imagistic principles but apply them to a much more complex idea than having a headache, like, for instance, the yearning that one feels for one’s dreams. And you can see the dream but you can’t cross the bay to get to the green light that embodies your dream. And you want to talk about how socio-economic class in America is a barrier – a bay-like barrier, some would say – that stands between you and the green light and makes that gap unbridgeable. Now, you can just talk about that stuff directly, but when you talk about it symbolically, it becomes more powerful, because instead of being abstract it becomes kind of observable…. So I think that’s why.”

WritingDreamMetaphorWritersWriters On WritingSymbolismVlogbrothersGreat Gatsby
Author:John Green
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“Translation error is compounded by bias error. We distort others by forcing into them our preferred ideas and gestalts, a process Proust beautifully describes: We pack the physical outline of the creature we see with all the ideas we already formed about him, and in the complete picture of him which we compose in our minds, these ideas have certainly the principal place. In the end they come to fill out so completely the curve of his cheeks, to follow so exactly the line of his nose, they blend so harmoniously in the sound of his voice that these seem to be no more than a transparent envelope, so that each time we see the face or hear the voice it is our own ideas of him which we recognize and to which we listen.”

PsychologyMetaphorProustPsychology AnalysisTranslation ErrorBias Error
Book:Love's Executioner and Other Tales of Psychotherapy
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“Peeling an Orange Between you and a bowl of oranges I lie nude Reading The World’s Illusion through my tears. You reach across me hungry for global fruit, Your bare arm hard, furry and warm on my belly. Your fingers pry the skin of a naval orange Releasing tiny explosions of spicy oil. You place peeled disks of gold in a bizarre pattern On my white body. Rearranging, you bend and bite The disks to release further their eager scent. I say “Stop, you’re tickling,” my eyes still on the page. Aromas of groves arise. Through green leaves Glow the lofty snows. Through red lips Your white teeth close on a translucent segment. Your face over my face eclipses The World’s Illusion. Pulp and juice pass into my mouth from your mouth. We laugh against each other’s lips. I hold my book Behind your head, still reading, still weeping a little. You say “Read on, I’m just an illusion,” rolling Over upon me soothingly, gently unmoving, Smiling greenly through long lashes. And soon I say “Don’t stop. Don’t disillusion me.” Snows melt. The mountain silvers into many a stream. The oranges are golden worlds in a dark dream.”

MetaphorSensualityOrange
Book:Ants on the Melon: A Collection of Poems
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“Y That perfect letter. The wishbone, fork in the road, empty wineglass. The question we ask over and over. Why? Me with my arms outstretched, feet in first position. The chromosome half of us don't have. Second to last in the alphabet: almost there. Coupled with an L, let's make an adverb. A modest X, legs closed. Y or N? Yes, of course. Upside-down peace sign. Little bird tracks in the sand. Y, a Greet letter, joined the Latin alphabet after the Romans conquered Greece in the first century -- a double agent: consonant and vowel. No one used adverbs before then, and no one was happy.”

MetaphorAlphabetWhyY
Book:Y
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“There comes a time in a man's life, if he is unlucky and leads a full life, when he has a secret so dirty that he knows he never will get rid of it. (Shakespeare knew this and tried to say it, but he said it just as badly as anyone ever said it. 'All the perfumes of Arabia' makes you think of all the perfumes of Arabia and nothing more. It is the trouble with all metaphors where human behavior is concerned. People are not ships, chess men, flowers, race horses, oil paintings, bottles of champagne, excrement, musical instruments or anything else but people. Metaphors are all right to give you an idea.)”

WritingMetaphorSecretsShakespeare
Book:BUtterfield 8
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“The statue of Justice, symbol of the law, as she holds aloft her balance scale, is blindfolded. Justice is blind to race, creed, color – and to personal eccentricity. If there were a comparable state of Clio, the Muse of history, she would have to be presented with the blindfold lying at her feet, because the balance of her scales must be weighed with a conscious awareness of the facts and interpretations she must weigh.”

JusticeHistoryMetaphorBlindfold
Book:Brigham Young: American Moses
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“She understood now why so many members of her kind died so young. It was possible to squeeze an entire lifetime of living into a single day: to live more, to feel more, in the span of twenty-four hours than most did in eighty years. Shape-shifters lived in a world of color and brightness, of heightened senses. They felt everything more intensely, and so they lived their lives more intensely—anything to make their hearts pound harder. Life could be like a drug. But how does one wean oneself off life?”

LifeLivingAddictionMetaphorSenses
Book:Black Beast
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“Sometimes I think that creativity is a matter of seeing, or stumbling over, unobvious similarities between things—like composing a fresh metaphor, but on a more complex scale. One night in Hiroshima it occurred to me that the moon behind a certain cloud formation looked very like a painkiller dissolving in a glass of water. I didn’t work toward that simile, it was simply there: I was mugged, as it were, by the similarity between these two very different things. Literary composition can be a similar process. The writer’s real world and the writer’s fictional world are compared, and these comparisons turned into text. But other times literary composition can be a plain old slog, and nothing to do with zones or inspiration. It’s world making and the peopling of those worlds, complete with time lines and heartache.”

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Author:David Mitchell
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“A metaphor is not merely a linguistic expression (a form of words) used for artistic or rhetorical purposes; instead, it is a process of human understanding by which we achieve meaningful experience that we can make sense of. A metaphor, in this "experiential" sense, is a process by which we understand and structure one domain of experience in terms of another domain of a different kind.”

PhilosophyLanguageMetaphorMeaningLinguistics
Book:The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason
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“Smoke and mirrors’ is a useful metaphor for the ways in which organised abuse has chided conceptualisation and understanding. The chapter provides an overview of cite often incendiary debates over organised abuse before going on to suggest that critical theories on gender, crime and intersubjectivity may offer new insights into the phenomenon.”

MetaphorSmokeMirrorHiddenOrganised AbusePedophile RingsRitualised AbuseChilsd Abuse
Book:Organised Sexual Abuse
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“How had it happened that when choosing the men and women who were to be torn from this subjugated plain, the hand of destiny had stayed so far inland, away from the busy coastlines, to alight on the people who were, of all, the most stubbornly rooted in the silt of the Ganga, in a soil that had to be sown with suffering to yield its crop of story and song? It was as if fate had thrust its fist through the living flesh of the land in order to tear away a piece of its stricken heart.”

DestinyMetaphorSeparationGirmitiya
Book:Sea of Poppies
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“Achilles might be a good papa to the family, but he was also a killer, and he never forgives. Poke knew that, though. Bean warned her, and she knew it, but she chose Achilles for their papa anyway. Chose him and then died for it. She was like that Jesus that Helga preached about in her kitchen while they ate. She died for her people. And Achilles, he was like God. He made people pay for their sins no matter what they did. The important thing is, stay on the good side of God. That's what Helga teaches, isn't it? Stay right with God. I'll stay right with Achilles. I'll honor my papa, that's for sure, so I can stay alive until I'm old enough to go out on my own.”

GodJesusSurvivalForgivenessMurderMetaphorPokeBeanAchilles De Flandres
Book:Ender's Shadow
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“At last he was to feel that he had the town, as it were, in his pocket, and was ready for anything. Accordingly he sent a confidential messenger to Rome, to ask his father what step he should next take, his power in Gabii being, by God's grace, by this time absolute. Tarquin, I suppose, was not sure of the messenger's good faith: in any case, he said not a word in reply to his question, but with a thoughtful air went out to the garden. The man followed him, and Tarquin, strolling up and down in silence, began knocking off poppy-heads with his stick. The messenger at last wearied of putting his question and waiting for the reply, so he returned to Gabii supposing his mission to have failed. He told Sextus what he had said and what he had seen his father do: the king, he declared, whether from anger, or hatred, or natural arrogance, had not uttered a single word. Sextus realized that though his father had not spoken, he had, by his action, indirectly expressed his meaning clearly enough; so he proceeded at once to act upon his murderous instructions.”

HistoryMetaphorPolitical Science
Book:The History of Rome, Books 1-5: The Early History of Rome
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“Idols of the injury, dug in behind the least understood motor plan information. The vile abomination temporal lobes and The four loathsome memory walls and The four reasoning, arithmetic beasts are found for all behind pain and planes. Portrayed as a house, Go in, function, cause blindness from The house's hearing spirit, judgment and The court's four bronze woes and The functioning brain lobe wings, Go in, hearing and perception, I dig under door fronts, pain and plans.”

PoetryBrainFourMetaphorIdolsOld TestamentInjuriesCut Up TechniqueBook Of EzekielCut Ups
Book:Tamper
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“The bad parts of the statute are not judicially severable, I consider, from the rest of its provisions that deal with imprisonment. Their roots are entangled too tenaciously in the surrounding soil for a clean extraction to be feasible. The conclusion to which I accordingly come is that we are left with no option but to declare those provisions as a whole to be constitutionally invalid on account of their objectionable overbreadth.”

LawMetaphorSouth AfricaImprisonmentConstitutional LawSouth African LawSeverability
Author:John Didcott
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“...a small stream...sings a carefree song as it runs by your house. It is so nonthreatening that you can sit by it, look at your reflection in the water, and even wash your hands in it. It is yours, your personal stream. Yet you know that it has originated in the sea and is on its way back to where it has come from. When passing by your house, however, it is yours. You can say it is a personal moment you have torn out of eternity to keep in your pocket for yourself.”

WaterLife PhilosophyMetaphor
Book:Jasmine and Stars: Reading More Than Lolita in Tehran
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