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Mouths Quotes

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“Nowadays when a poet with one privately printed book can have his next three years taken care of by a Guggenheim fellowship, a Kenyon Review fellowship, and the Prix de Rome, it is hard to remember what chances the poet took in that small-town world, how precariously hand-to-mouth his existence was. And yet in one way the old days were better; [Vachel] Lindsay after a while, by luck and skill, got far more readers than any poet could get today.”

“The secret to writing sound effects is having a room you can be alone in, trying to make the sounds yourself, and seeing what comes out. It's similar to if you're writing a character talking with their mouth full: the only way I know to transcribe that is to stuff my fist in my mouth and write down what sounds I make when I try to talk.”

“Part of growing up is learning your strengths and weaknesses. What better way to figure out that hand-eye coordination ain't your thing than by getting drilled in the mouth by a red, rubber ball? You only gotta get beaned in the face so many times before you figure out, 'I better hit the books because this is not working out.”

“Too, some of my teachers helped me to navigate those books, showed me the maps and paths and secret decoder rings - people like Linda Kintz and Forest Pyle and Mary Wood and Diana Abu Jaber. They didn't treat me like a messy writer girl in combat boots who had infiltrated the smart people room. They treated me like I deserved to be there, potty mouth and all, they helped make a space for me to rage and ride my own intellect. That's why I'm saying their names out loud.”

“I got a parking ticket one time in L.A. and I was furious about it. I was trying to prove a point to the guy who gave it to me and I put it in my mouth and chewed it up. And the guy just kept watching me, like, "Yeah?" He didn't think I was going to finish the job. So then I swallowed it. The good news is that paper is not a big deal if you eat it.You'd be full, but you could eat the phone book. So that was the weirdest thing: a parking ticket.”

“What I am trying to say is that it is not without any value. The value of copies is that they can direct us towards the original. I was recently at the Louvre Museum and I was filming people who were viewing the Mona Lisa. I noticed the number of ordinary people, astonished, mouths agape, standing still for long stretches looking at the work, and I wondered, "Where does this come from? Are these people all art connoisseurs?" They are like me; through the years, we've seen this work in our schoolbooks or art history books, but when we stand before the original, we hold our breath.”

“I think it was simply word of mouth that made it a New York Times bestseller for more than 60 weeks, over a year. People being moved and changed and transformed by the book [ One Thousand Gifts: A Dare to Live Fully Right Where You Are] and wanting to share that with hurting people all around them.”

“Having placed in my mouth sufficient bread for three minutes' chewing, I withdrew my powers of sensual perception and retired into the privacy of my mind, my eyes and face assuming a vacant and preoccupied expression. I reflected on the subject of my spare-time literary activities. One Beginning and one ending for a book was a thing I did not agree with. A good book may have three openings entirely dissimilar and inter-related only in the prescience of the author, or for that matter one hundred times as many endings.”

“They all have tired mouths and bright seamless souls. And a longing (as for sin) sometimes haunts their dreams. They are almost all alike; in God's gardens they keep still, like many, many intervals in his might and melody. Only when they spread their wings are they wakers of a wind: as if God with his broad sculptor- hands leafed through the pages in the dark book of the beginning.”

“We are sometimes told that we are not a biblical church. We are a biblical church. This wonderful testament of the Old World, this great and good Holy Bible is one of our standard works. We teach from it. We bear testimony of it. We read from it. It strengthens our testimony. And we add to that this great second witness, the Book of Mormon, the testament of the New World, for as the Bible says, "In the mouth of two or three witnesses shall [all things] be established" (2 Cor. 13:1).”

“A person who has good thoughts cannot ever be ugly. You can have a wonky nose and a crooked mouth and a double chin and stick-out teeth, but if you have good thoughts they will shine out of your face like sunbeams and you will always look lovely.”

“Rohan's fingertips drifted with stunning delicacy over her throat, behind her ear, pushing into the satiny warmth of her hair. "You are an interesting woman Amelia." Gooseflesh rose wherever his breath touched. "I can't f-fathom why you would think so." His playful mouth traced the wing of her brow. "I find you thoroughly, deeply interesting. I want to open you like a book and read every page." A smile curved the corners of his lips as he added huskily, "Footnotes included.”

“He put the book down. “As you wish.” He rose and walked past me. I lowered my sword, expecting him to pass, but suddenly he stepped in dangerously close. “Welcome home. I’m glad you made it. There is coffee in the kitchen for you.” My mouth gaped open. He inhaled my scent, bent close, about to kiss me… I just stood there like an idiot. Curran smirked and whispered in my ear instead. “Psych.” And just like that, he was out the door and gone. Oh boy.”

“This summer-sweet night is only one minute upon one minute upon another Beautiful cacophony, sugar upon lips, dancing to exhaustion I thought of you, before this minute upon another minute upon another Until, numb, my lips fell onto the mouth of another, and I was undone. ~from Golden Tongue: The Poems of Steven Slaughter which is a fictional book in Ballad: A gathering of faerie”