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Musician Quotes

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Musician Quotes

“Of course we've lost so many superstars who've made jazz what it is. We've lost so many musicians who created new things and changed the way we think about music and who took jazz to a new level. So jazz is suffering from that. But we still have a lot of incredible people playing jazz in the world. We have a lot of people leading the way.”

“He [Benny Carter] is all that every jazz musician the world over wants to be. He's performed 20,000 nights. How many shoes have been shined? How much mascara put on? Rouge? How many of those impossible bowties have been tied? How many love songs have been sung? How many dances have been danced? How many have passed to the sound of his music? It's been said that a man should not be forced to live up to his art. Benny Carter is one of the rare instances when we wonder whether the great art that a man has created can live up to him.”

“At birth we begin to discover that shapes, sounds, lights, and textures have meaning. Long before we learn to talk, sounds and images form the world we live in. All our lives, that world is more immediate than words and difficult to articulate. Photography, reflecting those images with uncanny accuracy, evokes their associations and our instant conviction. The art of the photographer lies in using those connotations, as a poet uses the connotations of words and a musician the tonal connotations of sounds.”

“I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.”

“As a matter of fact it wasn't until after BIG passed and stupid rumors went around that I had something to do with it, and it's like I'm not a killer man , I'm a musician, I'm a DJ we got like a different heart. Ya know back then when rappin' was fun, and we could immolate being gangstas; ya know Dr. Dre made the hardest gangsta rap records in the world, that didn't necessarily make him a gangsta. It was all like ya know : character, we were all in character.”

“To be a musician is a great privilege but it is also a very great responsibility. One must think that to be a musician is a gift - a gift from Nature. There is no great merit in us except in loving this gift with respect and devotion and doing everything possible to honor that gift by work and more work. We must work with conviction and humility, searching for beauty, simplicity, and the Truth. And it is for us musicians to do all in our power for a better world. Music must carry the message of beauty, of love and of peace.”

“So Nemerov showed us this picture, which is of Apollo flaying Marcius. You don't think of Apollo as being the sort of person who would skin someone alive. But the story behind it was that there was this guy who was a really great musician, and all the women loved him, and people started saying he was the best musician in the world, so Apollo got jealous and he challenged this guy to a musical dual. They would each play a song and the muses would judge who was the better musician.”

“In a personal way, to do with family and the father-son relationship, in a kind of artistic way with regard to him being an art student. I also studied the visual arts at Lancaster University. I then decided to become an actor as he was becoming a musician. And then as an actor/performer, we have similar sort of interests - music hall and that whole world. So, there's a lot that I felt connected with.”

“I was deeply influenced by the sartorial practices of both preachers and jazz musicians and actually Masha in Act One of Anton Chekhov, my favorite writer's master piece,Three Sisters,when she arrives reflecting on whether they're ever going to get to Moscow, memories of the death of their father, and she's in black, and she says I'm in mourning for the world, saying in part that I have a sad soul and a cheerful disposition.”

“When I worked with General Electric, again this was soon after the Second World War, you know, I was keeping up with new developments and they showed me a milling machine and this thing worked by punch cards - that's where computers were at that time, and everybody was sort of sheepish about how well this thing worked because in those days machinists were treated as though they were great musicians because they were virtuosos on these machines.”

“I once had a young musician come to me and say that he wanted to be a professional musician. I asked him to write his list. When he came back to me, the three things in his life he most wanted were: to be paid for his music; to travel around the world; to meet new people. We came to the decision, after thinking really creatively, that if he got a job on a cruise ship, he would fulfill those goals.”

“I had the opportunity, as a child, to grow up in a community center where I was exposed to theater, music, art, and computer science; things that I would have never had the opportunity to even meet had it not been for those people taking time out of their schedules, helping us as children to travel all over the world while sitting in a gymnasium. That's what I did before I was a musician, before I was a recording artist, I was a teacher and a community leader.”

“In America, the poor have been invisibilised, because obviously this model of success that has been held out to the world must not show the poor, it must not show the condition of black people. It can only the successful ones, basketball players, musicians, Condoleezza Rice, Colin Powell. But I think the time will come when the Occupy movement will have to somehow formulate something more than just anger.”

“I did, I was in Europe a lot. I would say, mid 20s to late 30s. Less so in the last ten or twelve years. Based on some political stuff and other things, I think I'm not the only musician, the only American jazz musician that's not going to Europe quite as much. I think we're seen a little differently in the world, unfortunately, than we were pre-Iraq invasion and things like that.”

“After Hurricane Katrina, I wanted to go back to New Orleans to help musicians return to the city. But Andrew Young advised me, "If you want to help people, go work at an investment bank." His contrarian advice opened my eyes to the importance of capital. "Learn how to make some money before you give it away." I learned that you can bring about good in the world especially if you have a paycheck.”

“Business today is all about improvisation, which is the essence of jazz. Perhaps in the past we could just follow the operating manual and do what we were told, but today the world is too complex and fast. Today it's all about real-time innovation and creativity. Individuals may get hired based on their resumes, but they'll get promoted and reach their dreams based on their ability to create. In that context, being a jazz musician was the best MBA I could have ever received.”

“People equate job titles to levels of creativity. We think that musicians are creative while accountants are not. Job title has nothing to do with human creativity. In fact, we all have enormous creative potential. Even those that often state with authority that "I'm not creative." With a systematic approach to building creative capacity, we all have the opportunity to create and leave a mark on the world.”

“Poetry can explain individuals to ourselves, and change our attitudes, and help us see the complexity of the world, but the kind of poetry I follow isn't going to change public opinion directly. Other art forms can - if you're a TV writer, you have some interesting challenges, or if you're a country musician, somebody like Brad Paisley. But poetry not so much.”

“My abject hatred of actors and the acting world. I went to college as an actor, and halfway through, I switched to playwriting and directing. Then I spent a couple years working in publishing, doing some freelance journalism for The Village Voice and Musician magazine. I thought my life was going to be as a writer, but then I realized I missed performing, so I got into comedy. It was a nice combination of things I was sort of good at. I was a pretty good writer and a decent actor, but I didn't really like acting, and I didn't have the discipline to be a writer.”

“People don't get that being a musician is a job, they don't get what the work takes. And that's just because you're living a dream, so everyone who's observing it from the outside can't really empathize with how much work it is because you're fortunate. And it's a kind of competition with yourself to stay away from all of the excess, whether it's booze or drugs or just the late nights with the addiction to watching the sun rise in some weird part of the world. But when you meet the other musicians, there's generally a spiritual exhaustion that you connect with.”

“I'm definitely a frustrated musician, though it's more in terms of wishing I was a better guitar player and songwriter. But I've never regretted becoming an actor instead. I think it's been a more pure form of self-expression for me. I luckily found something that I could aspire to be good at, whereas I never... I think I'd never quite reach that level of artist that I enjoy in the music world.”