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“I always believe in going hard at everything, whether it is Latin or mathematics, boxing or football, but at the same time I want to keep the sense of proportion. It is never worth while to absolutely exhaust one's self or to take big chances unless for an adequate object. I want you to keep in training the faculties which would make you, if the need arose, able to put your last ounce of pluck and strength into a contest. But I do not want you to squander these qualities.”

“All you have to do is pick up a baseball. It begs to you: throw me. If you took a year to design an object to hurl, you'd end up with that little spheroid small enough to nestle in your fingers but big enough to have some heft, lighter than a rock but heavier than a hunk of wood. Its even, neat stitching, laced into the leather's slippery white surface, gives your fingers a purchase. A baseball was made to throw. It's almost irresistible.”

“From this new point of view, the universe I had inhabited became an object I could perceive in its entirety. It was a hypersphere embedded in a cloud of alternative states - the sum of all possible quantum trajectories from the big bang to the decay of matter. "Reality" - history as we had known or inferred it - was only the most likely of these possible trajectories. There were countless others, real in a different sense: a vast but finite set of paths not taken, a ghostly forest of quantum alternatives, the shores of an unknown sea.”

“To go back to architecture, whats organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale.”

“Beauty is, in some way, boring. Even if its concept changes through the ages... a beautiful object must always follow certain rules. A beautiful nose shouldn't be longer than that or shorter than that, on the contrary, an ugly nose can be as long as the one of Pinocchio, or as big as the trunk of an elephant, or like the beak of an eagle, and so ugliness is unpredictable, and offers an infinite range of possibility. Beauty is finite, ugliness is infinite like God.”

“I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it - like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music. The vinyl commands a certain kind of reverence because it's a big object and quite fragile so you handle it rather carefully, and it's expensive so you pay attention to how it's looked after.”

“It's silly to have as one's sole object in life just making money, accumulating wealth. I work because I enjoy what I'm doing, and the fact that I make money at it - big money - is a fine-and-dandy side fact. Money gives me just one big thing that's really important, and that's the freedom of not having to worry about money. I'm concerned about values - moral, ethical, human values - my own, other people's, the country's, the world's values. Having money now gives me the freedom to worry about the things that really matter.”

“Many painters had a clear idea of what fractals are. Take a French classic painter named Poussin. Now, he painted beautiful landscapes, completely artificial ones, imaginary landscapes. And how did he choose them? Well, he had the balance of trees, of lawns, of houses in the distance. He had a balance of small objects, big objects, big trees in front and his balance of objects at every scale is what gives to Poussin a special feeling.”

“Consequentialist theories pretend that we can set some great big ends (the general happiness, human flourishing), provide ourselves with definite enough conceptions of them to make them the objects of instrumental reasoning, and then obtain enough reliable information about what actions will best promote them that we could regulate our conduct by these considerations alone.”