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Objects Quotes

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Objects Quotes

“And it may be that a crowd at a particular moment of history creates the object to justify its gathering, as it did at the first Human Be-In and Monterey Pop and Woodstock. Or it may be that two generations of war and surveillance had left people craving the embodiment of their own unease in the form of a lone, unsteady man on a slide guitar.”

PeopleMenFirstsHumansMayTwoWarMomentsFormLeftGenerationsObjectsParticularGuitarCrowdsPopsJustifyGatheringCravingSlidesSurveillanceEmbodimentLoneWoodstockMonterey
Book:A Visit From the Goon Squad
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“Happiness has to be installed in each person as a state of affairs completely cut off from the process that brought it about and, in particular, from the real situation. Man has to be affected with happiness. It is a tonality given to him. Contradiction: if one does take care to give him happiness, it is because he is a free creature--but in order to give it to him, one turns him into an object.”

IfsMenGivingPersonsDoeRealStatesCareOrderTurnsGivenProcessSituationCuttingObjectsParticularCreaturesAffairTake CareContradictionAffected
Book:Notebooks for an Ethics
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“By utility is meant that property is any object, whereby it tends to produce benefit, advantage, pleasure, good, or happiness(all this in the present case come to the same thing) or (what comes again to the same thing) to prevent the happening of mischief, pain, evil or unhappiness to the party who whose is considered: if that party be the community in general, then the happiness of the community; if a particular individual; then the happiness of that individual”

IfsPainEvilIndividualCommunityPleasurePartyCasesObjectsProduceParticularBenefitsHappeningsAdvantagePropertyUnhappinessUtilityMischief
Book:The Principles of Morals and Legislation
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“In [Aristotle's] formal logic, thought is organized in a manner very different from that of the Platonic dialogue. In this formal logic, thought is indifferent toward its objects. Whether they are mental or physical, whether they pertain to society or to nature, they become subject to the same general laws of organization, calculation, and conclusion - but they do so as fungible signs or symbols, in abstraction from their particular "substance." This general quality (quantitative quality) is the precondition of law and order - in logic as well as in society - the price of universal control.”

WellsDifferentLawOrderQualitySubjectsObjectsParticularLogicOrganizationUniversalDialogueConclusionSymbolsSubstanceOrganizedIndifferentFormalAbstractionCalculationsLaw And OrderPlatonic
Author:Herbert Marcuse
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“The beautiful is and remains beautiful though it arouse no emotion whatever, and though there be no one to look at it. In other words, although the beautiful exists for the gratification of an observer, it is independent of him. In this sense music, too, has no aim (object), and the mere fact that this particular art is so closely bound up with our feelings by no means justifies the assumption that its aesthetic principles depend on this union.”

LooksMeanArtFactsFeelingsBeautifulEmotionPrinciplesObjectsParticularDependsArt IsAimIndependentRemainsUnionsMereBoundsAssumptionJustifyAestheticObserversGratification
Author:Eduard Hanslick
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“Ever since I was little, I’ve loved making hand-made cards and presents and arts & crafts for people. The book gives me a similar experience. I love being able to hold this object in my hands and say, “This is mine. I made this. It is a gift for you.” I love that feeling. Especially since this particular object contains ten years worth of my poems.”

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Author:Sarah Kay
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“I do not mean to impugn the social justice and social expediency of the redistribution of incomes aimed at by N.I.R.A. and by the various schemes for agricultural restriction. The latter, in particular, I should strongly support in principle. But too much emphasis on the remedial value of a higher price-level as an object in itself may lead to serious misapprehension as to the part which prices can play in the technique of recovery. The stimulation of output by increasing aggregate purchasing power is the right way to get prices up; and not the other way round.”

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Author:John Maynard Keynes
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“What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.”

WayArtSeemsMovingFormCertainLinesAnswersCommonEmotionQualityObjectsParticularColorRelationSignificantCombinationVisualsAestheticProvokingVisual Art
Author:Clive Bell
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“When the object is perceived as particular and unique and not merely the member of a family, when it appears independent of any general notion and detached from the sanity of a cause, isolated and inexplicable in the light of ignorance, then and only then may it be a source of enchantment.”

MayArtLightCausesObjectsIgnoranceParticularSourceMembersUniqueIndependentNotionSanityIsolatedDetachedEnchantmentInexplicable
Book:The collected works of Samuel Beckett
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“It reflects no great honor on a painter to be able to execute only one thing well -- such as a head, an academy figure, or draperies, animals, landscapes, or the like -- in other words, confining himself to some particular object of study. This is so because there is scarcely a person so devoid of genius as to fail of success if he applies himself earnestly to one branch of study and practices it continually.”

IfsWellsPersonsAbleAnimalPracticeStudyFailingOne ThingFiguresObjectsParticularGeniusHonorPainterLandscapeBranchesAcademy
Author:Leonardo da Vinci
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“In a sense, every tool is a machine--the hammer, the ax, and the chisel. And every machine is a tool. The real distinction is between one man using a tool with his hands and producing an object that shows at every stage the direction of his will and the impression of his personality; and a machine which is producing, without the intervention of a particular man, objects of a uniformity and precision that show no individual variation and have no personal charm. The problem is to decide whether the objects of machine production can possess the essential qualities of art.”

MenArtRealShowsProblemHandsIndividualQualityStageObjectsParticularPersonalityEssentialsToolsMachinesProductionsImpressionCharmDistinctionOne ManInterventionHammersVariationPrecisionUniformityChisels
Author:Herbert Read
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“True hope is based on the energy of character. A strong mind always hopes, and has always cause to hope, because it knows the mutability of human affairs, and how slight a circumstance may change the whole course of events. Such a spirit, too, rests upon itself; it is not confined to partial views or to one particular object. And if at last all should be lost, it has saved itself.”

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Author:Karl Ludwig von Knebel
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“The excitement of theatre is palpable but the frustrations, and the complete absence of a definitive evening - the play as text means practically nothing in a way - , there's no particular performance that is definitive in the way a novel is a solid object you hold in your hands and here it is. You can't say that about a play. If the novel gives us a sense of throbbing consciousness, theater is pure soul, beautiful and elusive.”

IfsWayGivingMeanSoulPlayHandsBeautifulConsciousnessNovelObjectsParticularPurePerformancesTheaterTheatreAbsenceEveningExcitementFrustrationElusivePure Soul
Author:Don DeLillo
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“We see that God has implanted in all things a natural desire to exist with the fullest measure of existence that is compatible with their particular nature. To this end they are endowed with suitable faculties and activities; and by means of these there is in them a discernment that is natural and in keeping with the purpose of their knowledge, which ensures their natural inclination serving its purpose and being able to reach its fulfilment in that object towards which it is attracted by the weight of its own nature.”

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Author:Nicholas of Cusa
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“The images which the [press] photographer has filtered from reality, whether particular events or the anguish of human reactions to them, already bear a stamp of authenticity which the photographer is powerless to alter by one jot or tittle; the meaning of the objects, by a process of purification, itself becomes the theme of the work.”

HumansRealityProcessEventsObjectsParticularBearsPressesPhotographerReactionsAuthenticityThemeAnguishPowerlessStampsPurification
Author:Yukio Mishima
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