“It was important to buy into the fact that the nine hundred pages an end-reader never sees are just as valuable as the ones that are bound and placed on the shelf.” ImportantEndsFactsReaderPagesHundredBoundsValuableNineShelves Author:Joshua Mohr
“I allude to Back to the Future in the 1985 story to let folks know it was an inspiration and because it literally was the most time-travelly bit of pop culture we had in the mid 80's. I can talk about their tools for considering change. First, the book is metafictive in a traditional sense where I'm showing and telling the reader that the act of writing and reading is a reflexive way to push boundaries of real and literal time travel. Writers and readers are time travellers. The question is what we do with that time we traveled when we leave a book, leave a page.” KnowsWayWritingFirstsI CanBookRealStoriesInspirationCultureReadingBitsReaderPagesToolsFolksPopsBoundariesTraditionalTime TravelConsideringTraveledPop CultureLiteralTravellerWriting And Reading Author:Kiese Laymon
“Whereas if you were writing an op-ed piece or an essay, somebody would be asking, "What's your point?" With poetry you can stay in a moment for as long as you want. Poetry is about metaphor, about a thing standing in for something else. It's the thing that opens out to something else. What that something else is changes for readers. So what's on the page - it falls away.” IfsWantWritingLongMomentsWould BeFallPiecesReaderPagesStandingAskingMetaphorPoetry IsEssays Author:Claudia Rankine
“I had to do things to myself on the page that had been done to me in real life. I had to try and drown myself in the bath. You have to do that. And the impulse is to rescue yourself and to spare the reader, but I can't rescue myself. And why should I spare the reader when nobody spared me? It's telling people what happened.” PeopleShouldTryingI CanRealDoneHappenedReaderPagesReal LifeImpulseRescueShould ISparesBaths Author:Damian Barr
“If Fobbit leaves a reader feeling stranded in some bland in-between territory, then I haven't done my job. But having said all that, I didn't consciously write the book with a particular moral intent. I took what I experienced and processed it through the sausage factory of fiction. It's up to readers to interpret what's on the page - as is the case with any novel.” IfsWritingSaidBookDoneFeelingsJobsFictionMoralCasesNovelHavensParticularReaderPagesTerritoryFactoriesSausageBlandStranded Author:Dave Abrams
“Ordinary Bibles often include cross-references and brief concordances; Study Bibles include much more, all bound up in one fat volume, so that readers can find a lot of useful explanation on each page without having to hunt through Bible dictionaries and commentaries and the like.” StudyReaderPagesOrdinaryCrossesBoundsFatsExplanationVolumeHuntsDictionaryCommentary Author:D. A. Carson
“I try to end every chapter with an air of suspense. I try to leave the reader wanting to turn the page.” TryingEndsTurnsAirReaderPagesSuspenseChapters Author:Nelson DeMille
“Not to any really influential effect, but certainly there have been comments that have surprised me. It's surprising sometimes to get particular perspectives on your work, and it's enlightening sometimes to know that non-writers and readers out there have certain assumptions about everything that I both want to keep in mind and want to forget about why I write, and about the connection between me as a private person and the stuff that I think about on the page.” ThinkingKnowsWantWritingMindPersonsHas BeensSometimesCertainStuffForgetEffectsParticularPerspectiveReaderPagesConnectionsAssumptionCommentSurprisingEnlighteningInfluential Author:Chang-Rae Lee
“As my editor had no desire to frighten readers with the Romanian pages, he had them translated and published the whole thing in French in 1984. It was only years later, in Romania, that I was able to publish the book as I wrote it.” YearsBookWholeAbleDesireReaderPagesEditorsPublishRomania Author:Dumitru Tepeneag
“Not every story lends itself tonally to humor, so you have to navigate that territory properly. You can put a humorous spin on anything, really, if you know what you're doing, but it's not always desirable to have your reader laughing on every page.” IfsKnowsStoriesLaughingReaderPagesHumorousTerritoryDesirableNavigate Author:Kevin Keck
“When I'm teaching, I'm not really doing my job if the student who's always comfortable doing wacko stuff all over the page keeps getting gold stars from me for doing wacko stuff all over the page. A riskier assignment for that student, who might be used to hiding behind a lot of formal armor, would be to try to do something straightforward, traditionally, in which they are much more directly laid bare for the reader.” IfsTryingMightWould BeJobsUsedStarsStuffBehindsTeachingStudentsReaderComfortablePagesGoldHidingFormalStraightforwardArmorAssignments Author:John D'Agata
“I would like to undermine the stereotype of "strict philosophy." J.L. Austin remarked that, when philosophy is done well, it's all over by the bottom of the first page. I take him to have meant that the real work comes in setting up the problem with which you are dealing, and thus getting your reader to take particular things for granted.” FirstsWellsRealDonePhilosophyProblemParticularReaderPagesBottomSettingSettingsGrantedStrictStereotypeAustinReal Work Author:Philip Kitcher
“Some of the biggest challenges were, page after page, standing naked in front of the reader.” ChallengesFrontsReaderPagesStandingNaked Author:Rob Roberge
“You know, my problem with most screenwriting is it is a blueprint. It's like they're afraid to write the damn thing. And I'm a writer. That's what I do. I want it to be written. I want it to work on the page first and foremost. So when I'm writing the script, I'm not thinking about the viewer watching the movie. I'm thinking about the reader reading the script.” ThinkingKnowsWantWritingFirstsProblemReadingWrittenReaderPagesScriptsDamnViewersBlueprintsScreenwritingDamn Things Author:Quentin Tarantino
“This is something I learned when I was working at a newspaper: when you put something on paper, whether it's words or pictures, and it's staring back at the reader, they are now alone in the room with them for as long as it takes them to turn the page. Whereas on television, the images fly by.” LongTurnsRoomsTelevisionReaderPaperPagesNewspapersStaring Author:Brian Michael Bendis
“The 250-page outline for American Tabloid. The books are so dense. They're so complex, you cannot write like I write off the top of your head. It's the combination of that meticulousness and the power of the prose and, I think, the depth of the characterizations and the risks that I've taken with language that give the books their clout. And that's where I get pissed off at a lot of my younger readers.” ThinkingGivingWritingBookLanguageTakenRiskReaderPagesComplexesDepthCombinationProseOutlinesDenseTabloidsPissed OffCharacterizationClout Author:James Ellroy
“Anybody who is afraid of reading a page of text is not the reader that I want.” WantReadingReaderPages Author:Rick Remender
“I was interested first of all in trying to capture this myth that was always changing and to create some sort of a master story, some version of the myth that resonated with me, since I could have taken more or less any detail that I wanted or the opposite and try to put that down on the page in a way that I could express from that outset for myself and for our readers what it was that was so magical about [Buckminster] Fuller's way of putting together the world.” WorldWayTryingFirstsStoriesWantedTogetherTakenMastersReaderPagesOppositesDetailsMythVersionsCaptureBuckminster Fuller Author:Jonathon Keats
“Really, the greatest compliments about a book [One Thousand Gifts] are never about the book, or the author of the book, but about the reader and God and how the pages helped them connect at a deeper level.” BookLevelsReaderThousandPagesDeeperComplimentOne Thousand Gifts Author:Ann Voskamp
“At the very core of what a comic is, time and space are kind of the same thing. When your reader moves her eyes across the page, she should be moving through time in your story.” ShouldKindStoriesEyeMovingSpaceReaderPagesCoreComicHer EyesTime And SpaceRough Times Author:Gene Luen Yang
“The thing that helps me do a good job is that I don't feel the need to explain everything about the world to my reader. I'm not writing a history text on the Four Corners. I'm telling a story that's set there. The setting belongs in the background for the most part, and it's easy for fantasy authors to forget that. That's one of the unfortunate parts of Tolkien's legacy, in my opinion. Read the first hundred pages of the Fellowship of the Ring and you start to get pissed, "Shut up about the Shire's museums! Isn't the world supposed to be in peril or something?"” WorldNeedsFeelsWritingFirstsHelpingStoriesJobsEasyForgetOpinionFantasyFourReaderPagesHundredCornersRingsBackgroundsSettingSettingsSupposed To BeLegacyHelp MeMuseumsUnfortunateShut UpGood JobPerilFellowshipFellowship Of The RingShire Author:Patrick Rothfuss
“When I write, I never think of segments as chapters; I think of them as scenes. I always visualize them in my mind. Then I try to get the scene down on paper as closely as I can. That's the one thing that readers don't see - what you have in your mind. The reader can only see what you get on the page.” ThinkingWritingTryingMindI CanOne ThingReaderScenePaperPagesChapters Author:Robert Cormier
“It doesn't matter whether characters are real people or not; if they're not vivid on the page, then the reader doesn't care about them that much, and, if the reader doesn't care about them that much, then they don't care what happens to them.” PeopleIfsRealMatterCharacterHappensCareReaderPagesDon't CareVivid Author:Salman Rushdie
“I don't consciously try to take my readers on a journey as I don't really think about my readers when I'm writing. I just try to write what I feel passionately about, to tell a story down onto the page.” ThinkingFeelsWritingTryingStoriesJourneyReaderPages Author:Michael Morpurgo
“I feel like the older I get, the truer it feels that I'm only going have an investment in a poem if it allows or forces me to bring something that's supremely me onto the page. I used to think that the speaker of a poem was talking to someone else, to some ideal reader or listener, but now I think that speakers - poets - are talking to themselves. The poem allows you to pose questions that you have you ask of yourself knowing that they are unanswerable.” IfsThinkingFeelsUsedAsksForceTalkingKnowingPoetReaderPagesIdealsInvestmentSpeakersListenersTalking To Someone Author:Tracy K. Smith
“I've always liked language and been a big reader. I always loved books as objects. My favorite time of year as a child was September when we'd go buy all kinds of notebooks and pens and markers for school. I think I wanted to be a writer just so I'd be able to fill up all those pages.” ThinkingYearsKindChildrenBookBigsAbleWantedSchoolLanguageObjectsReaderPagesMy FavoriteAll KindsPensSeptemberNotebookMarkers Author:Elaine Equi
“In comics the reader is in complete control of the experience. They can read it at their own pace, and if there's a piece of dialogue that seems to echo something a few pages back, they can flip back and check it out, whereas the audience for a film is being dragged through the experience at the speed of 24 frames per second.” IfsSeemsFilmAudiencePiecesReaderPagesSpeedChecksDialoguePaceEchoesFlip Author:Alan Moore
“There is no need for advertisements to look like advertisements. If you make them look like editorial pages, you will attract about 50 per cent more readers.” IfsNeedsLooksBusinessEconomyReaderPagesCentsAdvertisementsEditorialsAdvertising Agencies Book:Confessions of an advertising man Source: Confessions of an advertising man
“For me, the game would be to assume a very intelligent reader who can extrapolate a lot from a little. And that's become my definition of art; to get that pitch just right, where I can put a hint on page three, and the reader's ears go up a bit, as opposed to dropping it all on the first page.” FirstsLittlesArtI CanWould BeThreeGamesBitsReaderPagesEarsIntelligentAssumingDefinitionsDroppingHints Author:George Saunders
“Usually, when people get to the end of a chapter, they close the book and go to sleep. I deliberately write a book so when the reader gets to the end of the chapter, he or she must turn one more page.” PeopleWritingBookEndsTurnsSleepReaderPagesChaptersGoing To SleepWriting From The Heart Author:Sidney Sheldon