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“I like the fact that it [social media] is unfiltered. In other words it's not Geraldo of Fox News or Geraldo of WABC Radio, it's Geraldo. And you know it's raw, unedited, what I'm thinking, what I'm feeling, or, you know, some mistakes I'm making in real time. And I see that as a way to go out kicking and screaming. People will be hearing from me 'til the bitter end now.”

“I don't like doing action movies. They're not that interesting... it's fun to do the physical element but the really fun stuff, like running into exploding buildings, they won't let you do. There's too much money riding on you not getting hurt. But yes, there's something exhilarating in just sitting on a beach with somebody having a real conversation. There's something exhilarating about being open and honest.”

“For me it's about the character, not as much about the genre of it [movie]. I'm excited that I get to work and play interesting characters and I'm not just the girl who gets to play the girlfriend or the wife. I get to play real women who have struggles and troubles and passions and that's always what I hope to do no matter what format that lies in.”

“In real life I'm not the character I play in my films. I'm reasonably competent, I work very hard, I'm disciplined, I lead a very middle class life. I work in the mornings, I have lunch, I practise my clarinet, I go to the movies, I eat out in restaurants or watch ball games on television or at the ball games.”

“The edge of a painting is its frontier... where the artist negotiates his boundaries with the real world... where art begins and ends and where the eye enters and leaves the image. It determines, in an infinitely subtle number of ways, how you read a painting - which, unlike a book or a piece of music, has no pre-determined beginning or end.”

“Information wants to be free.' So goes the saying. Stewart Brand, the founder of the Whole Earth Catalog, seems to have said it first.I say that information doesn't deserve to be free.Cybernetic totalists love to think of the stuff as if it were alive and had its own ideas and ambitions. But what if information is inanimate? What if it's even less than inanimate, a mere artifact of human thought? What if only humans are real, and information is not?...Information is alienated experience.”

“I am afraid! It is not starving I fear, or talking to people, or even being alone. But I cannot bear to be useless and ineffectual. There must be some meaning to me, if not to my life; there must surely be some purpose that has my name written on it. If this is not so, if I am deceiving myself about this too, then why should I want to become real? What reason have I to live anywhere?”

“Here is a quilted book about mathematical practice, each patch wonderfully prepared. Part invitation to number theory, part autobiography, part sociology of mathematical training, Mathematics without Apologies brings us into contemporary mathematics as a living, active inquiry by real people. Anyone wanting a varied, cultured, and penetrating view of today's mathematics could find no better place to engage.”