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“I have no problem with a war for oil-if we accompany it with a real program for energy conservation. But when we tell the world we couldn't care less about climate change, that we feel entitled to drive whatever big cars we feel like, that we feel entitled to consume however much oil we like, the message we send is that a war for oil in the gulf is not a war to protect the world's right to economic survival-but our right to indulge. Now that will be seen as immoral.”

“War and, apparently, hurricanes are very good for the oil business. But I've got to believe at a certain point, as a nation, we're going to go in a different direction toward an increased sense of personal responsibility, a lowering of each individual's carbon footprint and a real collaborative effort to help sustain our planet.”

“...our societies appear to be intent on immediate consumption rather than on investment for the future. We are piling up enormous debts and exploiting the natural environment in a manner which suggests that we have no real sense of any worthwhile future. Just as a society which believes in the future saves in the present in order to invest in the future, so a society without belief spends everything now and piles up debts for future generations to settle. "Spend now and someone else will pay later."”

“That the machine of Heaven is not a hard and impervious body full of various real spheres, as up to now has been believed by most people. It will be proved that it extends everywhere, most fluid and simple, and nowhere presents obstacles as was formerly held, the circuits of the Planets being wholly free and without the labour and whirling round of any real spheres at all, being divinely governed under a given law.”

“The IPCC (Intergovernmental Panel on Climate Change, a group of more than 2,500 scientists) has provided the world community with first class assessments of the soaring temperatures the world is facing, the devastating impacts of these rises and the ways in which we can try and avoid the worst effects of global warming. We now know climate change is real and the hand of humankind in this warming is becoming clearer and clearer.”

“The '60s in London obviously brought about the explosion of music, the Beatles especially, and then the Rolling Stones and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our nouvelle vague in Britain, films that talk about real life.”

“The 21st century looks different. It's been very disruptive. It has created a lot of insecurity. We have to adjust to that, because the 21st century has real promise. Now, the higher-paying jobs of this new century are fantastic. The problem is, you have to have some level of higher education, maybe not a four-year degree, but some level of higher education, to get those jobs.”

“I think it might be better to have the President sort of like the King of England - or the Queen - and have the real business of the presidency conducted by ... a city manager-type, a Prime Minister, somebody who's directly answerable to Congress, rather than a person who moves all his friends into the White House and does whatever he wants for four years.”

“The beauty of the world of Unbreakable is that you're playing it for reality. It should never feel like a comic book movie. It feels like a straight-up drama. It's real. You're confronting the possibility that comic book characters were based on people that were real.”

“Those people that don't see the power in art maybe have never been a part of an art, in a real way. To experience it, and to see and witness how it affects people, we're not doing it just to create professionals. It's to add another dimension to the way that children think and the way they experience certain things. If you didn't have dance, music and singing, it just seems so odd to me.”

“I'm kind of a scaredy cat - I don't watch a ton of them. I mean, I started reaching this script at night and had to wait until the next morning to finish it so it would be light out. It really scared me. The scary movies I like are The Others and Pan's Labyrinth - they're so scary but they're about real things, and hopefully this is too.”

“I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.”

“One of the real dilemmas we have in our country and around the world is that what works in politics is organization and conflict. That is, drawing the sharp distinctions. But in real life, what works is networks and cooperation. And we need victories in real life, so we've got to get back to networks and cooperation, not just conflict. But politics has always been about conflict, and in the coverage of politics, information dissemination tends to be organized around conflict as well.”