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“The idea, shared by many, that life is a vale of tears, is just as false as the idea shared by the great majority, the idea to which youth and health and riches incline you, that life is a place of entertainment. Life is a place of service, and in that service one has to suffer a great deal that is hard to bear, but more often to experience a great deal of joy. But that joy can be real only if people look upon their life as a service, and have a definite object in life outside themselves and their personal happiness.”

“I used to hide it but after a lot of encouragement from my friends at university, I've gained the confidence to come out with it. I am the sun from Teletubbies. There has been quite a few people pretending to be 'the sun' but only I could tell you the real story. Everyone says they can see the likeness between my face now and me as a baby. I still have a baby face. I haven't changed much either. I am still giggly.”

“What the color is, who the daddy be, who the mama is don’t mean nothin’. We family, carin’ for each other. Family make us strong in times of trouble. We all stick together, help each other out. That the real meanin’ of family. When you grow up, you take that family feelin’ with you.”

“There is a curious comfort in letting go. After the agony, letting go brings numbness, and after the numbness, clarity. As if I can see the world for the first time, and my place in it, independent of you, a whole vista of what may be. Even if it is not grand or inspiring, it is real and solid, unlike the fantasy I've built around you. I will do this. I will triumph over you.”

“Living on the street as a kid changed the way I looked at everything. It was a different time and while it had its dangers, it was nothing like it would be today. It was the Summer of Love and there was a real sense of community among us. We were hippies who looked out for each other instead of trying to rip each other off. We only had to watch out for the police who liked to roust us just on general principles, and the kids who came in from the suburbs to do a little hippie-bashing.”

“Fairy tales and mythology have always been an exaggerated distillation of the real world. Think of them as blueprints for how to deal with a multitude of situations that can arise in a person's life. The beauty of them is that their analogies resonate so deeply and they also entertain while they teach.”

“The only real reason for self-referencing is the fun factor. It's fun for the writer, getting little peeks at what old characters might be up to. And it's fun for readers to spot a familiar face, or pick up on a made-up book title or something from an earlier story. I don't know that it does -- or even should -- contribute to the story in hand being any better than it would have been without it.”

“It is a fallacy to think that carping is the strongest form of criticism: the important work begins after the artist's mistakes have been pointed out, and the reviewer can't put it off indefinitely with sneers, although some neophytes might be tempted to try: "When in doubt, stick out your tongue" is a safe rule that never cost one any readers. But there's nothing strong about it, and it has nothing to do with the real business of criticism, which is to do justice to the best work of one's time, so that nothing gets lost.”

“I believe that the major operating ethic in American society right now, the most universal want and need is to be on TV. I've been on TV. I could be on TV all the time if I wanted to. But most people will never get on TV. It has to be a real breakthrough for them. And trouble is, people will do almost anything to get on it. You know, confess to crimes they haven't committed. You don't exist unless you're on TV. Yeah, it's a validation process.”

“We have on the one hand a desperate need; hunger, sickness, and the dread of war. We have, on the other, the conception of something that might meet it: omnicompetent global technocracy. Are not these the ideal opportunity for enslavement? This is how it has entered before; a desperate need (real or apparent) in the one party, a power (real or apparent) to relieve it, in the other.”

“I can imagine no man who will look with more horror on the End than a conscientious revolutionary who has, in a sense sincerely, been justifying cruelties and injustices inflicted on millions of his contemporaries by the benefits which he hopes to confer on future generations: generations who, as one terrible moment now reveals to him, were never going to exist. Then he will see the massacres, the faked trials, the deportations, to be all ineffaceably real, an essential part, his part, in the drama that has just ended: while the future Utopia had never been anything but a fantasy.”

“Hell is a state of mind -- ye never said a truer word. And every state of mind, left to itself, every shutting up of the creature within the dungeon of its own mind -- is, in the end, Hell. But Heaven is not a state of mind. Heaven is reality itself. All that is fully real is Heavenly.”

“Wisdom: The first error is that of the southern people, and it consists in holding that these eastern and western places are real places. Give no quarter to that thought, whether it threatens you with fear, or tempts you with hopes. For this is Superstition and all who believe it will come in the end to the swamps, to the south and the jungles, to the far south. Part of the same error is to think that the Landlord is a real man.”

“The word 'security' is a broad, vague generality whose contours should not be invoked to abrogate the fundamental law embodied in the First Amendment. The guarding of military and diplomatic secrets at the expense of informed representative government provides no real security.”

“In the case of drama (stage, movies, television ), there appear to be people in almost every audience who never quite fully realize that a play is a set of fictional, symbolic representations. An actor is one who symbolizes other people, real or imagined. [...] Also some years ago it was reported that when Edward G. Robinson, who used to play gangster roles with extraordinary vividness, visited Chicago, local hoodlums would telephone him at his hotel to pay their professional respects.”

“Using SROI to explore the value of our online question and answer service, askTheSite, helped us develop new mechanisms for speaking to young people and gain a real insight into the impact of our work. The project enabled us to demonstrate YouthNets commitment to robust impact measurement as well as our commercial approach to project evaluation. Perhaps most importantly, being able to assign a monetary value to askTheSite has enabled YouthNet to convey to current and potential funders how valuable the service is for both young people and the wider society in a language that they understand”

“I think the best thing a person can do is to read through the Gospels in the Bible and really look at Jesus, because if a person does this, they will realize that the Jesus they learned about in Sunday school or the Jesus they hear jokes about or the skinny, Gandhi Jesus that exists in their imaginations isn't anything like the real Jesus at all.”