Quotessence
Home / Topics / Rooms Quotes

Rooms Quotes

Browse 7127 quotes about Rooms.

Related topics

Rooms Quotes

“If souls survive death for all eternity, how can the heavens hold them all? Or for that matter, how can the earth hold all the bodies that have been buried in it? The answers are the same. Just as on earth, with the passage of time, decaying and transmogrified corpses make way for the newly dead, so souls released into the heavens, after a season of flight, begin to break up, burn, and be absorbed back into the womb of reason, leaving room for souls just beginning to fly. This is the answer for those who believe that souls survive death.”

“If a man in order to shoot a hare, were to discharge thousands of guns on a great moor in all possible directions; if in order to get into a locked room, he were to buy ten thousand casual keys, and try them all; if, in order to have a house, he were to build a town, and leave all the other houses to wind and weather - assuredly no one would call such proceedings purposeful and still less would anyone conjecture behind these proceedings a higher wisdom, unrevealed reasons, and superior prudence.”

“Eloquence, when at its highest pitch, leaves little room for reason or reflection; but addressing itself entirely to the fancy or the affections, captivates the willing hearers, and subdues their understanding. Happily, this pitch it seldom attains. But what a Tully or a Demosthenes could scarcely effect over a Roman or Athenian audience, every Capuchin, every itinerant or stationary teacher can perform over the generality of mankind, and in a higher degree, by touching such gross and vulgar passions.”

“I recall an incident involving the late George Stigler at a conference in Spain in the 1980s. Hearing that I had written a book on reason and natural law, Stigler started to ridicule reason, going so far as to say that there is as much reason in a monkey's antics as in any human act. At that point I asked him whether he was trying to tell me something about how he wrote his books; he gave me a blank stare and stormed out of the room.”

“One of the reasons why I, 'a medical man' decided to give up medicine was a firm conviction of the extraordinary influence on health of pleasurable excitement, especially when combined with fresh air and exercise. How frequently have I, with great difficulty, persuaded patients who were never off my doorsteps to take up golf, and how rarely, if ever, I have seen them in my consulting room again.”

“The reason why so few good books are written is, that so few people that can write know anything. In general an author has always lived in a room, has read books, has cultivated science, is acquainted with the style and sentiments of the best authors, but he is out of the way of employing his own eyes and ears. He has nothing to hear and nothing to see. His life is a vacuum.”

“Literature is the one place in any society where, within the secrecy of our own heads, we can hear voices talking about everythingin every possible way. The reason for ensuring that that privileged arena is preserved is not that writers want the absolute freedom to say and do whatever they please. It is that we, all of us, readers and writers and citizens and generals and goodmen, need that little, unimportant-looking room. We do not need to call it sacred, but we do need to remember that it is necessary.”

“For three decades, Senator Arlen Specter served the people of Pennsylvania with independence, toughness, determination and an unflinching devotion to the best interests of his constituents and our country. From the committee room to the Senate chamber, Senator Specter offered a voice of reason and passion in every debate - always willing to reach across the aisle and work across party lines to get the job done, regardless of political gamesmanship or gain.”

“Where wildness and disorder are visible in the dance, there Satan, death and all kinds of mischief are likewise upon the floor. For this reason I could wish that the dance of death were painted on the walls of all ball-rooms in order to warn the dancers, not by the levity of their deportment, to provoke the God of righteousness to visit them with a sudden judgment.”

“When you present something that you have worked on to somebody else, for some reason that is the moment when you can see everything that you have done wrong. They may or may not agree, but it is more of a personal thing for me. It is that I am looking at it because you are self conscious and suddenly there is someone in the room that is seeing it for the first time.”

“I used to think the reason I'd like to stop letting fear run my life was that it felt so bad to be afraid, and also that it was pointless - possibly wasted, if the feared thing never did materialize. But now that fear has packed its miserable bags and is running out the door, making slamming noises to call attention to itself, I begin to see how much room fear has occupied. What opportunity opens up!”

“A lot of the challenge and the reason for the success of those one-shot photographers is that their pictures almost have to be subject proof. Because you usually only have a few minutes with the person. You never know who's going to walk into the room - whether they're going to be friendly, grumpy, sick of photographers, or between meetings.”

“For some reason at Sundance, more than other festivals that I'm aware of, you find filmmakers rushing to screen works that sometimes aren't completed. In my seven years of programming at Toronto, I'm not aware of any documentaries that went back for serious editing after their premiere - other than those presented as works-in-progress. But at Sundance every year there seems to be a few films that push the deadline so hard that they get taken back to the edit room afterwards.”

“People ask why I do monochromatic clothes; the reason is because I'm thinking in proportion to the world. In this room, your head is going to look so much more interesting if it's on a monochromatic column. Whereas I think people think of outfits and gets a little too fussy, a little too detailed. I'm always thinking of the line of a person standing with their head in a room and I always feel like a stalk, or a stem, or a pillar is nicer. I always think of everything architecturally.”

“I think that the reason that people are so up in arms about movies that have historical inaccuracies is because now that we've trashed our education institutions beyond repair, people fear that the only people are getting their histories is through the movies, so the elephant in the room is that no one wants to talk about why we're so passionately obsessed with accuracy.”