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Shakespeare Quotes

Browse 327 quotes about Shakespeare.

Shakespeare Quotes

“Whatever happened to me in my life, happened to me as a writer of plays. I'd fall in love, or fall in lust. And at the height of my passion, I would think, 'So this is how it feels,' and I would tie it up in pretty words. I watched my life as if it were happening to someone else. My son died. And I was hurt, but I watched my hurt, and even relished it, a little, for now I could write a real death, a true loss. My heart was broken by my dark lady, and I wept, in my room, alone; but while I wept, somewhere inside I smiled. For I knew I could take my broken heart and place it on the stage of The Globe, and make the pit cry tears of their own.”

WritingWritersShakespeare
Book:The Sandman, Vol. 10: The Wake
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“Not that we expect anything less of Lord Bourne- husband or not, he remains a rogue! And that which we call a rogue, by any other name would scandalize as sweet!" "Oh, for heaven's sake." Penelope did roll her eyes at that, looking to Michael, who looked... pleased. "You're complimented?" He turned innocent eyes on her. "Should I not be?" "Well," Philippa added thoughtfully, "anything Shakespearean must be at least a vague compliment." "Precisely," Michael said, gifting Pippa with a smile that made Penelope more than a little envious of her younger sister.”

ShakespeareBook TitlePippa MarburyPhilippa MarburyMichael LawlerBy Any Other Name
Book:A Rogue by Any Other Name
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“Usually, Shakespeare gives me goose bumps. The guy knows everything. Like some ancient angel quill-ing out blueprints life. Hiding it in fiction. And usually I love the sound of the words, the way they dance on the page. Today, they fall flat. My attention bobbing in the cosmos. All free brain-space is marinating in gap month fizz. I chew my pen, candy-cane style. The million possibilities ahead make it hard to care about right now. I write my answers slowly, each letter carved in stone not ballpoint. I’m going to explore the world, find my passion, try everything! The fizz shoots up my spine and a smile sprouts.”

InspirationPossibilitiesShakespeareFizz
Book:The Jelly Bean Crisis
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“History teaches us that Literary Book Awards have always been the quickest and easiest way to achieve global fame. They have helped countless authors to shoot to stardom. But this fame usually fades away after their death, unlike William Shakespeare, Jane Austen or Charles Dickens who never won any awards, yet they continue to be read, quoted and remembered as the greatest writers of all time.”

ShakespeareNobel PrizeLiterature QuotesFame QuotesCharles DickensPopularity QuotesLiterary AwardsLiterary PrizesBooker PrizeGlobal Fame
Author:Mouloud Benzadi
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“[Today's high schoolers are required to read] a couple of Shakespeare plays...the couple of Shakespeare plays function as an inoculation – that is, you get exposed to 'half-dead Shakespeare virus', and it keeps you from ever loving Shakespeare again, your whole life long. It would be much better if they didn't do that at all! Because [the students] have no linguistic preparation for it, and no cultural or historical preparation for it. They've not been reading English poetry, so the language strikes them as completely bizarre […] and they have no historical place to put it, so they don't know what's going on. All they know is that they're 'supposed to like it'.”

WritingHumorLanguageEducationHistoryLearningGeniusReformShakespeareSchoolsFixing Education
Author:Anthony Esolen
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“The Great Dane by Stewart Stafford Martyr father of poison sleep, Rotten carcass of a slain beast, Wicked stars cast against him, Beloved, that loved him least. O maggot of gnawing doubt, Wriggling along life’s tightrope, Sleepwalking this broken path, To a coup de grâce last stroke. The players unmask dark play, Trampling nightshade that reeks, Honour's duel in a snake pit, The shadow castle grows weak. © Stewart Stafford, 2023. All rights reserved.”

FatherMurderShakespeareDenmarkWilliam ShakespeareHamletTo Be Or Not To BeShakespearean TragedyYorick
Author:Stewart Stafford
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“I don’t remember the whole thing, because it was very long, but Atticus recited it for me once, and there was a line that went like this: “Cry ham hock and let slip the hogs of war!” I know you might not agree, but for me that was the best thing Shakespeare ever wrote." You mean, “Cry havoc and let slip the dogs of war” from Julius Caesar? "No, I don’t think that’s it. There was ham in there; I’m sure he was talking about ham. They were going to battle hunger." I think you might have been hungry when you heard it, Oberon.”

FunnyHumourShakespeareOberonKevin HearneGranuaileIron Druid
Book:Hunted
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“Every person has one particular time in his life when he is more beautiful than he is ever going to be again. For some it is at seven, for others at seventeen or seventy, and as Laura Fleischman read out loud from Shakespeare, I remember thinking that for her it was probably just then.”

BeautySevenShakespeareSeventeenSeventy
Book:Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale – A Fresh Look at the Many Dimensions of God and Humanity
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“I've acted all my life. All the world's a stage.' 'It's not.' Bressac tapped his nose thoughtfully. 'There's no rehearsal, no proper audience, no intermission, one performance only. Behind the scenes there are only more scenes. You can't tell if it's a tragedy or a comedy, but you know that, sooner or later, it'll be an historical. Daggers have solid blades and the blood is real.”

WorldPlayTruthComedyStageTragedyHistoricalRehearsalShakespeareFalse
Book:Doctor Who: The Man in the Velvet Mask
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“I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )”

HumorBearsShakespeareJeevesStage DirectionsWinters TaleWooster
Book:Over Seventy: An Autobiography with Digressions
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“The popular conception of any philosophical doctrine is necessarily imperfect, and very generally unjust. Lucretius is often alluded to as an atheistical writer, who held the silly opinion that the universe was the result of a fortuitous concourse of atoms readers are asked to consider how long letters must be shaken in a bag before a complete annotated edition of Shakespeare could result from the process; and after being reminded how much more complex the universe is than the works of Shakespeare, they are expected to hold Lucretius, with his teachers and his followers, in derision. A nickname which sticks has generally some truth in it, and so has the above view, but it would be unjust to form our judgment of a man from his nickname alone, and we may profitably consider what the real tenets of Lucretius were, especially now that men of science are beginning, after a long pause in the inquiry, once more eagerly to attempt some explanation of the ultimate constitution of matter.”

MatterTruthScienceUniversePhilosophicalDoctrineShakespeareWilliam ShakespeareAtomic TheoryLucretiusAtheistical
Book:Papers, Literary, Scientific, Etc. (Cambridge Library Collection - Technology)
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“Marcus Brutus was the original tragic hero of the play ‘Julius Caesar’, Aditya concluded. Perhaps, Shakespeare should have named his play ‘Marcus Brutus’. But then again, it all must have boiled down to saleability and marketing; Julius Caesar being the more famous and thus bankable name. Ironical it was, Aditya smiled. The same Shakespeare had once said-‘What’s in a name...”

PlayHeroMarketingTragicSalesShakespeareMarketing QuotesSales EffectivenessMarketing And SalesBrutusCaesarJulius CaesarMarketing And PromotionMarketing QuoteMarketing SkillsMarcus Brutus
Book:Half A Shadow
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“Shakespeare will not allow Falstaff to die upon stage. We see and hear the deaths of Hamlet, Cleopatra, Antony, Othello, and Lear. Iago is led away to die silently under torture. Macbeth dies offstage but he goes down fighting. Falstaff dies singing the Twenty-third Psalm, smiling upon his fingertips, playing with flowers, and crying aloud to God three or four times. That sounds more like pain than prayer. We do not want Sir John Falstaff to die. And of course he does not. He is life itself.”

LifeShakespeareFalstaff
Book:Falstaff: Give Me Life
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“If it were possible for a metaphysician to be a golfer, he might perhaps occasionally notice that his ball, instead of moving forward in a vertical plane (like the generality of projectiles, such as brickbats and cricket balls), skewed away gradually to the right. If he did notice it, his methods would naturally lead him to content himself with his caddies's remark-'ye heeled that yin,' or 'Ye jist sliced it.' ... But a scientific man is not to be put off with such flimsy verbiage as that. He must know more. What is 'Heeling', what is 'slicing', and why would either operation (if it could be thoroughly carried out) send a ball as if to cover point, thence to long slip, and finally behind back-stop? These, as Falstaff said, are 'questions to be asked.”

ScienceShakespeareWilliam ShakespeareFalstaffJohn FalstaffMetaphysician
Author:Peter Guthrie Tait
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“One day at Fenner's (the university cricket ground at Cambridge), just before the last war, G. H. Hardy and I were talking about Einstein. Hardy had met him several times, and I had recently returned from visiting him. Hardy was saying that in his lifetime there had only been two men in the world, in all the fields of human achievement, science, literature, politics, anything you like, who qualified for the Bradman class. For those not familiar with cricket, or with Hardy's personal idiom, I ought to mention that “the Bradman class” denoted the highest kind of excellence: it would include Shakespeare, Tolstoy, Newton, Archimedes, and maybe a dozen others. Well, said Hardy, there had only been two additions in his lifetime. One was Lenin and the other Einstein.”

ScienceLiteraturePoliticsNewtonShakespeareCambridgeWilliam ShakespeareEinsteinTolstoyLeninAlbert EinsteinIsaac NewtonLeo TolstoyArchimedesVladimir LeninG H HardyBradman ClassCount Lev Nikolayevich TolstoyGodfrey HardyGodfrey Harold HardyLev Nikolayevich TolstoyVladimir Ilyich Lenin
Book:Variety of Men
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“When the line is delivered, Hamlet is gazing on Yorrick's skull, casually unearthed by the gravedigger. Yorrick's fame grew out of being the line which accompanied what is perhaps the single most recognizable iconic image in literature: a man in black, considering a human skull. Show some form of that picture to most moderately educated people and plenty who aren't and they'll know that the man is Hamlet. Such things don't find their way into the popular consciousness by accident and trivial though the line may sound, it speaks to the heart of the play: a man compelled by circumstances outside of his control to confront his own mortality.”

ShakespeareLiterary CriticismAfterword
Book:Hamlet, Prince of Denmark
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“When I do count the clock that tells the time, And see the brave day sunk in hideous night; When I behold the violet past prime, And sable curls all silver'd o'er with white; When lofty trees I see barren of leaves Which erst from heat did canopy the herd, And summer's green all girded up in sheaves Borne on the bier with white and bristly beard, Then of thy beauty do I question make, That thou among the wastes of time must go, Since sweets and beauties do themselves forsake And die as fast as they see others grow; And nothing 'gainst Time's scythe can make defence Save breed, to brave him when he takes thee hence.”

TimeClockSonnetShakespeare12
Book:Shakespeare's Sonnets
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“„REY I’d rather not be in thy presence now. KYLO Yea, also could I say the same to thee. REY [aside:] How shall I speak to this deshirted man And hope to focus on the conversation? [To Kylo:] Say, wherefore didst thou hate thy father kind? Hast thou no cloak or towel thou canst use? [Kylo dons his doublet.”

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Book:William Shakespeare's Jedi the Last: Star Wars Part the Eighth
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“Sonnet 73: That time of year thou mayst in me behold That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou see'st the twilight of such day As after sunset fadeth in the west, Which by and by black night doth take away, Death's second self, that seals up all in rest. In me thou see'st the glowing of such fire That on the ashes of his youth doth lie, As the death-bed whereon it must expire, Consum'd with that which it was nourish'd by. This thou perceiv'st, which makes thy love more strong, To love that well which thou must leave ere long.”

LovePoetryTimeAgingAutumnMortalityShakespeareElizabethanEnglishliteratureSonnet73
Book:Love Poems and Sonnets
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“The Honorable Ferdy, who had been pondering at intervals all day how his cousin's wife came by such a peculiar name, now introduced a new note into the conversation by saying suddenly, 'Can't make it out at all! You're sure you've got that right, Sherry?' 'Got what right?' 'Hero,' said Ferdy, frowning. 'Look at it which way you like, it don't make sense. For one thing, a hero ain't a female, and for another it ain't a "name." At least,' he added cautiously, 'it ain't one I've ever heard of. Ten to one you've made one of your muffs, Sherry!' 'Oh no, I truly am called Hero!' the lady assured him. 'It's out of Shakespeare.' 'Oh, out of "Shakespeare," is it?' said Ferdy. 'That accounts for my not having heard it before.' 'You're out of Shakespeare too,' said Hero, helping herself liberally from a dish of green peas. 'I am?' Ferdy exclaimed, much struck. 'Yes, in the "Tempest," I think.' 'Well, if that don't beat all!' Ferdy said, looking around at his friends. 'She says I'm out of Shakespeare! Must tell my father that. Shouldn't think he knows.”

ShakespeareNameHero WantageFerdinand Fakenham
Book:Friday's Child
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“CREONTA: Rope! My rope! Hang those two thieves by the neck until they are dead. THE ROPE: Alack, but vile and ill-natured female! Upon wherein did thine affections tarry when I didst but lie here and rot for many a year? Nay, but those fellows tooketh care to remove the wetness that didst plagueth me of late and hath laid me upon the cool ground to revel in a state of dryness. Nay, I wouldst not delay them in their noble course for all thine base and bestial howling. CREONTA: Then, you, dearest donkey, precious beast of burden, tear those two apart and eat their flesh! DONKEY: Nay, but alas for many a season didst you but keep the food of the tummy from me and my mouth when it was that I required it of you. These fine gentlemen of fortune didst but give me carrots of which to partake which I did most verily and forthsoothe with merriment. I havest decided that thou dost suck most verily and no longer will I layth the smackth down in thine name but will rather let such gentlemen as these go free of themselves. TRUFFALDINO: [To the audience.] Well, what do you know? Fakespeare!”

HumorComedyShakespeareParodyThe Love Of Three Oranges
Book:The Love Of Three Oranges: A Play For The Theatre That Takes The Commedia Dell'arte Of Carlo Gozzi And Updates It For The New Millennium
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“In order that a new world may step in, this world must for a time disappear. The murderers and the murder must be insulated -- cut off by an immeasurable gulf from the ordinary tide and succession of human affairs locked up and sequestered in some deep recess; we must be made sensible that the world of ordinary life is suddenly arrested -- laid asleep -- tranced -- racked into a dread armistice; time must be annihilated; relation to things without abolished; and all must pass self-withdrawn into a deep syncope and suspension of earthly passion. Hence it is, that, when the deed is done, when the work of darkness is perfect, then the world of darkness passes away like a pageantry in the clouds: the knocking at the gate is heard; and it makes known audibly that the reaction has commenced: the human has made its reflux upon the fiendish; the pulses of life are beginning to beat again...”

DeathTimeCrimeCriticismMurderShakespeareKnockingMacbeth
Book:Confessions of an English Opium-Eater & Other Writings
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