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Shakespeare Quotes

Browse 327 quotes about Shakespeare.

Shakespeare Quotes

“For this last, Before and in Corioli, let me say, I cannot speak him home: he stopp'd the fliers; And by his rare example made the coward Turn terror into sport: as weeds before A vessel under sail, so men obey'd And fell below his stem: his sword, death's stamp, Where it did mark, it took; from face to foot He was a thing of blood, whose every motion Was timed with dying cries: alone he enter'd The mortal gate of the city, which he painted With shunless destiny; aidless came off, And with a sudden reinforcement struck Corioli like a planet: now all's his: When, by and by, the din of war gan pierce His ready sense; then straight his doubled spirit Re-quicken'd what in flesh was fatigate, And to the battle came he; where he did Run reeking o'er the lives of men, as if 'Twere a perpetual spoil: and till we call'd Both field and city ours, he never stood To ease his breast with panting.”

“The Unknowable Scribe by Stewart Stafford Behind the looking glass, Lurks the trembling hand of deception, How deep it goes. Scratching worthlessly on the glass, Yet leaving diamond shavings in its wake, To ponder over endlessly. Question not, despise not, Seek no answers here For there are none to give. The cygnet is mooncalf, To the mighty swan, Cat's paw to catchpenny. Birther to birthing, A classification of bedding, To redress the baseness of our grindings. © Stewart Stafford, 2021. All rights reserved.”

“When we can't understand the science behind something in this world, we make up mythological entities that we can relate to. We personify the forces of nature that mystify us, using our boundless imaginations to comfort us and make us feel like we have some control over these things that are much bigger than we are.”

“Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove. O no, it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wand'ring barque, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.”

“CARDINAL WOLSEY So farewell to the little good you bear me. Farewell! a long farewell, to all my greatness! This is the state of man: to-day he puts forth The tender leaves of hopes; to-morrow blossoms, And bears his blushing honours thick upon him; The third day comes a frost, a killing frost, And, when he thinks, good easy man, full surely His greatness is a-ripening, nips his root, And then he falls, as I do. I have ventured, Like little wanton boys that swim on bladders, This many summers in a sea of glory, But far beyond my depth: my high-blown pride At length broke under me and now has left me, Weary and old with service, to the mercy Of a rude stream, that must for ever hide me. Vain pomp and glory of this world, I hate ye: I feel my heart new open'd. O, how wretched Is that poor man that hangs on princes' favours! There is, betwixt that smile we would aspire to, That sweet aspect of princes, and their ruin, More pangs and fears than wars or women have: And when he falls, he falls like Lucifer, Never to hope again”

“An aphorism is nothing else but the slightest form of writing raised to the highest level of expressive communication. Let’s make an example. Being a scholar of stupidity, how might I avoid to thank a lot of people for their existence. Carl William Brown”

“حتی در ترانه های شکسپیر هم اثری از اُمّید نیست، چون در آن زمان سیفیلیس بیداد می کرد. اندوه عمیق نهفته در ترانه های شکسپیر از آنجاست که در آن روزها «عشق» همیشه با سیفیلیس متداعی بود. هفتاد درصد مردم به آن مبتلا بودند. زنگ عمیق اشعار عاشقانه به همین دلیل بود. چون عاقبتش دیوانگی بود یا کوری و هیچ علاجی هم نداشت. «عشق» چیزی بود فوق العاده «مهم»، درست مثل «مرگ» و «زندگی». امروز «عشق» اهمیت تراژیک خود را از دست داده است چون حسابش از «کوفت» جدا شده است”

“When she was a child, she'd often wondered about the old manor. Some said the place was haunted, but she thought it mysterious. Sometimes when she was a girl, she would wander through the wrought-iron gate along Ladenbrooke's stone wall. The fragrance from flowers on the other side captivated her along with the beauty of the gardens. The butterflies reminded her of the fairies she'd loved as a child and, when she was older, of the fairies dancing through the magical garden in 'A Midsummer Night's Dream.' Shakespeare was born forty miles from here. In Stratford-upon-Avon. Perhaps the gardens in the Cotswolds inspired him as they once inspired her.”

“But Don John merely represents a more general mistrust in the play – he is not its sole source. After all, his is a tiny part (no sniggering at the back): he has only 4 per cent of the play’s lines. He does, however, symbolize something larger than himself. And perhaps this is why he is given the identity of bastard. His own malevolent illegitimacy might be thought a kind of proof that women can – and some do – sleep with men not their husbands. Don John the bastard is himself the very certification to stabilize the play’s paranoia about women’s faithlessness. His status as a bastard thus confirms the play’s worst fears.”

“The Diverted Imperium by Stewart Stafford Welcome to my lush vineyard, As we crush poison grapes, Forcing that last vinegar sip, Of this “first citizen’s” foul wine. In spite of meeting in night's shade, It is not the taint of shame's veil, But a new dawning concealed, Our hand to reveal in due course. Fellow senators, my brethren! Men of honour, and, you, Brutus; The noblest of all at our gathering, But your eyes are on yonder hill. Our dreamer’s conference tonight: Seeks sacrifice, not bloodlust; A fly caught in Necessity’s web, And, is no more, for that is Nature. Stakes of the bear pit arranged, A swift consumption of power, Nipping retaliation in the bud, Smoothing our ascendancy. A patriot in a traitor's pall? Liberty's stars in alignment Or noose of the ill-omened? History’s verdict in absentia. The hand beneath the cloak Shakes the dagger mightily, Mercy’s coup de grâce stills, Bloody tip to inked treaties. Once the bloodshed has passed, Martial backing shall follow, And our regime commences, The Imperium by right diverted. © Stewart Stafford, 2023. All rights reserved.”