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Style Quotes

“Just concentrate on the performers. Make sure you get the performers, and that's it. That's all we need to do." And I was thinking, "Well what if you do both? Of course the performance is important, the writing is really important. But what if you could have the perfect marriage of making it look really slick as well?" I think that's kind of what I tried to develop as a style, and Spaced was the first TV show I did where all the elements came together.”

“I think that's something that always enticed me about the '40s - back then, the glamour and the style - you couldn't really make it up. You just were or you weren't. You either fit in that world or you fit in the other. Things were very cut and dry. Things were simple. There wasn't a whole lot of excess or flash to be flashy; it was real flash, and real excitement.”

“Many young people today do not concern themselves with style. They think that what one says should be said simply and that is all. For me, style - which does not exclude simplicity, quite the opposite - is above all a way of saying three or four things in one. There is the simple sentence, with its immediate meaning, and then at the same time, below this immediate meaning, other meanings are organized. If one is not capable of giving language this plurality of meaning, then it is not worth the trouble to write.”

“You probably think Italians like meals with heavy meats and sauces, but they actually prefer light meats. They see turkey as a healthy, light white meat that lends itself excellently to their style of cooking, and they use it in many different ways. Also, Europeans do not celebrate Thanksgiving so they perceive turkey as an all-year round option.”

“I wanted to feel good about the way I looked. I didn't understand why style had to be sacrificed for sports technology. I found when going to the gym women were wearing their own tees, without the technology. I started to think, does it make you run faster if you wear that terrible color or sweat less if you wear that horrible fabric? And I challenged it, and the answers were not there to why we were being given poor design work. It was something I wanted to bring to women's wardrobes.”

“What is the story with the airport sinks, that they will not give us a twist-on twist-off human faucet. "Is it that too risky for the human population? We have to do the one-handed pain-in-the-ass Alcatraz-style faucets. "What is it they think we will do? Turn 'em all on full, run out into the parking lot, laughing, pushing each other into the bushes?”

“I don't think my playing style has really changed over the years; it's just gotten better. I can hear the improvement in comparing older records and later records. I'm referring to soloing ability, to having a better sound, to knowing chords better, and getting rhythmically stronger. It also has to do with ideas - learning how to edit your ideas and being better able to follow ideas out to a logical conclusion.”

“The best thing that could've happened to me was that I learned a lot in Vegas, but I didn't know how to implement it. Whenever I came to Texas, all we had was Marc Laimon, jiu-jitsu coach. We didn't have a striking coach. So me and him started to just develop our own game, because he knows nothing about striking. We sat down and we sort of found my style. I think that was the best thing that could've happened to me.”

“My background is Protestant so I benefited from the great Bible teaching that was provided there... I did love the more culturally classical things, like Irish music, which I think is some of the most congregational-style music when you think of... 'St. Patrick's Breastplate' (and) 'Danny Boy.' These are traditional Irish melodies. I think being brought up there (Ireland) gave me a sense of melody that is very attuned to congregational singing.”

“One ironic thing is that although (the Soviet Union) was one of the most oppressive systems, with no respect for the individual, it somehow produced the freest hockey on the planet. These guys, when they got on the ice, it was like watching jazz. They could do anything. I find that a paradox. It's interesting because I think the North American style was a lot less free. It was not encouraged to be creative.”

“What you have felt and thought will by itself invent a new style, so that when people talk about style they are always a little astonished at the newness of it, because they think that it is only style that they are talking about, when what they are talking about is the attempt to express a new idea with such force that it will have the originality of the thought.It is an awfully lonesome business, and, as you know, I never wanted you to go into it, but if you are going into it at all, I want you to go into it knowing the sort of things that took me years to learn.”

“I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made. Almost no new classics resemble other previous classics. At first people see only the awkwardness. Then they are not so perceptible. When they show so very awkwardly people think these awkwardnesses are the style and many copy them. This is regrettable.”

“I am not ashamed to admit that in the games against Barcelona I spent a lot of the time just hoping he would take up positions as far away from me as possible. Elusive is the word that immediately springs to mind when I think about Messi's style of play. You think you have an eye on him and then - blink - he has gone, only to reappear somewhere else in space, with the ball.”

“The Berkshire-style investors tend to be less diversified than other people. The academics have done a terrible disservice to intelligent investors by glorifying the idea of diversification. Because I just think the whole concept is literally almost insane. It emphasizes feeling good about not having your investment results depart very much from average investment results. But why would you get on the bandwagon like that if somebody didn't make you with a whip and a gun?”

“If Vin Scully calling a game is just as good in 2013 as he was in 1963, that's the way a game should sound. If Jack Buck were around today, I don't think anybody would ask him to change his style. My style has always been a little bit of a combination of old and new, if only because my frame of reference, personally, was different than that of Ernie Harwell or Jack Buck or Harry Caray. I was a younger guy. Just as Joe Buck's frame of reference is somewhat different from mine. But the nuts and bolts of how to call a ballgame well, I think remain the same.”

“The documentary style is an incredibly flexible and useful one. It's a wonderful tool for establishing the credibility of the version of things that's in the photograph - a kind of rhetorical device or rhetorical strategy. It's always felt very natural to me, because I want a person to end up thinking about the world, and to think about it in a way that is transformed by the experience of art.”