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Tree Quotes

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Tree Quotes

“How about this miracle... God says if you plant the seed I will make the tree. Wow, you can't have a better arrangement than that. First, it gives God the tough end of the deal. What if you had to make a tree? That would keep you up late at night trying to figure out how to make a tree. God says, "No, leave the miracle part to me. I've got the seed, the soil, the sunshine, the rain and the seasons. I'm God and all this miracles stuff is easy for me. I have reserved something very special for you and that is to plant the seed.”

“If there is any one duty which more than another we owe it to our children and our children's children to perform at once, it is to save the forests of this country, for they constitute the first and most important element in the conservation of the natural resources of this country.”

“No wonder the hills and groves were God's first temples, and the more they are cut down and hewn into cathedrals and churches, the farther off and dimmer seems the Lord himself.”

“There must be a union between the spirit in wood and the spirit in man. The grain of the wood must relate closely to its function. The abutment of the edge of one board to an adjoining board can mean the success or failure of a piece. () Gradually a form evolves, much as nature produces the tree in the first place. The object created can live forever. The tree lives on in its new form. The object cannot follow a transitory “style”, here for a moment, discarded the next. Its appeal must be universal. Cordial and receptive, it should invite a meeting with man”

“Natalie Lyalin is writing some of the best poems in the world. There is an evil in her gorgeous poem-hearts. She must have sold her heart to the devil to write like this—so beautiful, so funny and so strange. Her images stack and stack down the page without spilling, each line such a bombshell you'll start reading backward to the first line. These poems are like babies—they will pop out of trees.”

“This, at last, was where things were as they ought to be. Everything was in its place -- the tree, the earth underneath, the rock, the moss. In autumn, it would be right; in winter under the snow, it would be perfect in its wintriness. Spring would come again and miracle within miracle would unfold, each at its special pace, some things having died off, some sprouting in their first spring, but all of equal and utter rightness.”

“It is sweet to see how soon a spring becomes a rill, and a rill runs on into a rivulet, and a rivulet swells into a brook; and before one has time to say 'what are you at?' - before the first tree it ever spoke to is a dummy, or the first hill it ever ran down has turned blue, here we all have airs and graces, demands and assertions of a full grown river.”

“Another striding instance is recorded by the very intelligent traveler regarding a representation of the fall of our first parents, sculptured in the magnificent temple of Ipsambul in Nubia. He says that a very exact representation of Adam and Eve in the Garden of Eden is to be seen in that cave, and that the serpent climbing round the tree is especially delineated, and the whole subject of the tempting of our first parents most accurately exhibited.”

“I love the evening star. Does that sound foolish? I used to go into the backyard, after sunset, and wait for it until it shone above the dark gum tree. I used to whisper 'There you are, my darling.' And just in that first moment it seemed to be shining for me alone. It seemed to understand this ... something which is like longing, and yet it is not longing. Or regret - it is more like regret.”

“Nothing is text but what is spoken of in the Bible and meant there for person and place; the rest is application; which a discreet man may do well; but it is his scripture, not the Holy Ghost's. First, in your sermons use your logic, and then your rhetoric; rhetoric without logic is like a tree with leaves and blossoms, but no root.”

“When I first encountered the poems of Jon Woodward, I was stunned into the state that is my life's joy-I was in the presence of the inimitable. Uncanny Valley extends that experience-almost into another dimension. These apocalyptic, pixilated poems forge a mythology of our ravaged culture, one that might have been written in the future. If you want poetry to give you a persimmon on a plate, look elsewhere; if you want to know what happens when seven trees fall on the highway and the story is told by a stutterer, this is the book, and it could only have been written by Woodward.”

“Spring flew swiftly by, and summer came; and if the village had been beautiful at first, it was now in the full glow and luxuriance of its richness. The great trees, which had looked shrunken and bare in the earlier months, had now burst into strong life and health; and stretching forth their green arms over the thirsty ground, converted open and naked spots into choice nooks, where was a deep and pleasant shade from which to look upon the wide prospect, steeped in sunshine, which lay stretched out beyond.”

“My wife Ann and I had been digging during the day, transplanting lilies from the front of this abandoned farmhouse back down the road to where we live. We finished. She was tired and laid in the grass. I took a picture. The house is now gone. The walnut trees have been bulldozed and burned. I saw this picture the other day for the first time in years and realized how photographing life within a hundred yards of my front porch had helped me focus on everything I cared about.”

“O ye whose years unfolding fair Are fresh with youth, and free from care, Should vice and indolence desire The garden of your souls to hire, No parleys hold-reject the suit, Nor let one seed the soil pollute. My child their first approach beware, With firmness break the insidious snare, Lest as the acorns grew and throve Into a sun-encircled grove, Thy sins, a dark o'ershadowing tree Shut out the light of Heaven from thee.”

“Was it not most meet that a woman should first see the risen Saviour? She was first in the transgression; let her be first in the justification. In yon garden she was first to work our wo; let her in that other garden be the first to see Him who works our weal. She takes first the apple of that bitter tree which brings us all our sorrow; let her be the first to see the Mighty Gardener, who has planted a tree which brings forth fruit unto everlasting life.”

“So let us raise a cheer ... for the insatiable spirit of Man eager for all new things! What a tale could have been written by that far off man who first saw a tree trunk roll and made a wheel and cart and harnessed in his mare and cracked his whip and drove away to disappear beyond the hill! Or that first man who made a boat and raised a sail and disappeared hull down to unknown shores!”

“So the first thing to be remembered: don't confine creativity to anything in particular. A man is creative - and if he is creative, whatsoever he does, even if he walks, you can see in his walking there is creativity. Even if he sits silently and does nothing, even non-doing will be a creative act. Buddha sitting under the Bodhi Tree doing nothing is the greatest creator the world has ever known.”

“My first real kiss came when I was 10, and it was in an acting class. I had to do a scene from a movie where someone gets kissed under a tree, and I did not want to do it! But my acting partner wanted me to feel comfortable, so he bought a picnic basket with all these snacks. He made such an effort - and it was cute.”

“Turtles hate heights. They don't even like being a few feet off the ground. It's the main reason they have resisted evolution for so long-fear of heights. Turtle thinking goes thus: Sure, first our scales turn into feathers and the next thing you know we're flying and chirping and perching on trees. We've seen it happen. Thanks, but we're staying right here in the mud where we belong. You're not going to see us flying full-tilt boogie into a sliding glass door.”

“The words represent ideas first of all. That is something you have to understand. I mean, it is not just an object, but it is an object with a history and it is loaded with all kinds of implications and ideas. They exist in the world in a very special way. So they kind of represent some aspect of the world that we perceive, as do photographs, as do drawings of trees or whatever. And they are not a one to one. They are not the world, but they kind of refer to the world and they also exist in the world.”

“Use what you have, use what the world gives you. Use the first day of fall: bright flame before winter's deadness; harvest; orange, gold, amber; cool nights and the smell of fire. Our tree-lined streets are set ablaze, our kitchens filled with the smells of nostalgia: apples bubbling into sauce, roasting squash, cinnamon, nutmeg, cider, warmth itself. The leaves as they spark into wild color just before they die are the world's oldest performance art, and everything we see is celebrating one last violently hued hurrah before the black and white silence of winter.”

“This is where you first failed us. You gave us minds and told us not to think. You gave us curiosity and put a booby-trapped tree right in front of us. You gave us sex and told us not to do it. You played three-card monte with our souls from day one, and when we couldn't find the queen, you sent us to Hell to be tortured for eternity. That was your great plan for humanity? All you gave us here was daisies and fairy tales and you acted like that was enough. How were we supposed to resist evil when you didn't even tell us about it?”

“My first day on set [Bad Santa 2] was with Billy [Bob Tornton] and it was a sex scene in a Christmas tree lot and you know in order to make it great for the audience you just have to go for it! It was our sort of our icebreaker. There is something very freeing and fun about just playing make believe and it's just over the top and hilarious so you just go for it.”

“If your first Christmas tree is a wilting eucalyptus and if you're normally troubled by heat and sand... then, to have just at the age when imagination is opening out, suddenly find yourself in a quiet Warwickshire village, I think it engenders a particular love of what you might call central Midlands English countryside. Based on good water, stones and elm trees and small quiet rivers and so on, and of course, rustic people about.”