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Wind Quotes

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Wind Quotes

“I call it "pedal magic" and only those who ride know the utter ecstasy of bicycling. Pressing a pedal toward Earth gives flight to my fancy. Every rotation powers my traveling machine toward yet another date with destiny. The breeze clears my senses. The wind blows away my troubles. The sun shines upon my future. Spinning spokes create flashing metal upon an endless path-cycling feels like an infinite spiritual rush. It cleanses my mind. All my troubles fade into joy.”

“Where do you put a form? It will move all around, bellow out and shrink, and sometimes it winds up where it was in the first place. But at the end it feels different, and it had to make the voyage. I am a moralist and cannot accept what has not been paid for, or a form that has not been lived through.”

“Wilderness is not only a haven for native plants and animals but it is also a refuge from society. Its a place to go to hear the wind and little else, see the stars and the galaxies, smell the pine trees, feel the cold water, touch the sky and the ground at the same time, listen to coyotes, eat the fresh snow, walk across the desert sands, and realize why its good to go outside of the city and the suburbs. Fortunately, there is wilderness just outside the limits of the cities and the suburbs in most of the United States, especially in the West.”

“And forget not that the earth delights to feel your bare feet and the winds long to play with your hair.”

“When I lie on the beach there naked, which I do sometimes, and I feel the wind coming over me and I see the stars up above and I am looking into this very deep, indescribable night, it is something that escapes my vocabulary to describe. Then I think: 'God, I have no importance. Whatever I do or don't do, or what anybody does, is not more important than the grains of sand that I am lying on, or the coconut that I am using for my pillow.' So I really don't think in the long sense.”

“My opinion of my whole experience varies from time to time. In broad daylight, and at most seasons I am apt to think the greater part of it a mere dream; but sometimes in the autumn, about two in the morning when winds and animals howl dismally, there comes from inconceivable depths below a damnable suggestions of rhythmical throbbing ... and I feel that the transition of Juan Romero was a terrible one indeed.”

“We're just a fragile team right now. It seems like when we have a little bit of adversity, when something goes wrong, you can feel it on the bench, it kind of sinks. Unless we get a goal or something really positive happens, it's tough. I think falling out of the playoff race takes the wind out of your sails for sure.”

“Sometimes I feel like a tree on a hill, at the place where all the wind blows and the hail hits the tree the hardest. All the people I love are down the side aways, sheltered under a great rock, and I am out of the fold, standing alone in the sun and the snow. I feel like I am not part of the rest somehow, although they welcome me and are kind. I see my family as they sit together and it is like they have a certain way between them that is beyond me. I wonder if other folks ever feel included yet alone.”

“We must not think too unkindly even of the east wind. It is not, perhaps, a wind to be loved, even in its benignest moods; but there are seasons when I delight to feel its breath upon my cheek, though it be never advisable to throw open my bosom and take it into my heart, as I would its gentle sisters of the south and west.”

“I think a lot about Big Mind-Small Mind, expansive, wide-lens consciousness and contracted, introverted consciousness. I have moments-we all do-when just being alive is a pleasure and a miracle. They feel like moments when the shutters of the mind are open so I can look out. It also feels as if those same shutters have no hooks to fix them in an open position. One small wind and bang-they slam shut.”

“The final moment of success is often no more thrilling than taking off a heavy backpack at the end of a long hike. If you went on the hike only to feel that pleasure, you are a fool. Yet people sometimes do just this. They work hard at a task and expect some special euphoria at the end. But when they achieve success and find only moderate and short-lived pleasure, they ask is that all there is? They devalue their accomplishments as a striving after wind. We can call this the progress principle: Pleasure comes more from making progress toward goals than from achieving them.”

“How many of those who are insecure seek power over others as a compensation for inadequacy and wind up bringing consequences down upon their heads and those around them? How many hide out in their lives, resist the summons to show up, or live fugitive lives, jealous, projecting onto others, and then wonder why nothing ever really feels quite right. How many proffer compliance with the other, buying peace at the price of soul, and wind up with neither?”

“There is a possibility in human minds of something mysterious as the night-wind, deep as the sea, calm as the stars, and strong as Death, a mystic contemplation, the “intellectual love of God.” Those who have known it cannot believe in wars any longer, or in any kind of hot struggle. If I could give to others what has come to me in this way, I could make them too feel the futility of fighting. But I do not know how to communicate it: when I speak, they stare, applaud, or smile, but do not understand.”

“In my day a reporter who took an assignment was wholly on his own until he got back to the office, and even then he was little molested until his copy was turned in at the desk; today he tends to become only a homunculus at the end of a telephone wire, and the reduction of his observations to prose is commonly farmed out to literary castrati who never leave the office, and hence never feel the wind of the world in their faces or see anything with their own eyes.”

“Let there always be a preponderance of mercy with you, even though you don't feel such mercy in yourself, as God has for the world ... A cruel and merciless heart is never purified. A merciful man is the doctor of his own soul, because as it were a by a strong wind from is heart he drives out the darkness of the passions.”

“Most writers begin with accounts of their first home, their family, and the town, often from quite a hostile point of view-love/hate, let's say. In a way, this stepping outside, in an attempt to judge enough to create a duplicate of it, makes you an outsider. . . . I think it's healthy for a writer to feel like an outsider. If you feel like an insider you get committed to a partisan view, you begin to defend interests, so you wind up not really empathizing with all mankind.”

“Sometimes I think the Congress feels that if you only decided tomorrow to switch to wind power that in two years we'd be getting 80 percent of our electricity from wind power. It's nonsense. Normally it takes 20 to 30 years after a new technology is demonstrated and deployed before it powers even 15 or 20 percent of the grid. There's this long lag time, and we haven't even decided which directions to go.”

“I am always torn. Between control and chaos; passion and tranquility. Between what's fated and what I want. Part of me longs to take the plunge, to dive off headfirst and let the feeling of control evaporate on the wind. And part of me wants to be in a place where I'd never have to worry about that choice--or any choice. Where peace and calm are the only things I'd feel.”

“I'm particularly keen on promoting this [Nikolai] Medtner piece, Night Wind, because I feel it is a fantastic work that hasn't been given its due yet. Admittedly, it's difficult for both the performer and the listener. The work is quite dense, comparatively long, as these things go, and demands rather active listening. But it's gripping, and I believe it should be heard much more than it has been.”

“To write honestly and with conviction anything about the migration of birds, one should oneself have migrated. Somehow or other we should dehumanize ourselves, feel the feel of feathers on our body and wind in our wings, and finally know what it is to leave abundance and safety and daylight and yield to a compelling instinct, age-old, seeming at the time quite devoid of reason and object.”

“To be a good storyteller one must be gloriously alive. It is not possible to kindle fresh fires from burned-out embers. I have noticed that the best of the traditional storytellers whom I have heard have been those who live close to the heart of things-to the earth, the sea, wind and weather. They have been those who knew solitude, silence. They have been given unbroken time in which to feel deeply, to reach constantly for understanding. They have come to know the power of the spoken word. These storytellers have been sailors and peasants, wanderers and fisherman.”

“Men do change, and change comes like a little wind that ruffles the curtains at dawn, and it comes like the stealthy perfume of wildflowers hidden in the grass. Change may be announced by a small ache, so that you think you're catching cold. Or you may feel a faint disgust for something you loved yesterday. It may even take the form of a hunger that peanuts won't satisfy. Isn't overeating said to be one of the strongest symptoms of discontent. And isn't discontent the lever of change?”

“Why all this insistence on the senses? Because in order to convince your reader that he is THERE, you must assault each of his senses, in turn, with color, sound, taste, and texture. If your reader feels the sun on his flesh, the wind fluttering his shirt sleeves, half your fight is won. The most improbable tales can be made believable, if your reader, through his senses, feels certain that he stands at the middle of events. He cannot refuse, then, to participate. The logic of events always gives way to the logic of the senses.”

“A memory from my youth comes back to me. You go into the woods on a bike, with a girl. There is the smell of heather, you can hear the wind in the fir trees, you don't dare tell her about your love, but you feel happy, as if you were floating above the ground. Then you look at the clouds beyond the trees and they are fleeting. And you know that within an hour you'll have to go home, that tomorrow will be a working day. You wish you could stop that moment forever, but you can't, it is bound to end. So you take a photo, as if to challenge time.”

“New York feels like a sublet of Europe. And Europe is a sublet of New York. Put it that way. It's so accessible. When I was in LA, I felt so far away from my home. Home, for the moment, is here until it's not. I like to move around with my work. I feel it's a great way to learn about life, about new cultures, and to learn. We'll see where the wind takes me.”