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Window Quotes

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Window Quotes

“This house has been far out at sea all night, The woods crashing through darkness, the booming hills, Winds stampeding the fields under the window Floundering black astride and blinding wet Till day rose; then under an orange sky The hills had new places, and wind wielded Blade-light, luminous black and emerald, Flexing like the lens of a mad eye.”

“Newton's great generalization, which he called the "third law of motion," was that "Action and reaction are always equal to each other;" and that law has been one of the most pregnant of all truths about the mystery of force;--one of the brightest windows through which modern eyes have looked into the world of Nature.”

“The eyelids confess, and reject, and refuse to reject. They have expressed all things ever since man was man. And they express so much by seeming to hide or to reveal that which indeed expresses nothing. For there is no message from the eye. It has direction, it moves, in the service of the sense of sight; it receives the messages of the world. But expression is outward, and the eye has it not. There are no windows of the soul, there are only curtains.”

“The Roman form of serenade is to race a motorcycle motor under the girl's window, but mufflers are not common in any situation; the only things as dearly loved as a good noise are breakneck speed and eye-splitting lights, preferably neon - all expressions of well-being, like a huge belly-laugh.”

“Marriage accustomed one to the good things, so one came to take them for granted, but it magnified the bad things, so they came to feel as painful as a grain in one's eye. An open window, a forgotten quart of milk, a TV set left blaring, socks on the bathroom floor could become occasions for incredible rage.”

“A story demanded to be written, and that is why I have not answered your letter before: a wrong-headed story, that would come blundering like a moth on my window, and stare in with small red eyes, and I the last writer in the world to manage such a subject. One should have more self-control. One should be able to say, Go away. You have come to the wrong inkstand, there is nothing for you here. But I am so weakminded that I cannot even say, Come next week.”

“The whole story of the universe is implicit in any part of it. The meditative eye can look through any single object and see, as through a window, the entire cosmos. Make the smell of roast duck in an old kitchen diaphanous and you will have a glimpse of everything, from the spiral nebulae to Mozart's music and the stigmata of St. Francis of Assisi. The artistic problem is to produce diaphanousness in spots, selecting the spots so as to reveal only the most humanly significant of distant vistas behind the near familiar object.”

“Pale and pinched-up faces hovered about the windows where was tempting food; hungry eyes wandered over the profusion guarded by one thin sheet of brittle glass--an iron wall to them; half-naked shivering figures stopped to gaze at Chinese shawls and golden stuffs of India.”

“I have seen many people, who while you are speaking to them, instead, of looking at, and attending to you, fix their eyes upon the ceiling, or some other part of the room, look out of the window, play with a dog, twirl their snuff-box, or pick their nose. Nothing discovers a little, futile, frivolous mind more than this, and nothing is so offensively ill-bred.”

“Art is a window to The Infinite, and opening to the goddess, a portal through which you and I, with the help of the artist, may discover depths and heights of our soul undreamed of by the vulgar world. Art is the eye of the spirit, through which the sublime can reach down to us, and we up to it, and be transformed, transfigured in the process.”

“We can use music as a tool to overcome things. It was a beautiful age and realization for me, an awakening. I felt like my eyes were opened. It was like, you mean to tell me that I have the opportunity when I'm bottling stuff up, wanting to smash windows and breaking down walls, I can put that energy into a song and wake up the next day with that weight lifted?”

“I remember the day before my dad died, I was in a hospital room with him, and he had lived a long life. He was 94, and I helped him get up, and there were two windows separated by the partition. I took him to the first window, and he kind of found his way to the second window, and on the way there was a mirror, and he looked into it, and I saw through the corner of my eye, I remember the look on his face. What came over his face was "So I'm here. I've crossed that bridge."”

“It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too, to fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and, close below, Arno, gurgling against the embankment of the road.”

“She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling.”

“She said she knew we were safe with you, and always would be, because once, when she asked you to, you'd given up the thing you most wanted." Archer received this strange communication in silence. His eyes remained unseeingly fixed on the thronged sunlit square below the window. At length he said in a low voice: "She never asked me.”

“Maybe there are moments between any two adults in love when the age of one of them dissolves before the other's eyes, when the first refuge of the soul at its creation is laid bare and skinless as a sunbeam through a window. Innocence and vulnerability, two unmeasurable quantities...Perhaps that is the essence of the protection's intimacy, that it dwells in camouflage and justifies itself in stillness.”

“What are you doing?" "Ya!" said Jane, whirling around, her hands held up menacingly. It was Mr. Nobley with coat, hat, and cane, watching her with wide eyes. Jane took several quick (but oh so casual) steps away from Martin's window. "Um, did I just say, 'Ya'?" "You just said 'Ya,'" he confirmed. "If I am not mistaken, it was a battle cry, warning that you were about to attack me. I, uh..." She stopped to laugh. "I wasn't aware until this precise and awkward moment that when startled in a startled in a strange place, my instincts would have me pretend to be a ninja.”

“It was Lorraine in her nightie and Mo in his cap. They'd just settled their brains for a long winter's nap in front of the television. When out in the lot there arose such a clatter, they sprang from their recliners to see what was the matter. Away to the window they flew like a flash, tore open the blinds and threw up the sash. And what to their wondering eyes should appear, but Stephanie Plum and yet another of her cars burning front to rear.”

“You so need to lighten up about that potato-launcher incident," Butch said. Phury rolled his eyes and eased back in the banquette. "You broke my window." "Of course we did. V and I were aiming for it." "Twice." "Thus proving that he and I are outstanding marksmen.”