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Window Quotes

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Window Quotes

“To disguise nothing, to conceal nothing, to write about those things that are closest to our pain, our happiness; to write about our sexual clumsiness, the agonies of Tantalus, the depth of our discouragement-what we glimpse in our dreams-our despair. To write about the foolish agonies of anxiety, the refreshment of our strength when these are ended; to write about our painful search for self, jeopardized by a stranger in the post office, a half-seen face in a train window, to write about the continents and populations of our dreams, about love and death, good and evil, the end of the world.”

“There are houses in certain provincial towns whose aspect inspires melancholy, akin to that called forth by sombre cloisters, dreary moorlands, or the desolation of ruins. Within these houses there is, perhaps, the silence of the cloister, the barrenness of moors, the skeleton of ruins; life and movement are so stagnant there that a stranger might think them uninhabited, were it not that he encounters suddenly the pale, cold glance of a motionless person, whose half-monastic face peers beyond the window-casing at the sound of an unaccustomed step.”

“Writers are much better behaved nowadays, for a couple of reasons. Once upon a time nobody was thinking of a career, unless you lived in New York, so there wasn't as much pressure to present a respectable exterior. And secondly, there was no social media. So if you were found face down on the floor - people did do that quite a bit; usually men, but not always - or fell through plate glass windows or got into scrapes, it became a rumor, and rumors are hard to pin down.”

“Every time I go to Europe, I remember that James Dean never saw Europe, but yet I see his face everywhere. There's James Dean, Humphrey Bogart and Marilyn Monroe - windows of the Champs Elysees, discos in the south of Spain, restaurants in Sweden, t-shirts in Moscow. My life was confused and disoriented for years by his passing. My sense of destiny destroyed - the great films he would have directed, the great performances he would have given, the great humanitarian he would have become, and yet, he's the greatest actor and star I have ever known.”

“Pale and pinched-up faces hovered about the windows where was tempting food; hungry eyes wandered over the profusion guarded by one thin sheet of brittle glass--an iron wall to them; half-naked shivering figures stopped to gaze at Chinese shawls and golden stuffs of India.”

“The process by which the idea for a play comes to me has always been something I really couldn't pinpoint. A play just seems to materialize; like an apparition, it gets clearer and clearer and clearer. It's very vague at first, as in the case of Streetcar, which came after Menagerie. I simply had the vision of a woman in her late youth. She was sitting in a chair all alone by a window with the moonlight streaming in on her desolate face, and she'd been stood up by the man she planned to marry.”

“I remember the day before my dad died, I was in a hospital room with him, and he had lived a long life. He was 94, and I helped him get up, and there were two windows separated by the partition. I took him to the first window, and he kind of found his way to the second window, and on the way there was a mirror, and he looked into it, and I saw through the corner of my eye, I remember the look on his face. What came over his face was "So I'm here. I've crossed that bridge."”

“I went to bed and woke in the middle of the night thinking I heard someone cry, thinking I myself was weeping, and I felt my face and it was dry. Then I looked at the window and thought: Why, yes, it's just the rain, the rain, always the rain, and turned over, sadder still, and fumbled about for my dripping sleep and tried to slip it back on.”

“Why I Wake Early Hello, sun in my face. Hello, you who made the morning and spread it over the fields and into the faces of the tulips and the nodding morning glories, and into the windows of, even, the miserable and the crotchety – best preacher that ever was, dear star, that just happens to be where you are in the universe to keep us from ever-darkness, to ease us with warm touching, to hold us in the great hands of light – good morning, good morning, good morning. Watch, now, how I start the day in happiness, in kindness.”

“Grief is a most peculiar thing; we’re so helpless in the face of it. It’s like a window that will simply open of its own accord. The room grows cold, and we can do nothing but shiver. But it opens a little less each time, and a little less; and one day we wonder what has become of it.”

“As I followed Margo's directions through the maze of one-way streets, we saw a few people sleeping on the sidewalk or sitting on benches, but nobody was moving. Margo rolled down the window, and I felt the thick air blow across my face, warmer than night ought to be. I glanced over and saw strands of her hair blowing all around her face. Even though I could see her there, I felt entirely alone among these big and empty buildings, like I'd survived the apocalypse and the world had been given to me, this whole and amazing and endless world, mine for the exploring.”

“I pledge to set out to live a thousand lives between printed pages. I pledge to use books as doors to other minds, old and young, girl and boy, man and animal. I pledge to use books to open windows to a thousand different worlds and to the thousand different faces of my own world. I pledge to use books to make my universe spread much wider than the world I live in every day. I pledge to treat my books like friends, visiting them all from time to time and keeping them close.”

“Lucas should've run out of there that instant. Instead he stared at me through the glass and slowly unfolded his hand opposite mine so that our hands were pressed againts the pane of glass, fingers to fingers, palm to palm. We each move closer, so that our faces were only inches apart. Even with the stained glass, window between us, it felt as intimate as any kiss we'd shared.”

“The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, 'Let me in - let me in!' 'Who are you?' I asked, struggling, meanwhile, to disengage myself. 'Catherine Linton,' it replied, shiveringly (why did I think of LINTON? I had read EARNSHAW twenty times for Linton) - 'I'm come home: I'd lost my way on the moor!' As it spoke, I discerned, obscurely, a child's face looking through the window.”

“He made a sound like a choked laughed before he reached out and pulled her into her arms. She was aware of Luke watching them from the window, but she shut her eyes resolutely and buried her face against Jace's shoulder. He smelled of salt and blood, and only when his mouth came close to her ear did she understand what he was saying, and it was the simplest litany of all: her name, just her name.”

“Pleasures First look from morning's window The rediscovered book Fascinated faces Snow, the change of the seasons The newspaper The dog Dialectics Showering, swimming Old music Comfortable shoes Comprehension New music Writing, planting Traveling Singing Being friendly”

“What's with the disco lights?" Michael said, rolling down the window between the driver's compartment and the back. Eve turned around, and her face brightened. "You like it? I thought it looked really cool. I saw it in a movie, you know, in a limo." "It's cool," Michael said, and smiled at her. She smiled back. "Can't wait to lie here and watch it with you." Claire said, "You don't have to wait; it's working now. Look--Oh. Never mind." She blushed, feeling stupid that she hadn't gotten that one in the first second. Eve winked at her.”

“And indeed there will be time for the yellow smoke that slides along the street rubbing its back upon the window-panes; there will be time , there will be time to prepare a face to meet the faces that you meet; there will be time to murder and create, and time for all the works and days of hands that lift and drop a question on your plate; time for you and time for me, and time yet for a hundred indecisions, and for a hundred visions and revisions, before the taking of toast and tea.”

“The window opened in the same direction as the king's, and there, summer-bright and framed by the darkness of the stairwell, was the same view. Costis passed it, and then went back up the stairs to look again. There were only the roofs of the lower part of the palace and the town and the city walls. Beyond those were the hills on the far side of the Tustis Valley and the faded blue sky above them. It wasn't what the king saw that was important, it was what he couldn't see when he sat at the window with his face turned toward Eddis.”

“Dennis looked at the puppy in the window. We both did. It was the oddest thing. Normally, puppies in pet store windows sleep or pee or roll around on top of other dogs. This one ignored us its window-mates and was instead sitting with its nose pressed against the glass, looking at us with an extremely serious little expression on its face. An expression that seemed to me to be saying, "I am a sacred cow. Get out your wallet.”

“On the other hand, she never looked as -big- as she did at that moment. "What?" Rose demanded, glaring up at him. The warning signal flashed bright red in Kane's head. Telling a woman she was as big as a beach ball wouldn't win any points. How did one describe how she looked? A basketball? Volleyball? He studied her furious little face. Yeah. He was in big trouble no matter what he said. Description was out of the question. He needed diplomacy, something that flew out of the window when he was near her and she said the words like contractions.”

“And for an instant he would remember Naples: sitting with Sasha in her tiny room; the jolt of surprise and delight he'd felt when the sun finally dropped into the center of her window and was captured inside her circle of wire. Now he turned to her, grinning. Her hair and face were aflame with orange light. "See," Sasha muttered, eyeing the sun. "It's mine.”

“A tiny dark object came sailing out of the window and landed at the giant's feet. Polybotes yelled, "Grenade!" He covered his face. His troops hit the ground. When the thing did not explode, Polybotes bent down cautiously and picked it up. He roared in outrage. "A Ding Dong? You dare insult me with a Ding Dong?" He threw the cake back at the shop, and it vaporized in the light.”