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“I think I got into acting because I kind of had not much else to do! I guess I was kind of looking for something challenging. I heard about the London Theater scene and it was very different from the upbringing that I had and it felt like a challenge. And the whole sort of London Theater schools, I was told that 6,000 apply and there are like 30 accepted to each one. I was like, "Yeah. Let's see if we can do that!"”

“I hate the word "method acting." It's just so silly. You hear people going, "Yeah I'm a method actor." I'm like, "So what happens if you're playing a period film or something? You're in the Second World War. And what happens when your mom calls you on your phone? Do you go, 'Oh! What is this strange talking brick device?'" No. It's stupid. But you do everything you can to get in that mindset.”

“Thank god, I can't sing because that would be a lot of pressure. But yeah, it's nice doing something different and that's something I really feel like is my own passion. It's also connected. Everything is connected in the entertainment business, so I have the support of my parents because they've been through it all before and they can give me advice.”

“Of course, we're so lucky to be in a time where that's not our reality anymore. I just thought it was very interesting to go back to that time now, and to look at all of these issues that are still relevant today, but just in such a different way, and to see how we approach them and try to overcome them. Yeah, we've come a long way with medicine and women's health in the Western world, but in a lot of parts of the rest of the world, that's still a huge issue.”

“These commercials, I directed them all from inside the tracking vehicle, so I was traveling about 85mph most of the time, so there wasn't really anyone sitting beside me other than the driver. But, you know, yeah the agency is there and VW is there, which is- they're paying for it all and also because the agency created the boards, they want to make sure that you're not going off the rails in executing it. And also they can help, because they- it's a very different thing to cinema.”

“So I tried to get my shot with a 50mm and I did it - this is when we're shooting film, not digital. The guy that hired me looked through the pictures and was like, "Oh, this is pretty good. You did a good job." And I was like, "Yeah, I'm sorry. I only had a 50mm. My girlfriend rented the wrong lens..." and he stopped looking at the pictures and he looked up at me and he said, "You shot this with a 50mm? You're hired."”

“Lego was our fourth film, because we did two Cloudys, so yeah there's a little bit of shorthand that's involved and then you can anticipate things- because for me it's like, I get a script for a movie and I go, "Wow that's a pretty good script", then you sign on and a couple months later they show you the first cut and you're like, "Whoa, how did that happen?"”

“I think that anybody from the 20th century, up to now, has to be aware that if it wasn't for Louis Armstrong, we'd all be wearing powdered wigs. I think that Louis Armstrong loosened the world, helped people to be able to say "Yeah," and to walk with a little dip in their hip. Before Louis Armstrong, the world was definitely square, just like Christopher Columbus thought.”

“It's mind control, see. You have to go to school, get those exams, get to university or college, get a job, get married, don't miss the boat, do it now or you'll shoot your life down the drain. Yeah. They got you as soon as you were born. They never risked a second of your life. When you have kids they'll be telling them they have to wear a plastic mask and put a penny in the slot about their nose before they can breathe in.”

“There's a true schizophrenia where if you say to voters, you know, do you think the federal government spends too much money and they should spend less, they say yeah, absolutely. Then you name specific things, like Pell grants for students and they say, no, not that. How 'bout NIH, medical research funding? Nah, you really shouldn't cut that. And pretty soon you've proved that what the American public is against is arithmetic.”

“I bring myself innately to it, yeah. I bring those details as much as I - what I don't obsess over is, there are certain ways I might've pushed it even a little more. For example, [to Warren] your accent. I know Warner Bros. at one point came in. I don't know, until you came to set, I know I wore that long tartan skirt and the ruffled blouse for that.”

“So, I went to Germany and ended up parasailing around this castle. I was in Germany sightseeing, eating Bratwurst and hanging out in beer gardens. And then, I got back from Germany and got a call where they were like, "We need to fly you to New York tomorrow to read with Taylor [Schilling]." I was like, "Wait, for Alex, the manipulative drug-smuggling lesbian girl?!," and they were like, "Yeah."”

“It was dirty and hot, and you're on a horse, all day. It was physical work, but there wasn't one of us - cast or crew - who didn't have a smile on our face. Even when it got real hard and tempers would rise because things would get difficult and the day would get late, we all loved the job and loved doing it. When you finished that day of work, everyone was looking around and going, "Yeah, that was a good day, man."”

“I do go back to Ireland, and I'll probably be doing a film in Ireland in January, and I guess that kind of keeps me classified as 'the Irish actor,' but the last four or five projects that I've been in are either American or English, so I don't feel terribly trapped in that. But sometimes, yeah, you would like to not be called 'the Irish actor.' You'd prefer to just be called 'the actor.'”

“I used to say things like, 'My name's not Al (Bundy), you know?' Not to the press, but to fans. 'My name is actually Ed.' I'd find myself saying that, and I'd think, 'Who do you think they think you are? They only know you from that!' And finally I just got...I don't know, I guess a switch went on for me, and I realized, 'This was the greatest job that you've ever had in your life. Why are you acting like an asshole?' So from that minute on, I kind of...well, I hate the word 'embraced,' but I just kind of went, 'Yeah, okay.' 'So you're Al, right?' 'Yep!'”

“I think most comedians go through that (period), where you have to change or evolve. You don't want to just keep doing variations on the same themes. And, besides, it would look kinda creepy for a guy my age to be doing stuff that, like, a 20-year-old would do. 'Yeah, this is bullshit!' It's, like, 'Really? You don't have bigger concerns at this point in your life?'”