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“I jumped horses over big dangerous fences in competition. And got very, very good at it, at quite a high level. And I realized long since that, yeah, it's the same thing that appeals to me about it. You can't think about anything else, in either case; jumping horses in competition, show jumping, or flying an airplane, for whatever purpose.”

“My father got a job at Bradford University in textiles. And he came for - I guess, you know, why do people immigrate? - like, for a better life to find, you know, a new world. And, you know, I think he always - he saw it as an opportunity. And so yeah so we came to this coal mining town in the north of England and that's where I grew up.”

“Yeah, this is what I think was a quality of movies, is you're in a group of people. You're sharing something with people. Whether those other people make you laugh more, you're all laughing. You're all happy together. There's something... manmade about that in a way that's - I'm not sure how that manifests itself in nature, but culturally we've set that up when we invented theater and the movies and all that stuff.”

“Remember, the conventional wisdom is, "Yeah, you can do this like [Donald] Trump has done it during the primaries, buuuut once you get to the general, it's not about national votes. It's about states! It's about swing states. It's about battleground states. And you've gotta have targeted expenditures, great ads running against your opponent in those swing states."”

“One of the cool things, obviously there's 'Scandal,' 'House of Cards,' there was 'West Wing.' Other than that Jack Lemmon/James Garner movie about ex-presidents, no one's ever done anything in this area, whereas a lot of times, we do a story where someone goes, "Oh, yeah, they did someone sleeping with a Secret Service agent on 'House of Cards.'"”

“This particular one was very, very heartwarming and is the relationship of an older man and a young boy that are essentially on the run. And so yeah, as I say, Barry Crump wrote a lot of books and this one got into the hands of Taika Watiti who then writing the screenplay decided to really vamp up if that's the word, or ramp up and modernize certain phrases - getting in the humor. So he added a lot of a real comedy perspective onto it which is what I think the story needed anyway, especially for it to turn into a film. And it worked.”

“One thing I've experienced and I feel really grateful for now that I'm on my way out is that I felt that the justices gave that back to me. I really did. You know, of course, you can have some sharp exchanges. That's the nature of the thing, and that's fine. But really in the main I felt like the tone from them was, "Yeah. We may not agree with you, but we're going to have a discussion about this." And it did.”

“A few years ago, when I was writing songs for my first album, I was staying with Michael Feinstein as I often did. I was working on a pilot. My grandma was very sick at the time. She died of complications from alcoholism. She always used to say [in his grandma's voice], "Red wine is good for my heart. That's what my doctor said." And we'd say, "Yeah, but not for breakfast." Unfortunately, it was the thing that killed her. I felt inspired to write a song about her and what that meant for her life and for all of us. I was writing it in Michael's house.”