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Edward Bulwer-Lytton, 1st Baron Lytton

Edward Bulwer-Lytton, 1st Baron Lytton Quotes

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“Certain I am that every author who has written a book with earnest forethought and fondly cherished designs will bear testimony to the fact that much which he meant to convey has never been guessed at in any review of his work; and many a delicate beauty of thought, on which he principally valued himself, remains, like the statue of Isis, an image of truth from which no hand lifts the veil.”

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Author:Edward Bulwer-Lytton, 1st Baron Lytton
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“We may observe in humorous authors that the faults they chiefly ridicule have often a likeness in themselves. Cervantes had much of the knight-errant in him; Sir George Etherege was unconsciously the Fopling Flutter of his own satire; Goldsmith was the same hero to chambermaids, and coward to ladies that he has immortalized in his charming comedy; and the antiquarian frivolities of Jonathan Oldbuck had their resemblance in Jonathan Oldbuck's creator.”

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Author:Edward Bulwer-Lytton, 1st Baron Lytton
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“The most delicate beauty in the mind of women is, and ever must be, an independence of artificial stimulants for content. It is not so with men. The links that bind men to capitals belong to the golden chain of civilization,--the chain which fastens all our destinies to the throne of Jove. And hence the larger proportion of men in whom genius is pre-eminent have preferred to live in cities, though some of them have bequeathed to us the loveliest pictures of the rural scenes in which they declined to dwell.”

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Author:Edward Bulwer-Lytton, 1st Baron Lytton
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“Ask any school-boy up to the age of fifteen where he would spend his holidays. Not one in five hundred will say, "In the streets of London," if you give him the option of green fields and running waters. It is, then, a fair presumption that there must be something of the child still in the character of the men or the women whom the country charms in maturer as in dawning life.”

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Author:Edward Bulwer-Lytton, 1st Baron Lytton
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“Emulation, even in brutes, is sensitively "nervous." See the tremor of the thoroughbred racer before he starts. The dray-horse does not tremble, but he does not emulate. It is not his work to run a race. Says Marcus Antoninus, "It is all one to a stone whether it be thrown upward or downward." Yet the emulation of a man of genius is seldom with his contemporaries, that is, inwardly in his mind, although outwardly in his act it would seem so. The competitors with whom his secret ambition seems to vie are the dead.”

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Author:Edward Bulwer-Lytton, 1st Baron Lytton
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“The desire of excellence is the necessary attribute of those who excel. We work little for a thing unless we wish for it. But we cannot of ourselves estimate the degree of our success in what we strive for; that task is left to others. With the desire for excellence comes, therefore, the desire for approbation. And this distinguishes intellectual excellence from moral excellence; for the latter has no necessity of human tribunal; it is more inclined to shrink from the public than to invite the public to be its judge.”

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Author:Edward Bulwer-Lytton, 1st Baron Lytton
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“Out of the ashes of misanthropy benevolence rises again; we find many virtues where we had imagined all was vice, many acts of disinterested friendship where we had fancied all was calculation and fraud--and so gradually from the two extremes we pass to the proper medium; and, feeling that no human being is wholly good or wholly base, we learn that true knowledge of mankind which induces us to expect little and forgive much. The world cures alike the optimist and the misanthrope.”

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Author:Edward Bulwer-Lytton, 1st Baron Lytton
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“A fiction which is designed to inculcate an object wholly alien to the imagination sins against the first law of art; and if a writer of fiction narrow his scope to particulars so positive as polemical controversy in matters ecclesiastical, political or moral, his work may or may not be an able treatise, but it must be a very poor novel.”

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Author:Edward Bulwer-Lytton, 1st Baron Lytton
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“Genius in the poet, like the nomad of Arabia, ever a wanderer, still ever makes a home where the well or the palm-tree invites it to pitch the tent. Perpetually passing out of himself and his own positive circumstantial condition of being into other hearts and into other conditions, the poet obtains his knowledge of human life by transporting his own life into the lives of others.”

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Author:Edward Bulwer-Lytton, 1st Baron Lytton
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