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“AMOR El beso dichoso Sobre la suave Brisa Amor Nosotros somos amor Nosotros pertenecemos al amor El amor, nos pertenece Amor Beso infinito Del cielo Me entrego a ti Te recibo, dando gracias por ti Respira Somos libres Aquí Y ahora Amor Nunca te dejará ir Siempre bendecirá tu Alma Ven Sé Recibe Mi beso Pues yo estoy por siempre Agradecida Por tu infinito Abrazo El cual Pruebo Doy gracias.”

“Amor—God of love,imbued with your consort,Psyche and took me to a panoptical world of opinions,and it was in a night of extravagant freedom,where I could not feel it was a dream in a primordial domain.I sensed as if I was with my darling soul,to whom I had aught of secrets to hide to launch a milky thought in the tapestries alike inner self.”

“Amor Mašović, the president of the Bosnian government’s Commission for Tracing Missing Persons, confirms that there are hundreds of undiscovered mass graves. To this day, the International Commission on Missing Persons (ICMP) is helping identify dead bodies from such mass graves, using technologies such as DNA testing. As many as 150 prisoners were killed every single night in Omarska Camp. Estimates from the United States also suggest that, at a minimum, several hundreds of civilians were murdered during the camp’s evacuation period. Actual numbers are likely to be much higher. All the toilets in the camp were blocked. There were human feces throughout the area. The prisoners’ extremely deplorable and terrifying conditions were confirmed by a British journalist named Ed Vulliamy in a testimony. He also mentioned that the detainees consumed water from an industrially polluted river causing them severe diarrhea and intestinal diseases. There were zero criminal reports filed against the Serb perpetrators. The victims were constantly subjected to abuse resulting in serious psychological and physical deterioration.”

“Amor mío, no te quiero por vos ni por mí ni por los dos juntos, no te quiero porque la sangre me llame a quererte, te quiero porque no sos mía, porque estás del otro lado, ahí donde me invitás a saltar y no puedo dar el salto, porque en lo más profundo de la posesión no estás en mí, no te alcanzo, no paso de tu cuerpo, de tu risa, hay horas en que me atormenta que me ames (cómo te gusta usar el verbo amar, con qué cursilería lo vas dejando caer sobre los platos y las sábanas y los autobuses), me atormenta tu amor que no me sirve de puente porque un puente no se sostiene de un solo lado.”

“Amor mío, no te quiero por vos ni por mí ni por los dos juntos, no te quiero porque la sangre me llame a quererte, te quiero porque no sos mía, porque estás del otro lado, ahí donde me invitás a saltar y no puedo dar el salto, porque en lo más profundo de la posesión no estás en mí, no te alcanzo, no paso de tu cuerpo, de tu risa, hay horas en que me atormenta que me ames (cómo te gusta usar el verbo amar, con qué cursilería lo vas dejando caer sobre los platos y las sábanas y los autobuses), me atormenta tu amor que no me sirve de puente porque un puente no se sostiene de un solo lado, jamás Wright ni Le Corbusier van a hacer un puente sostenido de un solo lado, y no me mires con esos ojos de pájaro, para vos la operación del amor es tan sencilla, te curarás antes que yo y eso que me querés como yo no te quiero.”

“Amor" So many days, oh so many days seeing you so tangible and so close, how do I pay, with what do I pay? The bloodthirsty spring has awakened in the woods. The foxes start from their earths, the serpents drink the dew, and I go with you in the leaves between the pines and the silence, asking myself how and when I will have to pay for my luck. Of everything I have seen, it's you I want to go on seeing: of everything I've touched, it's your flesh I want to go on touching. I love your orange laughter. I am moved by the sight of you sleeping. What am I to do, love, loved one? I don't know how others love or how people loved in the past. I live, watching you, loving you. Being in love is my nature. You please me more each afternoon. Where is she? I keep on asking if your eyes disappear. How long she's taking! I think, and I'm hurt. I feel poor, foolish and sad, and you arrive and you are lightning glancing off the peach trees. That's why I love you and yet not why. There are so many reasons, and yet so few, for love has to be so, involving and general, particular and terrifying, joyful and grieving, flowering like the stars, and measureless as a kiss. That's why I love you and yet not why. There are so many reasons, and yet so few, for love has to be so, involving and general, particular and terrifying, joyful and grieving, flowering like the stars, and measureless as a kiss.”

“Amore era conoscere qualcuno, conoscerlo davvero, e desiderare di starci insieme. Amore era tenere talmente tanto a una persona da anteporre i suoi bisogni ai propri. Amore era condividere passioni, storia, fiducia. Tutto questo, oltre alla ferma convinzione che la vita sia meglio con il suo amore che senza. Che tutto quello che succederà dopo sarà più semplice, più felice, più ricco, e tutto grazie a lui.”

“Amore, quante strade per giungere a un bacio, che solitudine errante fino alla tua compagnia! I treni continuano a rotolare soli con la pioggia. A Taltal ancora non albeggia la primavera. Ma tu ed io, amor mio, siamo uniti, uniti dai vestiti alle radici, uniti d'autunno, d'acqua, di fianchi, fino ad essere solo tu, sol io uniti. Pensare che costò tante pietre che trascina il fiume, la foce dell'acqua del Boroa, pensare che separati da treni e nazioni tu ed io dovevamo semplicemente amarci, confusi con tutti, con uomini e con donne, con la terra che pianta ed educa i garofani.”

“Amory had rather a Puritan conscience. Not that he yielded to it--later in life he almost completely slew it--but at fifteen it made him consider himself a great deal worse than other boys... unscrupulousness... the desire to influence people in almost every way, even for evil... a certain coldness and lack of affection, amounting sometimes to cruelty... a shifting sense of honor... an unholy selfishness... a puzzled, furtive interest in everything concerning sex. There was, also, a curious strain of weakness running crosswise through his make-up... a harsh phrase from the lips of an older boy (older boys usually detested him) was liable to sweep him off his poise into surly sensitiveness, or timid stupidity... he was a slave to his own moods and he felt that though he was capable of recklessness and audacity, he possessed neither courage, perseverance, nor self-respect. Vanity, tempered with self-suspicion if not self-knowledge, a sense of people as automatons to his will, a desire to "pass" as many boys as possible and get to a vague top of the world... with this background did Amory drift into adolescence.”

“Amory Lovins says the primary design criteria he uses is the question How do we love all the children? Not just our children, not just the ones who look like us or who have resources, not just the human children but the young of birds and salmon and redwood trees. When we love all the children, when that love is truly sacred to us in the sense of being most important, then we have to take action in the world to enact that love. We are called to make the earth a place where all the children can thrive.”

“Amory, sorry for them, was still not sorry for himself - art, politics, religion, whatever his medium should be, he knew he was safe now, free from all hysteria - he could accept what was acceptable, roam, grow, rebel, sleep deep through many nights... There was no God in his heart, he knew; his ideas were still in riot; there was ever the pain of memory; the regret for his lost youth - yet the waters of disillusion had left a deposit on his soul, responsibility and a love of life, the faint stirring of old ambitions and unrealized dreams... And he could not tell why the struggle was worth while, why he had determined to use to the utmost himself and his heritage from the personalities he had passed... He stretched out his arms to the crystalline, radiant sky. "I know myself," he cried, "but that is all.”

“Amory took to writing poetry on spring afternoons, in the gardens of the big estates near Princeton, while swans made effective atmosphere in the artificial pools, and slow clouds sailed harmoniously above the willow. May came too soon, and suddenly unable to bear walls, he wandered the campus at all hours through starlight and rain.”

“Amory wondered how people could fail to notice that he was a boy marked for glory, and when faces of the throng turned toward him and ambiguous eyes stared into his, he assumed the most romantic of expressions and walked on the air cushions that lie on the asphalts of fourteen.”