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A Quotes

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All A Quotes

“An interesting contrast between the geology of the present day and that of half a century ago, is presented by the complete emancipation of the modern geologist from the controlling and perverting influence of theology, all-powerful at the earlier date. As the geologist of my young days wrote, he had one eye upon fact, and the other on Genesis; at present, he wisely keeps both eyes on fact, and ignores the pentateuchal mythology altogether. The publication of the 'Principles of Geology' brought upon its illustrious author a period of social ostracism; the instruction given to our children is based upon those principles. Whewell had the courage to attack Lyell's fundamental assumption (which surely is a dictate of common sense) that we ought to exhaust known causes before seeking for the explanation of geological phenomena in causes of which we have no experience.”

“An interesting difference between African-American humor and Jewish humor, in it's kind of basic or maybe most austere type form is, African-American humor, some of it comes out of playing the dozens in which you insult the other person or insult the other person's mother, and so much of Jewish humor is like, you're insulting yourself. It's totally self-deprecating.”

“An interesting difference between new and experienced stage managers is that the new stage manager thinks of running the show as the most difficult and most demanding part of the job, whereas the experienced stage manager thinks of it as the most relaxing part. Perhaps the reason is that experienced stage managers have built up work habits that make then so thoroughly prepared for the production phase that they [can] sit back during performances to watch that preparation pay off.”

“An interesting example is that the worst woman in the book, who is so cruel and violent, is the sorceress in "The Prince of the Black Islands." She's a beautiful young woman, and she has turned her husband into stone from the waist down. A traveling sultan finds him, in his dreadful state, and the man petrified from the waist down tells his sad story...how his wife comes every afternoon and beats him until the blood runs down. She's just unwontedly, arbitrarily cruel.”

“An interesting note to this novel is the fact that not only are a number of the experiences related herein ones to which I am intimately familiar, one is particularly unusual. I wracked my brain for quite some time to come up with a suitable near-death experience to use in the opening scene. As it turns out I had an “AHA” moment, or more appropriately a “DUH” moment when it occurred to me that I had actually survived the perfect experience to use. As a result, the first scene and the near-death experience described here was drawn, almost in its entirety from my OWN life, and I still retain the scar. I guess sometimes truth really is stranger than fiction.”

“An interesting thing about kitchens: while ghosts are most drawn to the dark, deserted areas of the house, typically the attic or basement—or closets, in the case of our current boogeyman—the kitchen, in my experience, tends to be the least haunted area. Maybe it’s the fact that kitchens are well-lit, but they’re also the center of activity for the living, the emotional energy constantly churned and refreshed. They’re the heart of the home, and I think something about that keeps the restless spirits at bay, hiding in the shadows. There are plenty of exceptions, of course.”

“An interesting thing about the religious people who run Iran is that one of their problems with Ahmadinejad, who they thought would be one of their guys because he's so religious, is that he actually has some really nutty ideas about religion. He's too religious. He's too literal. I mean, there are plenty of people in Iran who like Ahmadinejad's religious beliefs, just as there are plenty of Christian fundamentalists in America who like George W. Bush's beliefs. But there are also plenty of people who are very uncomfortable with his overt religiosity.”

“An interlude of false innocence has passed. Today, as we enter the post-photographic era, we must face once again the ineradicable fragility of our ontological distinctions between the imaginary and the real, and the tragic elusiveness of the Cartesian dream. We have indeed learnt to fix the shadows, but not to secure their meanings or to stabilize their truth values; they still flicker on the walls of Plato's cave.”