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I Quotes

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All I Quotes

“I even tell them about the maybe-almost kiss, which gets a certified gasp out of Kerry. By the time I’m done, they both look shook, and Kerry has slid off the couch, squeezing in between Taylor and me on the floor. 'Let me see if I have this right,' Kerry says, pressing her hands together like she’s in prayer. 'You and Amira agree to be friends, things are going well, so well you think there’s a possibility she may even kiss you? Then she asks why you hate her, and your response is that you simply didn’t think it was beneficial to keep her around. Do I have that right?' 'That’s not exactly what I said,' I grumble. 'Tomatoes, to-mah-toes,' she says. 'That’s the general gist, then?' I sigh. 'Yes.”

“I even think the commercial element of new American directors is really fertile right now. There are a lot of filmmakers with very particular visions, like Sofia Coppola and Wes Anderson and P.T. Anderson and Alexander Payne and Peter Sollett and Harmony Korine and Vincent Gallo. At least they're making films that they choose to make, and they're on their own. That's positive to me. This is not a dead period for American cinema at all.”

“I eventually realized that to make a difference I had to step outside, into creation, and refocus on the roots of my passion. If an ounce of soil, a sparrow, or an acre of forest is to remain then we must all push things forward. To save wildlife and wild places the traction has to come not from the regurgitation of bad-news data but from the poets, prophets, preachers, professors, and presidents who have always dared to inspire. Heart and mind cannot be exclusive of one another in the fight to save anything. To help others understand nature is to make it breathe like some giant: a revolving, evolving, celestial being with ecosystems acting as organs and the living things within those places -- humans included -- as cells vital to its survival.”

“I evo, naišla je ova gorčina, kojom mi se preseče srce nadvoje, da me podseti na ono što sam, zagledan u nebo, zaboravio: da je hlebac koji jedemo ustvari ukraden; da smo za život koji nam je dat dužni zloj sudbini - grehu, taksiratu; da sesa ovoga sveta na onaj bolji ne može preći dok se kao zrela voćka ne otkine, ne poleti u bolnom i strmoglavom padu, i ne tresne o tvrdu zemlju. Valjda se i raju nosi modrica toga pada.”

Author:Ivo Andrić

“I examined my Liberalism and found it like an addiction to roulette. Here, though the odds are plain, and the certainty of loss apparent to anyone with a knowledge of arithmetic, the addict, failing time and again, is convinced he yet is graced with the power to contravene natural laws. The roulette addict, when he invariably comes to grief, does not examine either the nature of roulette, or of his delusion, but retires to develop a new system, and to scheme for more funds.”

“I examined the poets, and I look on them as people whose talent overawes both themselves and others, people who present themselves as wise men and are taken as such, when they are nothing of the sort. From poets, I moved to artists. No one was more ignorant about the arts than I; no one was more convinced that artists possessed really beautiful secrets. However, I noticed that their condition was no better than that of the poets and that both of them have the same misconceptions. Because the most skillful among them excel in their specialty, they look upon themselves as the wisest of men. In my eyes, this presumption completely tarnished their knowledge. As a result, putting myself in the place of the oracle and asking myself what I would prefer to be — what I was or what they were, to know what they have learned or to know that I know nothing — I replied to myself and to the god: I wish to remain who I am. We do not know — neither the sophists, nor the orators, nor the artists, nor I— what the True, the Good, and the Beautiful are. But there is this difference between us: although these people know nothing, they all believe they know something; whereas, I, if I know nothing, at least have no doubts about it. As a result, all this superiority in wisdom which the oracle has attributed to me reduces itself to the single point that I am strongly convinced that I am ignorant of what I do not know.”

“I exclusively attended public school... And I can honestly say that on the day of my graduation, if you had given me a pop quiz on history, science, or math, I would have in no way been able to pass it - despite the fact that I completely understood it at the time that it had been 'taught' to me, and had even made a good 'grade' on it.”

“I excuse myself and go to the ladies’ room. Washing my hands, I give myself a little you can do this type pep talk. When I walk out, I see him leaned up against the wall opposite the door. "Long line for the men's room?" I try to joke, moving past him. His hand circles my wrist, stopping me. I inhale, frozen in place. My back is to him. I don't try to pull away. I can't move. I just look down at his hand, staring at his damn freckle. "Sarah." "What are you playing at, Will?' "Playing?" He tugs my arm back so I'm facing him. "I promise you this is no game." "Alright, what do you want from me? Is that better?" I practically spit. "Everything." He's moved his hands up to hold my biceps. "I want everything from you." Everything. That one word still breaks my heart when I think back to that night. My head snaps back as though he's struck me. Don’t cry, just don’t cry. "I gave you everything once. Now I have nothing left for you." I pull myself from his grasp and hurry back to the table.”

“I excused myself to the woman I was with and made my way over to these men. I stopped to ask my friend Buller to watch my back. The thing is, people like this can’t be talked to, and so I wasn’t going to mess around with this crazed windmill and his sidekick, Don Quixote. I hit the mouthy crazed windmill with a thumping right, a left, right, smack on the chin; he fell apart and was out for the count before he hit the deck. I turned to Don Quixote and off he shot like the Disney cartoon character of Speedy Gonzales.”