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All I Quotes

“In conclusion I congratulate you, my fellow-citizens, upon the high state of prosperity to which the goodness of Divine Providence has conducted our common country. Let us invoke a continuance of the same protecting care which has led us from small beginnings to the eminence we this day occupy”

“In conclusion, I return to Einstein. If we find a planet in the Alpha Centauri system, its image, captured by a camera travelling at a fifth of light speed, will be slightly distorted due to the effects of special relativity. It would be the first time a spacecraft has flown fast enough to see such effects. In fact, Einstein’s theory is central to the whole mission. Without it we would have neither lasers nor the ability to perform the calculations necessary for guidance, imaging and data transmission over twenty-five trillion miles at a fifth of light speed. We can see a pathway between that sixteen-year-old boy dreaming of riding on a light beam and our own dream, which we are planning to turn into a reality, of riding our own light beam to the stars. We are standing at the threshold of a new era. Human colonisation on other planets is no longer science fiction. It can be science fact. The human race has existed as a separate species for about two million years. Civilisation began about 10,000 years ago, and the rate of development has been steadily increasing. If humanity is to continue for another million years, our future lies in boldly going where no one else has gone before. I hope for the best. I have to. We have no other option.”

“In conclusion, it is appropriate to say something about the destiny of the face, in the world that we have entered – a world in which eros is being rapidly detached from inter-personal commitments and redesigned as a commodity. The first victim of this process is the face, which has to be subdued to the rule of the body, to be shown as overcome, wiped out or spat upon. The underlying tendency of erotic images in our time is to present the body as the focus and meaning of desire, the place where it all occurs, in the momentary spasm of sensual pleasure of which the soul is at best a spectator, and no part of the game. In pornography the face has no role to play, other than to be subjected to the empire of the body. Kisses are of no significance, and eyes look nowhere since they are searching for nothing beyond the present pleasure. All this amounts to a marginalization, indeed a kind of desecration, of the human face. And this desecration of the face is also a cancelling out of the subject. Sex, in the pornographic culture, is not a relation between subjects but a relation between objects. And anything that might enter to impede that conception of the sexual act – the face in particular – must be veiled, marred or spat upon, as an unwelcome intrusion of judgement into a sphere where everything goes. All this is anticipated in the pornographic novel, Histoire d’O, in which enslaved and imprisoned women are instructed to ignore the identity of the men who enjoy them, to submit their faces to the penis, and to be defaced by it. A parallel development can be witnessed in the world of sex idols. Fashion models and pop stars tend to display faces that are withdrawn, scowling and closed. Little or nothing is given through their faces, which offer no invitation to love or companionship. The function of the fashion-model’s face is to put the body on display; the face is simply one of the body’s attractions, with no special role to play as a focus of another’s interest. It is characterized by an almost metaphysical vacancy, as though there is no soul inside, but only, as Henry James once wrote, a dead kitten and a ball of string. How we have arrived at this point is a deep question that I must here pass over. But one thing is certain, which is that things were not always so. Sex symbols and sex idols have always existed. But seldom before have they been faceless. One of the most famous of those symbols, Simonetta Vespucci, mistress of Lorenzo da Medici, so captured the heart of Botticelli that he used her as the model for his great painting of the Birth of Venus. In the central figure the body has no meaning other than the diffusion and outgrowth of the soul that dreams in the face – anatomically it is wholly deformed, and a girl who actually looked like this would have no chance in a modern fashion parade. Botticelli is presenting us with the true, Platonic eros, as he saw it – the face that shines with a light that is not of this world, and which invites us to transcend our appetites and to aspire to that higher realm where we are united to the forms – Plato’s version of a world in which the only individuals are souls. Hence the body of Botticelli’s Venus is subservient to the face, a kind of caricature of the female anatomy which nevertheless takes its meaning from the holy invitation that we read in the eyes above.”

“In conclusion of my story the purpose of writing it is to help you,by motivate, inspire, giving hope of finishing strong nomatter how hard is it, trust God the master of everything that he will make you come out strong in those situations as he done to me and others hang in there it almost done,you'll come out shine like a gold on that fire I promise you your name will change If you know as weak, useless ,unvalued person after trials you going to be on heardlines of news everyone will ask about you and they going to look at you high and low remember one thing all praise unto God who created Heavens and Earth never forget him on your ways humbleness must be you sheild to escape God's anger.”

“In conclusion, the submission of one's will is really the only uniquely personal thing we have to place on God's altar. The many other things we 'give,' brothers and sisters, are actually the things He has already given or loaned to us. However, when you and I finally submit ourselves, by letting our individual wills be swallowed up in God's will, then we are really giving something to Him! It is the only possession which is truly ours to give!”

“In conducting interviews, my fascination is not only with the content of the conversation, but also the overall delivery of spoken language - so much of one's personality and story is embedded within their speech, their rhythms, the structure of their thoughts, their use of particular diction or dialect.”

“In confession occurs the breakthrough of the Cross. The root of all sin is pride, superbia. I want to be my own law, I have a right to my self, my hatred and my desires, my life and my death. The mind and flesh of man are set on fire by pride; for it is precisely in his wickedness that man wants to be as God. Confession in the presence of a brother is the profoundest kind of humiliation. It hurts, it cuts a man down, it is a dreadful blow to pride...In the deep mental and physical pain of humiliation before a brother - which means, before God - we experience the Cross of Jesus as our rescue and salvation. The old man dies, but it is God who has conquered him. Now we share in the resurrection of Christ and eternal life.”

“In Confessions of a Justified Sinner James Hogg is neither identified with, nor overwhelmed by, the darkness in the universe, nor does he suffer from hatred or despair. He sees the cause of Wringhim's disintegration as an inner weakness which chooses to identify with false doctrine. Since Wringhim lives in illusion, he is easy meat for a master practitioner of it. Hogg himself, on the other hand, is confident of his personal wholeness. He repudiates extreme doctrine from a basis of robust common sense, and his recognition of the power of the diabolical sublime does not endanger his own sense of solid worth. He retains a forth-right good-will which shows itself in cheerful endorsement of those characters in the book who accept life and enjoy themselves.”

“In Confessions of a Justified Sinner James Hogg is neither identified with, nor overwhelmed by, the darkness of the universe, nor does he suffer from hatred or despair. He sees the cause of Wringhim's disintegration as an inner weakness which chooses to identify with false doctrine. Since Wringhim lives in illusion, he is easy meat for a master practitioner of it. Hogg himself, on the other hand, is confident of his personal wholeness. He repudiates extreme doctrine from a basis of robust common sense, and his recognition of the power of the diabolical sublime does not endanger his own sense of solid worth. He retains a forthright good-will which shows itself in cheerful endorsement of those characters in the book who accept life and enjoy themselves.”

“In Confucian thought, individuals practice moral virtue both by restraining themselves and pursuing their own interests. This is a dual push-and-pull process. In today’s China, the latter is taken care of by capitalism and commerce. The former, however, needs to be taken care of by the rule of law. Otherwise, the system of governance is corrupted by unrestrained individual desires and selective enforcement of ‘virtue’ or law.”

“In conscious life, we achieve some sense of ourselves as reasonably unified, coherent selves, and without this action would be impossible. But all this is merely at the ‘imaginary’ level of the ego, which is no more than the tip of the iceberg of the human subject known to psychoanalysis. The ego is function or effect of a subject which is always dispersed, never identical with itself, strung out along the chains of the discourses which constitute it. There is a radical split between these two levels of being — a gap most dramatically exemplified by the act of referring to myself in a sentence. When I say ‘Tomorrow I will mow the lawn,’ the ‘I’ which I pronounce is an immediately intelligible, fairly stable point of reference which belies the murky depths of the ‘I’ which does the pronouncing. The former ‘I’ is known to linguistic theory as the ‘subject of the enunciation’, the topic designated by my sentence; the latter ‘I’, the one who speaks the sentence, is the ‘subject of the enunciating’, the subject of the actual act of speaking. In the process of speaking and writing, these two ‘I’s’ seem to achieve a rough sort of unity; but this unity is of an imaginary kind. The ‘subject of the enunciating’, the actual speaking, writing human person, can never represent himself or herself fully in what is said: there is no sign which will, so to speak, sum up my entire being. I can only designate myself in language by a convenient pronoun. The pronoun ‘I’ stands in for the ever-elusive subject, which will always slip through the nets of any particular piece of language; and this is equivalent to saying that I cannot ‘mean’ and ‘be’ simultaneously. To make this point, Lacan boldly rewrites Descartes’s ‘I think, therefore I am’ as: ‘I am not where I think, and I think where I am not.”

“In conscious life, we achieve some sense of ourselves as reasonably unified, coherent selves, and without this action would be impossible. But all this is merely at the 'imaginary' level of the ego, which is no more than the tip of the iceberg of the human subject known to psychoanalysis. The ego is function or effect of a subject which is always dispersed, never identical with itself, strung out along the chains of the discourses which constitute it.”

“In consequence of our limited ideas of the sufferings of Christ, we place a low estimate upon the great work of the atonement. The glorious plan of man's salvation was brought about through the infinite love of God the Father. In this divine plan is seen the most marvelous manifestation of the love of God to the fallen race.”

“In consequence, when the pleasures have been removed which busy people derive from their actual activities, the mind cannot endure the house, the solitude, the walls, and hates to observe its own isolation. From this arises that boredom and self-dissatisfaction, that turmoil of a restless mind and gloomy and grudging endurance of our leisure, especially when we are ashamed to admit the reasons for it and our sense of shame drives the agony inward, and our desires are trapped in narrow bounds without escape and stifle themselves. From this arise melancholy and mourning and a thousand vacillations of a wavering mind, buoyed up by the birth of hope and sickened by the death of it. From this arises the state of mind of those who loathe their own leisure and complain that they have nothing to do, and the bitterest envy at the promotion of others. For unproductive idleness nurtures malice, and because they themselves could not prosper they want everyone else to be ruined. Then from this dislike of others' success and despair of their own, their minds become enraged against fortune, complain about the times, retreat into obscurity, and brood over their own sufferings until they become sick and tired of themselves.”

“In considering the evidence we about to present, we ask you to keep one overarching principle in mind: As Saint Thomas teaches, there is no argument against a fact - contra factum non argumentum est. If a statement is contrary to fact, then no authority on earth can expect us to believe it. Thus, for example, if a high-ranking prelate in the Vatican were to issue a decree that Catholics must believe that the Eiffel Tower is located in Saint Peter's Square, that would not make it so and we would be obligated to reject the decree. For the fact is that the Eiffel Tower is located in Paris, and there is no argument against that fact. Therefore, no man, no matter what his authority, can demand that we believe something that is manifestly contrary to fact. (page xxiii)”

“In consonance with the biblical depiction of these early Israelites, the Jewish tradition regards the generation of the desert as a pathetic group. Reared as slaves, they retain throughout their lives a 'slave mentality.' When Egyptian troops, whom they greatly outnumber, pursue them, it never occurs to them to say, 'Let's fight back!' Instead, they decry Moses' bringing them into the desert to die. When there are shortages of provisions, they don't think, 'Is there anything we can do for ourselves?'Instead, like children, they turn on Moses and God and demand that they set everything right.”