K Quotes
Browse famous quotes beginning with K. This page is a child index of the full Popular Quotes A-Z directory.
“Kaderini arıyorsan saçma bir şey yapıyorsun demektir çünkü kader aranacak bir şey değil kader yaratılacak bir şeydir!”
“Kaderini şekillendirmek için zihnini şekillendir! Zihnini şekillendirmek için farklı zihinlerle, farklı kitaplarla, farklı herhangi bir şeyle etkileşim kur! Zihnin her türlü farklı bilgi ve bilgelikle donatıldığında, harika bir kader yaratabilecek bir zihin elde edersin!”
“Kaderinin önceden belirlendiğini düşündüğün an sefil bir kaybedene dönersin! Kendi gücüne inan, böylece kendi kaderini şekillendirebilirsin!”
“Kadie stared at Saintcrow. He was taller than Vaughan, broad-shouldered, and lean-hipped, with an air of confidence and authority that was almost tangible. He wore black jeans, black boots, and a black silk shirt open at the throat. His inky black hair brushed the collar of his jacket; his eyes were like deep pools of ebony. A thin white scar ran from the outer corner of his left eye, down his cheek, and disappeared under his shirt collar. Power radiated from him, making the short hairs rise along her arms. Even if no one had told her what he was, she would have known he wasn't human.
Saintcrow took Kadie's hands in his. "I regret that I was not able to welcome you when you arrived," he said.
Kadie nodded. His voice moved over her like a caress, deep and whiskey smooth.
Eyes narrowed, Saintcrow took hold of the black scarf hanging out of her back pocket and tossed it aside.
"I rather fancy her," he said. "You don't mind if I borrow her for a while, do you, Vaughan?" It wasn't really a request, not the way he said it.
Clenching her hands into fists, Kadie sent a pleading glance to Vaughan. He looked at her, his eyes filled with pity. "As you wish, my lord," he said, and vanished from sight.
Kadie stared at Saintcrow. She had been afraid of Vaughan, but that was nothing compared to the terror that gripped her when Saintcrow looked at her through those fathomless black eyes.
"Come along, Kadie Andrews." His gaze burned into hers, hotter than hellfire, yet strangely compelling. When he held out his hand, she dared not refuse.
With a predatory smile, his fingers- long and incredibly strong- closed over her own. A rush of preternatural power surrounded her. It was like being caught in the center of a tornado. The world spun out of focus. Darkness swallowed her.”
Source: As Twilight Falls
“Kadın aslında düşünen bir bütün müdür, yoksa her zaman tümleyicisini arayan bir kesir mi?”
Source: Jude the Obscure
“Kadın düşmanlığından kurtulmak için kadın olmana gerek yok, insan ol, yeter!”
Source: Yüz Şiirlerin Yüzüğü
“Kadın hangi milliyette veya hangi sınıfa mensup olursa olsun barıştan yanadır. 8 Haziran 1911, Kadın... Barış İçin, Zabel Yesayan”
Source: Kadınlar Hep Vardı: Türkiye Solundan Kadın Portreleri
“kadına darağacına çıkma hakkı tanınıyor; öyleyse kürsüye çıkma hakkı da olmalıdır.”
“Kadında zaman geçmez.
Sakın günün birinde iyileşmek için zamana güvenme.”
“Kadınlar da konuşuyorlar hani. Bütün ezilen topluluklar gibi, kadınlar da konuşkan insanlardır, çünkü onlara başka hiçbir anlatım olanağı tanınmaz.”
Source: The Prostitution Papers: A Quartet For Female Voice
“Kadınlar, günlük hayatı günaha göre biçimlenenler, evde yaşayanlar, mahallede bakılanlardır.”
Source: Muhafazakarlığa Karşı Feminizm
“Kadınlar hep olmadık zamanlarda gitmeyi severler.”
Source: Bangır Bangır Ferdi Çalıyor Evde...
“Kadınlar kendilerini güldüren erkeklerden, erkekler ise kendilerine gülen kadınlardan hoşlanır.”
Source: Şah. Mat. Aşk.: Bazen bir hamle, bir ömrü değiştirir
“Kadınlar neden buna benzer bedenleri olmasını isterler bir türlü anlamıyorum. Ne kadar acayip görünüyor, onlar da kalkıp böyle bir bedene sahip olmak için deli gibi uğraşıyorlar, ne pahasına olursa olsun, diyetlere, ameliyatlara, iğnelere, açık saçık iç çamaşırlarıyla bu lanet olası şeylerden birini elde etmek için çabalıyorlar ve her şeyi deneyip de başarılı olamazlarsa sahtesini yapıyor o ahmak sürtükler. Pekala, burada bedava bir tane var. Gelin de alın pis orospular.
Neyin içine girdiklerini bilmiyorlar, belki bundan hoşlanıyorlar. Belki de bu bedenleri paranın çarkını döndürmek için kullanan kadınlar gibi hepsi birer pislik: Film yıldızları, mankenler, orospular.”
Source: The Abortion
“Kadınları seviyordu ama dinleyemezdi. Hayatın kendisiyle değil, kuyruğuyla ilgileniyorlardı.”
Source: Dersim
“Kaedah atau amalan atau cara ini mungkin tidak boleh diterima oleh kebanyakan orang Islam sekarang ini yang mengamalkan Islam luaran sahaja oleh kerana kebanyakan hadis Rasulullah tentang hakikat Rasulullah dianggap oleh mereka sebagai merendahkan kemutlakan Tuhan atau ditohmahkan ia muncul hasil dari rekaan musuh-musuh Islam.
Kita fikirkan bahawa, disebabkan beberapa kesilapan, ketidakbiasaan dengan hadis yang sebegini rupa dan fahaman yang bersifat esoterik itu biasanya tidak dibawa ke dalam semua rangkaian rantai penyampaian hadis itulah yang menyebabkan penolakan dan kecurigaan ini. Ini juga berpunca dari minda moden yang gagal memahami makna yang tersirat di dalam fahaman Sufi tentang konsep penciptaan, yang mana tidak pernah dipelajari atau didedahkan kepada minda orang Islam moden lalu menyababkan kegagalan mereka untuk menghargainya. Mereka tidak pernah terjumpa dengan fahaman yang sebegini rupa di dalam silibus falsafah dan sastera di dalam institusi pembelajaran moden atau di dalam sistem pembelajaran amnya.”
Source: Al-Qasidah Al-Maymunah
“Kaede: I know this, ungrateful dog. In order to find the sacred jewel shards, Kagome's spirtual power is essential. Yet ye made her upset with your words an sent her running home
InuYasha: That was her idea! she chose to go home! She said: "I'm going home! You jerk!"
Kaede: InuYasha, that imitation was pathetic.
InuYasha: I'm a demon, not a comedian!”
“Kaeleigh, queen of passive, all the time saying no, but not strong enough to mean it.”
Source: Identical
“Kaethe Schwehn's poignant memoir explores longing, both spiritual and physical, community and faith, in prose that is calm, lovely, and filled with clear-eyed honesty and grace. Tailings is simply an exquisite book.”
“Kafalarındaki fikirleri farklı ama yüzleri birbirlerine benzeyen bir toplum elbette kafalarındaki fikirler aynı ama yüzleri birbirlerinden farklı olan bir toplumdan her zaman daha üstündür!”
“Kafamda bu dusunceler gecip duruyordur, kalbim parcalanmisti, perisandi, cevremdeki insanlarla sevinmek istiyor, ama bunu yapamiyordum. Kendimi bir hain gibi hissediyordum, o buyuk hatayi ben yapmisim gibi, buna bizzat kendi, varligim ve kisiligimle ben neden olmusum gibi. Annem insanin kendi kendine acimasina neden olan o sucluluk duygusunu ogretmisti bana, hayatimin buyuk bir bolumunde bu duyguyu hep yasadim. Cocukca ve yanlis oldugunu bildigim icin bu duyguyla savastimsa da, o gerginlik ve baski altinda cocuklasmak, yanlis yapmak, tekrar bu duyguya yenik dusmek cok kolaydi.”
Source: Lavinia
“Kafandaki sorulara bir yanıt bulamazsan, yanıtları başka kafalarda ararsın ve işte en tehlikeli zamandır bu, başka kafaların senin sorularına dair sahte ya da aptalca yanıtlarına kanabilirsin!”
“Kafesin olduğu yerde sevgi yoktur, sadece işkence vardır!”
“Kaffirs are as a rule uncivilized - the convicts even more so. They are troublesome, very dirty and live almost like animals.”
Source: Collected Works of Mahatma Gandhi
“Kaffman (2009) described childhood victimization as a "silent epidemic", and Finkelhor, Turner, Ormrod, and Hamby (2010) reported that children are the most traumatized class of humans around the globe. The findings of these researchers are at odds with the view that children have protected status in most families, societies, and cultures. Instead, Finkelhor reports that children are prime targets and highly vulnerable, due principally to their small size, their physical and emotional immaturity with its associated lack of control, power and resources; and their related dependency on caregivers. They are subjected to many forms of exploitation on an ongoing basis, imposed on them by individuals with greater power, strength, knowledge, and resources, many of whom are, paradoxically and tragically, responsible for their care and welfare. These traumas are interpersonal in nature and involve personal transgression, violation and exploitation of the child by those who rely on the child's lesser physical abilities, innocence, and immaturity to intimidate, bully, confuse, blackmail, exploit, or otherwise coerce.
In the worst-case scenario, a parent or other significant caregiver directly and repeatedly abuses a child or does not respond to or protect a child or other vulnerable individual who is being abused and mistreated and isolates the child from others through threats or with direct violence. Consequently, such an abusive, nonprotective, or malevolently exploitative circumstance (Chefetz has coined the term "attack-ment" to describe these dynamics) has a profound impact on victim's ability to trust others. It also affects the victim's identity and self-concept, usually in negative ways that include self-hatred, low self-worth, and lack of self-confidence. As a result, both relationships, and the individual's sense of self and internal states (feelings, thoughts, and perceptions) can become sources of fear, despair, rage, or other extreme dysphoria or numbed and dissociated reactions. This state of alienation from self and others is further exacerbated when the occurrence of abuse or other victimization involves betrayal and is repeated and becomes chronic, in the process leading the victim to remain in a state of either hyperarousal/anticipation/hypervigilance or hypoarousal/numbing (or to alternate between these two states) and to develop strong protective mechanisms, such as dissociation, in order to endure recurrences. When these additional victimizations recur, they unfortunately tend to escalate in severity and intrusiveness over time, causing additional traumatization (Duckworth & Follette, 2011).
In many cases of child maltreatment, emotional or psychological coercion and the use of the adult's authority and dominant power rather than physical force or violence is the fulcrum and weapon used against the child; however, force and violence are common in some settings and in some forms of abuse (sometimes in conjunction with extreme isolation and drugging of the child), as they are used to further control or terrorize the victim into submission. The use of force and violence is more commonplace and prevalent in some families, communities, religions, cultural/ethnic groups, and societies based on the views and values about adult prerogatives with children that are espoused. They may also be based on the sociopathy of the perpetrators.”
Source: Treatment of Complex Trauma: A Sequenced, Relationship-Based Approach
“Kafka could never have written as he did had he lived in a house. His writing is that of someone whose whole life was spent in apartments, with lifts, stairwells, muffled voices behind closed doors, and sounds through walls. Put him in a nice detached villa and he'd never have written a word.”
Source: Writing Home
“Kafka didn't save me. He just told me I was drowning.”
Source: Brewster
“Kafka had his flies.”
Source: Voor een betere wereld
“Kafka had the sense of guilt. I don't think I have because I don't believe in free will. Because what I have done has been done, well, for me or through me. But I haven't done it really. But I don't believe in free will, I can't feel guilty.”
“Kafka is still unrecognized. He thought he was a comic writer.”
“Kafka often describes himself as a bloodless figure: a human being who doesn't really participate in the life of his fellow human beings, someone who doesn't actually live in the true sense of the word, but who consists rather of words and literature. In my view, that is, however, only half true. In a roundabout way through literature, which presupposes empathy and exact observation, he immerses himself again in the life of society; in a certain sense he comes back to it.”
“Kafka thought his stories were hilarious. We don't necessarily have that reaction to them, but he certainly laughed his head off every time he read them out loud.”
“Kafka, Tolstoy, Plath, Hemingway, Neruda, and Rilke are all masters of writing. They are history. Read the writings of the present generation poets & writers, before they become history!”
“Kafka truly illustrates the way the environment oppresses the individual. He shows how the unconscious controls our lives.”
“Kafka was a complex character in a complex historical era. In order to understand him, you have to do more than cite facts. It is necessary to connect the facts in a meaningful way. His relationship to Judaism, to his father, to women, to literature - all of this is interconnected; and there are decisive moments in his life, in which such interactions suddenly become visible and can be experienced in an almost sensuous manner. It is these moments above all that I try to narrate dramatically.”
“Kafka was certainly one of the great literary talents of the twentieth century, but he did not find his way to his own style until the age of nearly 30, so rather late. The disciplined immersion in unconscious psychical material is something he also learned only after long years of practice. When he succeeded in doing it for the first time - in the story The Judgement - it put him in a euphoric mood. He wanted to experience this again and again; the act of creation made him happy and proud.”
“Kafka would surely have been impressed by the twin ambitions of the modern empathetic state: the need to set up hyper-regulatory bodies preventing you from doing anything yourself, while simultaneously endowing lavish pseudo-agencies to hand out leaflets listing a 1-800 number you can dial to order more leaflets.”
“Kafka wrote the great line: "my education has damaged me in ways I do not even know." And that's always been a signature motto for me.”
“Kafka's evocations are, rather, unconscious and almost sub-archetypal, the little-kid stuff from which myths derive; this is why we tend to call even his weirdest stories nightmarish rather than surreal.”
“Kafka's writings often display an insidious power to describe a wholly secular and "factical" world in which the eerie or "unheimlich" elements gang up behind or beneath the ego's awareness and immerse it in a waking dream of something Other, an alien world-order similar to ancient irrationalist cultures (in transition from primitivism to civilized mythos-culture).”
“Kafka: cries of helplessness in twenty powerful volumes.”
“Kagame's Rwanda is the same Netanyahu's Israel we see today, both leaders are hiding behind the cloak of genocide while inflicting the same calamities upon their neighbours who welcomed them with open hands.”
“Kahan devised a theory he calls “identity-protective cognition,” suggesting that when forced to choose between factual truth and group identity, most people choose the latter. “Individuals,” he concluded, “subconsciously resist factual information that threatens their defining values.” The problem wasn’t that people are dumb, irrational, or even superficial, as I’d formerly assumed. We’ve simply evolved—as a species—in a different way than I’d imagined. “Once group loyalties are engaged,” Haidt says, “you can’t change people’s mind by refuting their arguments.”
Source: I Have Something to Say: Mastering the Art of Public Speaking in an Age of Disconnection
“Kahana was the first to close the distance between them, joining their two universes into one. Stars exploded and meteors crashed into planets as they shared a kiss that felt like more than just magic. It was love.”
Source: Jungle Princess
“Kahlan ambled toward the door. "Well, my breasts aren't as large as yours Berdine." She slowed as she passed Raina. "I think Raina's hands would fit mine better.”
Source: Blood Of The Fold
“Kahlan guide me. Kahlan teach me. Kahlan protect me. In your light I thrive. In your mercy I am sheltered. In your wisdom I am humbled. I live only to love you. My life is yours.”
Source: Wizard's First Rule
“Kahlan stood quietly in the shadows, watching, as evil knocked softly on the door.”
Source: Chainfire
“Kahlil Gibran put it, ‘Joy and sorrow are inseparable . . . together they come and when one sits alone with you . . . remember that the other is asleep upon your bed.”
Source: Life's That Way
“Kahlo is Mezcal with chilli
Dried citrus peels
Red pepper
Cedar
And cigar leaf.
Woody notes
And heat sneaking up fast.”
Source: Wrong Planet - Searching for your Tribe
“Kahlo is pink mountains of shrimp in the marketplace
And barrio fiestas
Where exotic Tehuana women with flowers in their hair
Dance with rhythm and dignity
While their long rabona skirts
Billow out around them.
Lo que el agua me ha dado.
Kahlo is the colour of wild people and free thinkers
Frida Kahlo is the colour of legends”
Source: Wrong Planet - Searching for your Tribe