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M Quotes

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All M Quotes

“My work is very dear to me, and certainly I have had all the emotional highs and lows that go with trying to get it to an audience. But I do have some kind of detachment that seems somewhat unusual in my trade. I'm a writer who writes every day. I don't have a period of months where I can't get anything done and I wander around tearing my hair out. When I come back from a book tour, for instance, I might have one day where I sleep late and then check my e-mail, and then go for a walk, and then the next day I'm really itching to get back at writing a story.”

“My work is very eclectic. I write books that range from writing fiction, writing fable where I am very directly trying to imagine alternate worlds, to writing about [Buckminster] Fuller who was the ultimate world man creating all sorts of alternate worlds and believing that they were imminent to my own work of - for instance, a project that I've been working on for some year and a half, two years now that continues to evolve has been what I call Deep Time Photography.”

“My work on prime gaps lead to lots of media coverage, some good, some bad, some ugly, and some merely ridiculous. For example, a reporter of our university newspaper, who admitted that he is still learning English, wrote that "Prof. Goldston solved one of the most controversial problems in the prime number theory last month with support from his Turkish partner."”

“My work to me is more like what the Native Americans say: When we walk upon the earth, we always place our feet very carefully upon the ground, because we know the faces of our future generations are looking up at us from below, and we never forget them. I think as a culture today we've forgotten them. This work is a way to help us remember them. It's a way for us not only to find meaning in our individual lives, but to extend that approach all across the planet. Because if we don't, we won't have a planet.”

“My work was very meticulous and very slow as a painter and so the difficulty was—the question that my graduate thesis program had—was “how are you going to make a living doing this?” After I graduated, I continued on in the same way, but I discovered that I was progressing very quickly as an artist, and that before my pieces were done, I was getting tired of them. So I knew I had to find something that moved along quicker, that followed my natural path of growth as an artist.”