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T Quotes

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All T Quotes

“The old men of the village of Mahotière say that the Mistress of the Water is a mulatto woman. At midnight she comes out of the spring and sings while combing her dripping long hair, which makes a sound sweeter than a violin. It is a song of perdition for whomever hears it. There is no sign of the Cross, no "Our Father" to save him. Her curse takes him like a fish in a net and the Mistress of the Water awaits him on the edge of the spring and smiles upon him and tells him to follow her to the depths, from which he will never return.”

“The old morality, which told us that selling the body is incompatible with giving the self, touched on a truth. Sexual feeling is not a sensation that can be turned on and off at will: it is a tribute from one self to another and—at its height— an incandescent revelation of what you are. To treat it as a commodity, that can be bought and sold like any other, is to damage both present self and future other. The condemnation of prostitution was not just puritan bigotry; it was a recognition of a profound truth, which is that you and your body are not two things but one, and by selling the body you harden the soul. And that which is true of prostitution is true of pornography too. It is not a tribute to human beauty but a desecration of it.”

“The old must be torn down for the new to be raised; to have a resurrection you must have a crucifixion, but God wastes nothing, not even the wrong we have imagined into existence. In every building torn down there is much that remains that was once true and right and good, and that gets woven into the new; in fact, the new could not be what it is without the old. It is the refurbishing of the soul.”

“The old novels are all about Jane Austen and Dickens heroines who'd as soon put bullets through their heads as let a man kiss them. And, the new novels are...about Brett Ashley, who sleeps with any guy who really insists, but is a poetic pure tortured soul at heart....She talks Lady Brett and acts Shirley, handling the situation on the whole with remarkable willpower----'...'It doesn't take too much willpower, ' Marjorie burst out,...'with most of the boys, who are plain animals, and just need slapping down. And it doesn't take much willpower either wth the conceited intellectuals who try to disarm you by telling you that you're frigid. They're just amusing.”

“The Old Oak died just after sunset that day to an audience of a hundred pilots, all of them long dead and somehow all killing. None of them wept for her, not even Paxton, force-fed so much emotion he had no time to digest. But he could pity, and he did - he pitied the life she had lived and the future they had created for her. But not pity, no. She didn't deserve pity. The Old Oak deserved love, and he did, he loved her.”

“The old oak, utterly transformed, draped in a tent of sappy dark green, basked faintly, undulating in the rays of the evening sun. Of the knotted fingers, the gnarled excrecenses, the aged grief and mistrust- nothing was to be seen. Through the rough, century-old bark, where there were no twigs, leaves had burst out so sappy, so young, that is was hard to believe that the aged creature had borne them. "Yes, that is the same tree," thought Prince Andrey, and all at once there came upon him an irrational, spring feeling of joy and renewal. All the best moments of his life rose to his memory at once. Austerlitz, with that lofty sky, and the dead, reproachful face of his wife, and Pierre on the ferry, and the girl, thrilled by the beauty of the night, and that night and that moon- it all rushed at once into his mind.”

“The old orchid hunter lay back on his pillow, his body limp... 'You'll curse the insects,' he said at least, 'and you'll curse the natives... The sun will burn you by day and the cold will shrivel you by night. You'll be racked by fever and tormented by a hundred discomforts, but you'll go on. For when a man falls in love with orchids, he'll do anything to possess the one he wants. It's like chasing a green-eyed woman or taking cocaine... it's a sort of madness.”

“The old order changeth yielding place to new And God fulfills himself in many ways Lest one good custom should corrupt the world. Comfort thyself: what comfort is in me I have lived my life and that which I have done May he within himself make pure but thou If thou shouldst never see my face again Pray for my soul. More things are wrought by prayer than this world dreams of.”

“The old order, it is good for the old. A farmer wants his son to be afraid of beautiful women, so that he will not leave home too soon, so he tells a story about how one drowned his brother’s cousin’s friend in a lake, not because he was a pig who deserved to be drowned, but because beautiful women are bad, and also witches. And it doesn’t matter that she didn’t ask to be beautiful, or to be born in a lake, or to live forever, or to not know how men breathe until they stop doing it.”

“The old parties are husks, with no real soul within either, divided on artificial lines, boss-ridden and privilege-controlled, each a jumble of incongruous elements, and neither daring to speak out wisely and fearlessly on what should be said on the vital issues of the day.”

“The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew into the air came to rest upon the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing.”

“The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. The soil was soothing, strengthening, cleansing and healing.”

“The old process of social assimilation used to be mainly about English new money - generated in London, the mucky, brassy North or the colonies - buying those houses and restoring them, and doing the three-generation thing, mouldering into the landscape, and the 'community,' identifying with the place in a familiar way.”