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T Quotes

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All T Quotes

“The switch has been built. Maybe you trust Barack Obama not to throw that switch, and maybe you trust George Bush not to throw that switch, but as we look towards the future, we see inequality becoming more and more acute. We're seeing more and more protests against cops and this kind of thing. We're also seeing more and more natural disasters. We're seeing more and more environmental insecurity.”

“The switch to the market in Eastern Europe, of course, has not exactly been one of the greatest advertisements for the market. There's no question the socialist system - and I hate to use the word 'socialist,' but I suppose some description of a system in which the state is in control - was breaking down, really collapsing. In these countries, most markedly in Russia itself and in a number of the others, it obviously was based on a tyranny, which is unacceptable even if it were producing good economic results, which it was not.”

“The Sword of Elendil was forged anew by Elvish smiths, and on its blade was traced a device of seven stars set between the crescent Moon and rayed Sun, and about them was written many runes; for Aragorn son of Arathorn was going to war upon the marches of Mordor. Very bright was that sword when it was made whole again; the light of the sun shone redly in it, and the light of the moon shone cold, its edge was hard and keen. And Aragorn gave it a new name and called it Andúril, Flame of the West.”

“The sword pierced the general’s neck before he registered the movement. “Just a child!” His mind screamed as the blade bit deeper. “Just a child!” The blade chinked against his spine, a sound he refused to accept, a sound he had heard too often not to recognise. “Just a child!” His sight faltered, disappeared, all life vanishing in one sharp spurt of pain. “Just a child!” as Raziel damned his soul to hell.”

“The sword was called Kaledvoulc'h, which means hard lightning, though Igraine prefers to call it Excaliber, and I shall call it so as well because Arthur never cared what name his longsword carried. Nor, did he care about his childhood, for certainly I never heard him speak of it. I once questioned him about his early days and he would not answer. “What is the egg to the eagle?” he asked me, then said that he had been born, he had lived, and he had become a soldier, and that was all I needed to know.”

“The swordsman said, “Don’t you see? The point is that you can’t do the right thing unless you first decide to do the right thing. One way or the other, people err. Circumstance carry them into misdeed. Without any reason, without any thought, without any intention, they find themselves having been turned astray, onto the wrong path. The opposite never happens. No one says, ‘Without realizing it, I found myself doing the right thing,’ or ‘At some point I must have started doing good deeds,’ or ‘I inadvertently did something right.’ Without intent, there is no being right. Proper conduct requires proper intent. Without first deciding to the right thing, you can’t do it. If you say you hurt because you can’t do the right thing, that’s because you haven’t decided what you want to do. He’d done his best to simplify it for her, but he didn’t pull any punches. Ultimately, his advice remained too abstract for a mere mortal, but his words were just what her tumultuous heart thirsted for, and they stung her core like a disinfecting splash of alcohol in a wound. The man continued, “There are many reasons not to do the right thing, plenty of causes for indecision and fear. People can blame it on others or on society at a large – or even on the times or on fate. But what people who don’t do the right thing must understand is that it’s not because they can’t, but because they don’t. You certainly don’t have to force yourself to behave the right way, but never allow yourself to forget that the choice was yours to make. Everyone who does right follows the steps: decide, then act. To remain on the first step while fretting over the second is the height of folly.”

“The swordswoman and I are not so dissimilar. May my people understand the resemblance soon so that I can return to them. What we have in common are the words at our backs. The idioms for revenge are 'report a crime' and 'report to five families.' The reporting is the vengeance-not the beheading, not the gutting, but the words.”

“The Sydney of this time was a different place to the honeymoon city I'd visited with Damien. That one was the crescent of the bridge, the rolling waves beneath the ferry, the shaded streets in The Rocks where we'd bought touristy postcards to send home. Everywhere was so lush, everything blue and green. This Sydney was more or less the space between Campsie and Dulwich Hill. Suburban streets, 7-Eleven hot chocolate, stream, car fumes, perc in my nose and throat, light dancing across the scratched Perspex of train window.”

“The syllogism he had learnt from Kiesewetter's Logic: "Caius is a man, men are mortal, therefore Caius is mortal," had always seemed to him correct as applied to Caius, but certainly not as applied to himself. That Caius—man in the abstract—was mortal, was perfectly correct, but he was not Caius, not an abstract man, but a creature quite, quite separate from all others. He had been little Vanya, with a mamma and a papa, with Mitya and Volodya, with the toys, a coachman and a nurse, afterwards with Katenka and will all the joys, griefs, and delights of childhood, boyhood, and youth. What did Caius know of the smell of that striped leather ball Vanya had been so fond of? Had Caius kissed his mother's hand like that, and did the silk of her dress rustle so for Caius? Had he rioted like that at school when the pastry was bad? Had Caius been in love like that? Could Caius preside at a session as he did? "Caius really was mortal, and it was right for him to die; but for me, little Vanya, Ivan Ilych, with all my thoughts and emotions, it's altogether a different matter. It cannot be that I ought to die. That would be too terrible.”

“The symbiotic relationship between reading and writing is a cornerstone of our individual intellectual journey and our educational system. We write as an act of self-expression. We read because language renders unto us the vitality of real and imagined experience.”

“The symbol of a drama, a symphony, or a dance is useful to correct a certain absurdity which may arise if we talk too much of God planning and creating the world for good and then being frustrated by the free will of the creatures. This may raise the ridiculous idea that the Fall to God by surprise and upset His plan, or else – more ridiculous still – that God planned the whole thing for conditions which, He well knew, were never going to be realized. In fact, of course, God saw the crucifixion in the act of creating the first nebulae. The world is a dance in which good, descending from God, is disturbed by evil arising from the creatures, and the resulting conflict is resolved by God's own assumption of the suffering nature which evil produces.”

“The symbol of Goddess gives us permission. She teaches us to embrace the holiness of every natural, ordinary, sensual dying moment. Patriarchy may try to negate body and flee earth with its constant heartbeat of death, but Goddess forces us back to embrace them, to take our human life in our arms and clasp it for the divine life it is - the nice, sanitary, harmonious moment as well as the painful, dark, splintered ones. If such a consciousness truly is set loose in the world, nothing will be the same. It will free us to be in a sacred body, on a sacred planet, in sacred communion with all of it. It will infect the universe with holiness. We will discover the Divine deep within the earth and the cells of our bodies, and we will lover her there with all our hearts and all our souls and all our minds.”

“The symbol of Goddess gives us permission. She teaches us to embrace the holiness of every natural, ordinary, sensual dying moment. Patriarchy may try to negate body & flee earth with its constant heartbeat of death, but Goddess forces us back to embrace them, to take our human life in our arms & clasp it for the divine life it is - the nice, sanitary, harmonious moment as well as the painful, dark, splintered ones.”

“The symbol of the Lotus flower gives a precious teaching that can inspire us to deal with life in the best possible way. Its roots take nourishment from muddy waters and yet bloom in full delicacy and beauty on the surface. Similarly, to have a positive mindset is a beautiful quality; nonetheless to be transformational it needs to be rooted firmly in reality to then blossom with the value which can be created from the muddy problem(s)”

“The symbol of the Sufi Movement, which is a heart with wings, denotes its ideal. The heart is both earthly and heavenly. The heart is a receptacle on earth of the divine Spirit, and when it holds the divine Spirit, it soars heavenward; the wings picture its rising. The crescent in the heart symbolizes responsiveness. It is the heart that responds to the spirit of God which rises. The crescent is a symbol of responsiveness because it grows fuller as the moon grows fuller by responding more and more to the sun as it progresses. The light one sees in the crescent is the light of the sun. As it gets more light with its increasing response, so it becomes fuller of the light of the sun. The star in the heart of the crescent represents the divine spark which is reflected in the human heart as love, and which helps the crescent towards its fullness. The Sufi Message is the message of the day. It does not bring theories or doctrines to add to those already existing and which puzzle the human mind. What the world needs today is the message of love, harmony, and beauty, the absence of which is the only tragedy of life. The Sufi Message does not give a new law; it awakens in humanity the spirit of brotherhood, with tolerance on the part of each for the religion of the other, with forgiveness from each for the fault of the other. It teaches thoughtfulness and consideration, so as to create and maintain harmony in life; it teaches service and usefulness, which alone can make life in the world fruitful, and in this lies the satisfaction of every soul.”

“The symbolic display seen by the abductees is identical to the type of initiation ritual or astral voyage that is imbedded in the [occult] traditions of every culture...the structure of abduction stories is identical to that of occult initiation rituals...the UFO beings of today belong to the same class of manifestation as the [occult] entities that were described in centuries past.”

“The symbolic personage who focuses upon himself a social drama and the martyr may well be born during these days preceding the new moon. They are the incorporation of the need of their collectivity for a new birth of spirit. They call down the creative spirit; they summon forth the future-even if it be through their own death”